Sinemada Çağdaş Sanat ve Paradigma Olgusu
Contemporary Art in Cinema and Paradigmatic Phenomenon

Summary/Abstract: The aim of the research; to evaluate the paradigm phenomenon within the framework of the philosophy of science and to follow the parallel development line in the field of art and to analyze it through the films that put it in the focus of contemporary art. In this scope, The Square (2017) directed by Ruben Östlund and Manifesto (2015) directed by Julian Rosefeldt are analyzed in terms of the paradigm shifts. In this direction; issues such as the privatization of culture, the intervention of museums and galleries to art, the changing of the essential language of art and manipulating by press and advertising, acceptance of the manipulation by the artist, leaving the place of academic art to the contemporary, the evolving of modern art to the absurd, capitalism is criticized on the one hand, on the other hand its use by both the artist and the gallery are important points.

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