Учението за първообраза от „Диалектика на художествената форма“
A Concept of Prototype in The Dialectics of Artistic Form
Author(s): Galin PenevSubject(s): Philosophy, Fine Arts / Performing Arts, Visual Arts, Aesthetics, Special Branches of Philosophy, Philosophy of Mind, Sociology of Art
Published by: Институт по философия и социология при БАН
Keywords: art form; prototype; dialectics; eidos; myth; expression
Summary/Abstract: The article considers how prototype is established through a dialectical construction of artistic form. The conception of prototype is presented through a long dialectical examination of the relation between subjective sense and its material counterpart as a topos of symbolic being. The prototype is a regulative ideal pattern of maximum expression in artistic form. The image and its prototype establish each other simultaneously. In artistic experience, we encounter a phenomenon of correspondence. Losev presented a detailed structure of likeness in image, and showed how it involves the disclosure of the prototype.
Journal: Философски алтернативи
- Issue Year: XXVIII/2019
- Issue No: 3
- Page Range: 154-160
- Page Count: 7
- Language: English, Bulgarian
- Content File-PDF