A köztesség spektákuluma
The Spectacle of Intermediarity
Participation, Presence, and the Body at the 57th edition of the Venice Biennale
Author(s): Cecília HausmannSubject(s): Theatre, Dance, Performing Arts, Fine Arts / Performing Arts, Essay|Book Review |Scientific Life, Visual Arts, Cultural Essay
Published by: Játéktér Egyesület
Keywords: Venice Biennale;Anne Imhof;Faust;participatory art;performance;theatre;
Summary/Abstract: The author approaches last year’s Venice Biennale from the perspective of performativity. Hausmann analyses the tendency of the major artworks to operate with the physical presence, the activity, and the body of the creator and/or the viewer. After a historical introduction, she focuses on Anne Imhof’s Faust as an example of contemporary participatory creations, found at the crossroads of performance art and happening.
Journal: Játéktér
- Issue Year: 2018
- Issue No: 3
- Page Range: 39-48
- Page Count: 10
- Language: Hungarian
- Content File-PDF
