“SYCORAX ON STAGE”:THE UNVOICED SHAKESPEAREAN FEMALE OTHER FINALLY SPEAKS IN SUNITI NAMJOSHI’S POETRY Cover Image

“SYCORAX ON STAGE”:THE UNVOICED SHAKESPEAREAN FEMALE OTHER FINALLY SPEAKS IN SUNITI NAMJOSHI’S POETRY
“SYCORAX ON STAGE”:THE UNVOICED SHAKESPEAREAN FEMALE OTHER FINALLY SPEAKS IN SUNITI NAMJOSHI’S POETRY

Author(s): Gabriella Tóth
Subject(s): Gender Studies
Published by: Universitatea de Vest din Timişoara
Keywords: adaptation; authorship; dialogism; feminism; post-colonialism

Summary/Abstract: The witch has always been the representation of an unspeakable absence. Sycorax embodies all silenced African women, experiencing double patriarchy (a term used by Omofolabo Ajayi-Soyinka). Associated with the margins, she represented the barbarian Other to European culture. Sycorax decolonizes the male-dominated world of Prospero: from absence, she is turned into presence, as she constructs her subjective narrative.

  • Issue Year: 2013
  • Issue No: 12
  • Page Range: 126-143
  • Page Count: 18
  • Language: English