Колорит экранной живописи
Coloring screen painting

Summary/Abstract: The purposes of the work are the analysis of the components in the system of coloring organization of the screen painting, to study of the phenomenon of color and the analysis of features of various color solutions application in films and to determine how to implement them. Methodology. The methodology of the research consists of the application of structural-functional and cultural approaches. Due to the necessity of systematization of coloring challenges solutions the authors have analyzed the variations of color in the visual arts. Scientific Novelty. The scientific novelty of the research includes clarification of the components and their impact on the color of the picturesque works, the determination of the effect on the color gamut in screen painting technology, the structured analysis of contemporary coloring options, methods of forming color in feature films and coloring analysis in iconic films. Conclusions. Coloring is a component of the on-screen painting, which can be changed without any technical and technological limitations. It depends on the creative idea in various ways and means: the selection of subject color, the color temperature of the lighting, filters, additive synthesis of multi-colored light beams in the color grading for the post-production by exposure control in some areas of the frame and the entire frame.

• Details
• Contents