Культурна штучність романтичної стилістики в умовах українського ліризму і в формуванні мистецьких засад фортепіанної гри від XІХ на ХХ століття
Сultural affectation of traits in romantic style in condition of the Ukrainian lyricism and in shaping artistic bases of piano plays from XIХ on XX century

Summary/Abstract: The Purpose of the study – a trailing of "woolgathering" in style will take the Ukrainian romanticism in other style formations and in osculation of the phenomenon key type of piano sounding from the end XIX on XX century. The methodological basis of the study – interdisciplinary reflective-style comparative and culturology-hermeneutic analysis music-artistic manifestations of creative activity in continuation of positions of T.Adorno, A.Losev, studies of A.Sokol, E.Markova, O.Muravskaya and others. Scientific novelty of the work is defined by theoretical independence of the history forshortening of consideration of the artistic processes in time of the romanticism, for the first time in musicology chosen regular character of "breakout of the Orient" in piano creative activity XX centuries as that that has defined key type of piano sounding in creative activity A.Skrjabin, influence which on South of the Ukraine and Odessa had a decisive nature in relationship with formation position ukrainian piano school as a whole. The findings. The lyricism of Ukrainian mental type, in special sense over-individual character of soul in expressions, demonstrates simultaneously and opening to national-animated art of the romanticism, and avoiding of romantic egocentrism in thinking, which gives birth the person of the sort of the entanglement beside T.Shevchenko romantic style sign with osculation of biedermeier and "presentiment of the modernist style". But this already in its sort "programmes" style sensitivity of the music Ukraine to symbolism temper of key type of piano sounding. The last in creative activity A.Skrjabin and G.Gould becomes firmly established in XX ct. in self-individual lyricism of expressions, which finds understanding in Ukrainian piano аrt, saved salon precepts in protosymbolism of F.Chopin. The appeals to self-individual lyricism of Orient in symbolism have paved the way to world piano achievements Chinese master, preparation which, power history circumstance, their education ate in significant measure in Ukraine and border to her state of the European Orient.

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