Barbarzyńcy w teatrze. Strategie artystyczne Moniki Pęcikiewicz, Moniki Strzępki i Wiktora Rubina
Barbarians in the Theatre. Comments on the Margins of Monika Pęcikiewicz's, Monika Strzępka's and Wiktor Rubin's Creativity

Summary/Abstract: The article concerns contemporary Polish theatre, and particularly the creativity of young directors who are in their thirties: Monika Pęcikiewicz, Monika Strzępka and Wiktor Rubin who give up the traditional theatre and mingle with mass and popular culture. The article also focuses on the problem of reception, because theatrical performances, distancing themselves from the traditional ones, still cause emotional reactions of conservative spectators who often feel shocked and offended by such theatre. Such performances ignore the hegemony of dramatical text – they deconstruct cause and effect order of narration, confront text with contemporary context, they are incoherent; they use new media to contact with a spectator by acting that is based on quoting a character and constant balancing between theatrical performance and private life.

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