Pieśniowe interpretacje wybranych wierszy Paula Verlaine’a. Analiza porównawcza utworów Ireny Wieniawskiej oraz Gabriela Faurégo, Claude’a Debussy’ego i Maurice’a Ravela
Musical interpretation of selected poems by Paul Verlaine. Analysis of Irena Wieniawska’s songs in the comparison to the compositions by Fauré, Debussy and Ravel
Author(s): Anna Al-ArajSubject(s): Cultural history, Music, Poetry, Studies of Literature, History of Philosophy, Sociology, Modern Age, Recent History (1900 till today), Comparative Study of Literature, French Literature, 19th Century Philosophy, Sociology of Culture, 19th Century, Pre-WW I & WW I (1900 -1919)
Published by: Koło Naukowe Studentów Muzykologii UJ
Keywords: 20th-century song;mélodie;Gabriel Fauré;Claude Debussy;Maurice Ravel;Irena Wieniawska;
Summary/Abstract: The aim of this article is to interpret songs by Gabriel Fauré, Claude Debussy, Maurice Ravel and a less-known composer − Irena Wieniawska (1879−1932), based on the same poems by Paul Verlaine. In the first part of this paper, the relationships between Wieniawska, Fauré, Debussy, Ravel and Verlaine are subsequently described. Then, the author makes a comparison between selected songs by French composers and Madame Poldowski, indicating main similarities and differences. The final part consists of some remarks related to the fact that Wieniawska fulfills features of the French mélodie very strictly. This is why her songs seem to be more traditional, not so allusive and sophisticated as Debussy’s or Ravel’s vocal works
Journal: Kwartalnik Młodych Muzykologów UJ
- Issue Year: 2017
- Issue No: 02 (33)
- Page Range: 43-76
- Page Count: 34
- Language: Polish
