Didactic aspects in vocal art
Didactic aspects in vocal art

Summary/Abstract: The European and universal research in the field of vocal art is centred on a multiple perspective approach both in what the pedagogy and the vocal singing are concerned. Therefore, there are canto congresses organized annually in different parts of the world, which confirm the truth that the functional education of the voice , based on the bel canto old school, is the only one consecrated over the years.One of the main concerns of each student, future opera singer, ought to be the achievement of technical and interpretative skills specific to this field and fully develop them during his/her entire life. Natural talent and hard work represent the ideal formula for a true career in the lyrical theatres all over the world.The part that the professor plays in the vocal education is of utmost importance. The experience of the great masters in the opera field transposed in singing methods books, is a real guide for the modern teacher of vocal art, but besides that the latter also ought to possess vast knowledge from other different domains as well as the sense to recognize the good parts in the student’s voice and qualities and the things that should be corrected.

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