Kobieta walcząca o pozycję w polu produkcji artystycznej. Samoidentyfikacja, samoorganizacja i samoemancypacja według Ewy Partum
A Woman Fighting for Her Position in the Field of Art Production. Self-identification, Self-organization and Self-emancipation According to Ewa Partum
Author(s): Tomasz ZałuskiSubject(s): Language studies, Language and Literature Studies, Theoretical Linguistics, Studies of Literature
Published by: Łódzkie Towarzystwo Naukowe
Keywords: Ewa Partum; conceptual art; feminism; self-organization; alternative galleries
Summary/Abstract: Ewa Partum’s conceptual art of the early 1970s consisted in creating a new artistic languagebut at the same time it bore some traits of feminism and was marked by the figure of whatmight be called “the touch of a woman”. The artist's self-organizational activities whichtook the form of establishing and running of an alternative art gallery called “Adres” canbe also considered as self-emancipatory feminist practice. The gallery was instrumental inPartum’s attempts at producing symbolic capital for herself and taking a position in thefield of Polish and international neo-avant-garde.
Journal: Zagadnienia Rodzajów Literackich
- Issue Year: 61/2018
- Issue No: 2
- Page Range: 75-89
- Page Count: 15
- Language: Polish
