Ambivalent Images of Japanese Businessmen in American Films: From A Majority of One (1961) to Lost in Translation (2005)
Ambivalent Images of Japanese Businessmen in American Films: From A Majority of One (1961) to Lost in Translation (2005)
Author(s): Yoshiko IkedaSubject(s): Essay|Book Review |Scientific Life
Published by: Vytauto Didžiojo Universitetas
Keywords: Japanese businessmen; American films; representations of the Other; ambivalence; self-criticism; individualism; Japonijos verslininkai; amerikietiški filmai; kitoniškumo vaizdavimas; prieštaringumas; savikritika; individualizmas
Summary/Abstract: This paper examines the ambivalence reflected in the images of Japanese businessmen in american films from the 1960s to the present. The films to be examined are A Majority of One (1961), 1970s films, Gung Ho (1986), Die Hard (1988), Rising Sun (1993) and Lost in Translation (2005). The dominant images of Japanese businessmen are negatively constructed in such a way that they defend american self-images. However, especially in the late 1980s and early 1990s, these Japanese images seemed not only to defend americans themselves, but also mask their own anxiety toward themselves and further criticize themselves for their reconstruction of their own self-images. The purpose of this paper is to explore the contradictory beliefs and conflicting emotions of americans reflected in the ambivalent images of Japanese businessmen in the above films.
Journal: Regioninės studijos
- Issue Year: 2012
- Issue No: 6
- Page Range: 11-28
- Page Count: 18
- Language: English