Le corps de la théorie, le corps dans la théorie – Figurations du sujet interprétant dans les écrits de Jean Starobinski –
Le corps de la théorie, le corps dans la théorie – Figurations du sujet interprétant dans les écrits de Jean Starobinski –
Author(s): Ioana BothSubject(s): Theatre, Dance, Performing Arts
Published by: Universitatea Babeş-Bolyai, Facultatea de Teatru si Televiziune
Keywords: Jean Starobinski; interpreting subject; the Geneva school of criticism; critical conscience; „critique de la conscience”; „figurality”; interpretation
Summary/Abstract: Along the lines of an earlier research project focusing on the interpreting subject figurae in contemporary literary criticism, I aim at reflecting, based upon a set of close readings, on the use of the body and body-related metaphors in critical interpretation conceptualizations, particularly in Jean Starobinski’s works. Marking an „actual presence”, be it a superficial image or a metaphor ultimately instrumenting a concept otherwise difficult to circumscribe, the use of the body (as a figura of the object to be interpreted, as well as a figura of the interpreting subject) in Starobinski’s theoretical writings on the critical act, resorts to earlier rhetoric stratagems, yet mentions, at the same time, a different (as well as difficult) relationship between the critical subject and its own figural occurrence in its own text.
Journal: Ekphrasis. Images, Cinema, Theory, Media
- Issue Year: 13/2015
- Issue No: 1
- Page Range: 188-198
- Page Count: 11