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Summary/Abstract: A review of the play Eugene Onegin, directed by Alvis Hermanis (Schaubühne am Lehniner Platz, Berlin, premiere: 25 XI 2011). The author notes that Hermanis’s basic dramaturgical decision is a gesture of constant performing the story based on Pushkin’s epic, based on its artistic and private experience, the external authorial commentary, and the cultural contexts that appear while reading the text. Hermanis seeks to point out how cultural discourses, literature, and visual schemata affect the social roles we enact.

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