Restructurari integratoare de texte in dialog. Naratorul ca regizor
Inter-texts dialogue and their integrative reconfiguration. The narrator as stage director

Summary/Abstract: If, from a narrative point of view, the strategy of traveling back into the past is meant to grasp different meanings, to convey individual destiny caught in the great mechanism of history validating the expectations of the existential novel' reader, then, choosing memory as inducing the specific re-structuring strategy of collage (with digressions and insertions of different news published in printed media or authentic documents from a certain epoch) makes the text ever more ambiguous, but inter-relating to other different texts from which the narrator - stager cannot find his way out. Obviously, within the '80s, History itself is no longer placed at the core of narratives, even if - as on can notice in the contemporary novel - it validates the ego-centered quest within the textual historical projection, now viewed as improvised scenario covertly dominated byt he self-reflexive comments.

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