FEMRA, PERSONAZHI I SIMBOLIZUAR
SUBJECT: FEMALE, THE SIMBOLIZED CHARACTER

Summary/Abstract: Based on this context, we bring the symbolism of women, as the real reflection of human circumstances. Reality is replaced by the illusion, which refers to an imagination, where dreams and hopes strike with a good desire not to be extinguished and lost. Illusion replaces reality, when it comes tough, painful. As the author claims to descend on a terrestrial level, the text structure remains decoded in the symbol. As Bendeto Kroce ascertains, "the symbol is created unconnected with the author's intuition, it is a synonym of that intuition that has the signs of the ideal." For this, the author, along with the heroine, experience the illusion of another, tired, helpless to overcome this human reality.It is not by accident that the symbol of the woman appears in Koliqi’s, Migjeni’s, Spasse's work, always "in search of a dream, and in these women's searches carries the cross of suffering, the symbol of pain and hope", provoking a life situation in a person's dialogue with his reader. Females become the symbol of helplessness, imprinted in both the family and the society. It is alienated in the face of moral code. Interest in the world's perception of the world, feelings and imaginative fantasies prompt the authors to treat the female figure very carefully through the literary character. Its rich and secretive world is distinguished by the authors of pride, bravery, wit and beauty. The three authors reveal to the reader the appearance of feminine symbolism. Their common feature lies in the point of view of the action scene and the perception of the character, where, based on the relationships between the inner world and the surrounding mentality, a pain or a human desire arises. "Deep melancholy overwhelms human souls; at every turn, the dark sides and the shortcomings of life are seen; death, loneliness, alienation, and judgment over something distant for an unknown world that ran away from the daily" dislodged the woman from falling into the sorrows of melancholy, but since social reality did not offer this, she began to cry in despair of a the incurable soul of a city blasphemy.

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