SADOVEANU’S NOVEL BETWEEN MODERNISM AND POSTMODERNISM
SADOVEANU’S NOVEL BETWEEN MODERNISM AND POSTMODERNISM

Summary/Abstract: The transformations of Mihail Sadoveanu’s book emerge from the myth of creation and get developed in the domain of the imaginary. They allow for a certain look on literature, a particular one, to whom one can only credit for a certain manner to make a reading: as a dictation of the writing, arranged around the metamorphoses of the writer, still as a certain way in which to conceive the writing at the interference of an intrafiction-metafiction-transfiction triad. The programmed craftsmanship in the ceremonial of Sadoveanu’s storytelling is that reservoir, manneristically inexhaustible and happy. In this article’s author vision, Mihail Sadoveanu’s novel is self-representation and antirepresentation. In context, the meaning reproduction is diachronic-synchronic (that is to say paradigmatic-syntagmatic), as the paper has patience, and the reader doesn’t. In search of the lost time, the big writer rediscovers the space and gravity law. Ideal entities of language resignify the expressivity of all the ‘’matters’’. Mihail Sadoveanu is a sort of an ideal avatar of the good of Literature. (I.P.B.).

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