КОНЦЕРТИ Л. БЕТХОВЕНА ЯК РЕПЕРТУАРНИЙ СТРИЖЕНЬ ПРОГРАМ ПІАНІСТІВ ОДЕСИ
CONCERTOES OF L. BEETHOVEN AS REPERTORY PEG OF THE PROGRAMS IN PIANISTS OF ODESSA

Summary/Abstract: The Purpose of the article is an underlining сhant base of essential sides themes and concepts as a whole L. Beethoven works, including early, undervalued on ideological reason in specialized literature, but always broadly claimed in practical person music concerto, including such prominent actor as S.Richter, well-mannered and formed by achievements art South Palimiry. Scientific novelty of the study is determined by theoretical independence of the vision in Josephine classicism to essence of the Viennese school, as well as for the first time in Ukrainian musicology are analyzed in accepted foreshortening in Beethoven chant style First and the Second piano concertos prominent Viennese classics and is determined high artistic value their over-individual lyrical forming expressions.

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