SPLASHED-INCISED WARES IN THE ISLAMIC CERAMIC ART AND IMITATION THEORY Cover Image

İSLAM SANATINDA AKITMALI-KAZIMALI SERAMİKLER VE TAKLİT TEORİSİ
SPLASHED-INCISED WARES IN THE ISLAMIC CERAMIC ART AND IMITATION THEORY

Author(s): Mezahir Ertuğ Avşar, Lale Avşar
Subject(s): Fine Arts / Performing Arts
Published by: Sanat ve Dil Araştırmaları Enstitüsü
Keywords: Medieval Islamic ceramic art; Chinese sancai ceramics; flowpainted abrasive embellishment

Summary/Abstract: Islamic ceramic art that is an inevitable source of modern Islamic art created the environments and conditions that helped emerge a number of techniques currently in use. Though the Islamic art that flourished rapidly due to various political, ideological and cultural reasons makes itself clear in all of its branches, the rapid development of medieval Islamic art represents an exceptional and unique case. Thanks to its highly creative approach, advanced aesthetical understanding and craftsmanship skills, works of art produced by Islamic masters constitute the best pages of the history of the world art. The present study focuses on Chinese sancai ceramics of Tang period that is seen as the possible origin of splashed ceramic technique and analyzes the links between the two traditions, and similar and different sides are examined.

  • Issue Year: 1/2013
  • Issue No: 1
  • Page Range: 1-13
  • Page Count: 13
  • Language: Turkish