Dreptul de autor și drepturile conexe asupra operei cinemato¬grafice: transmiterea drepturilor de autor asupra operei cinematografice
Copyright and Related Rights over the Cinematographic Work: the Transmission of Copyright over the Cinematographic Work
Author(s): Monica Florina Bota MoisinSubject(s): Law, Constitution, Jurisprudence
Published by: Asociaţia Ştiinţifică de Dreptul Proprietăţii Intelectuale
Keywords: patrimonial cinema rights’ assignment presumption; cinema production agreement; work for hire; non-assignable moral cinema rights; EU Directive on orphan works; permitted use of orphan works
Summary/Abstract: Last in a trilogy that tackles Romanian Copyright and Neighbouring Rights in Cinema, this paper specifically addresses the transmission of rights generated by cinematographic creations. The Romanian Copyright Law provides for a presumption of assignment of all patrimonial rights related to a cinematographic product in favour of the film producer. As for the moral cinema rights, typically for this category of rights recognised by the continental legal system, they are inalienable, non-assignable and perpetual. Under such circumstances, how can the co-existence of moral and patrimonial rights over the same cinematographic creation be balanced as to ensure an equitable status for all stakeholders? And what happens with a film whose producer cannot be identified and for which no entity claims any authorship rights thereof?
Journal: Revista Română de Dreptul Proprietăţii Intelectuale
- Issue Year: 2014
- Issue No: 3
- Page Range: 132-142
- Page Count: 11
- Language: Romanian
- Content File-PDF