« Love man love woman – the tale of Master Đức » : le genre comme destin sacré
“Love man love woman – the tale of master Đức”: gender as sacred destiny
Author(s): Thi Thanh Phuong Nguyen-PochanSubject(s): Politics / Political Sciences, Anthropology, Philosophy, Social Sciences, Gender Studies, Media studies, Theology and Religion, Cultural Anthropology / Ethnology, Sociology of Culture, Sociology of Religion, Politics and Identity, Rhetoric
Published by: ESSACHESS
Keywords: Vietnam; worship of Mother-Goddesses; ethnographic film; gender performance; pragmatism of media story;
Summary/Abstract: Through an analysis of the movie “Love man love woman” directed by Nguyễn Trinh Thi en 2007, our paper will examine how the media performance allows to demystify the “sacred destiny” fiction of the transgender male mediums within worship of Mother-Goddesses in Vietnam. This analysis is part of the gender performance perspective as well as the semio-pragmatic approach of the media narrative. It is placed in a broader context of hegemonic culture and the mediatization of normative heterosexual discourse.
Journal: ESSACHESS - Journal for Communication Studies
- Issue Year: 12/2019
- Issue No: 24 (2)
- Page Range: 187-208
- Page Count: 18
- Language: French
