Універсалізм творчої діяльності Е.Вілли-Лобоса
Universality to creative activity of E. Villa-Lobos

Summary/Abstract: The Purpose of the article given work there is realizations of the particularities to the universality of E. VillaLobos in connection with alternative trend cultural orientation to the Latest history, which has selected at the end ХІХ ct. P.Valéry as "system of Leonardo da Vinci," swept away phenomenal association creative, scientific and artistic thinking, as well as the state-organizing range to activity incompatible with measurements of New time. Contributory correction in musicology of the description of the making the Villa-Lobosa, in which alternatives artistic-self-contained and applied-popular art finely intertwine with unexpected ethics-sociological observations, given birth being too extensive, multinational, polytechnical Brasilia. Methodology. Methodological base of the work is intonation approach of the school B.Asafiev in Ukraine with inherent him linguistics- culturology aspect of the interpretation musicology method, with handhold on analyst-structured principle and handhold on comparative stylistic features, hermeneutics-interpretation foreshortening of the music semiotics " intonation dictionary of the epoch" on Asafiev and further developments in work A.Sokol, E. Markova and others. Scientific novelty of the study is conditioned by originality to theoretical idea "systems Leonardo da Vinci" P.Valéry in projections on material of the creative biography of the great Brazilian artist and statesman, as well as that that for the first time in Ukrainian musicology are presented descriptions of the works of E. Villa-Lobos in context declared to ideas, including operatic heritage of the composer, not illuminated in Ukrainian- and Russian-language source. Conclusions. The whole experience state-educational construction to Brasilia have opened the new ethics-social standards, aesthetic equipped and deeply original. Humankind is called to listen and absorb for the experience of music genius of E. Villa-Lobos, accordingly, regularities in mastering Bachiana passed XX centuries. The manifestation of the universality of the activity incidence in a legacy of E. Villa-Lobos has caused to lives "proto-post-vanguard" manifestation of the thinking of this author, who has shown in Brazilian bаchianas determined compromise of the simplicity "masses-cultural latin" and heights professional hyperbole to metaphoric thinking beyond reach on previous history step. In operatic manifestation ("Yerma") turns out to be the original line of verism, in which is kept borrowing in artistic integer естественнонаучно justified didactics in spirit of the natural science, but in the event of named work is brought forth moral standard of gender faithfulness, which never was discussed in artistic sphere on height ethics-aesthetic valid her understanding and acceptance.

• Details
• Contents