Complementaritatea stilistică în"Passion XXI" pentru orgă și orchestră de Vladimir Beleaev
Complementary stylistic in Vladimir Beleaev's "Passion XXI" for organ and orchestra

Summary/Abstract: The present article is elaborated on the basis of intercultural study of „Passion-XXI” for organ and orchestra, composed by Moldavian composer Vladimir Beleaev, and performed in the frame of International New Music Days Festival from Republic of Moldova. In "Passion-XXI" V. Beleaev manifests complementary stylistic, oriented on traditions and new achievements of Western Europe music: elements of new language, avant-garde, with strident, loud sound, using sonoristic effects (timbral music operating with clusters, flageolet glissandos, pointillist textures), are associated with music with neo elements – Medieval, Baroque – polyphonic textures, of imitation and neocanon, fugato, motivic and rhythmic ostinati, alternated with components of modal thinking (ison, heterophony)

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