Leonida Lari – ostatică a chemării în drama teleologică a poeziei
Leonida Lari – hostage of the calling in the teleological drama of poetry

Summary/Abstract: Not only in the poem, the title of which is borrowed from the bilingual anthology ("Inorogul". Chisinau: Prut Publishing House, 2013), but also in its entire creation, Leonida Lari depicts herself as a hostage of her own calling, in order to calm her lyrical enthusiams in order to assure the role to the revival of the historical and creative time itself. The hypothesis is even more obvious if we consider the teleological, inexorable orientation, that, due to its nature, is a dramatic one, the poet facing obstacles of ideological, geopolitical, aesthetic, etc. The aforementioned signs are noticeable both in the original work and in the translated version (in Spanish). The poet applies the serene style, the ‘bright’ language, acting characters, as mythical, fabulous or otherwise, as well as conclusive in terms of the expected goals.

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