Adaptations of the Schenkerian Analysis to Post-Tonal Music
Adaptations of the Schenkerian Analysis to Post-Tonal Music
Author(s): Anca Preda-UliţăSubject(s): Music
Published by: Editura Universitatii Transilvania din Brasov
Keywords: Schenkerian analysis; post-tonal music; Semper idem sed non eodem modo
Summary/Abstract: Heinrich Schenker restricted his analytical application to the baroque to romantic German repertoire. As a result, a series of theorists attempted to apply his approaches beyond this range. In view of that, one has to consider the extent to which Schenkerian analysis may provide information regarding post-tonal music. Therefore, analysts have to begin with Schenker’s own ideas about analysis to show how they are not abandoned in the analysis of post-tonal music and then examine the literature that offers insight into this theoretical issue.
Journal: Bulletin of the Transilvania University of Braşov, Series VIII: Performing Arts
- Issue Year: 6/2013
- Issue No: 2
- Page Range: 85-90
- Page Count: 6
- Language: English