STRUCTURAL ELEMENTS IN HANS PETER TÜRK'S SUITE FOR CLARINET SOLO Cover Image

STRUCTURAL ELEMENTS IN HANS PETER TÜRK'S SUITE FOR CLARINET SOLO
STRUCTURAL ELEMENTS IN HANS PETER TÜRK'S SUITE FOR CLARINET SOLO

Author(s): Răzvan Metea
Subject(s): Music
Published by: Studia Universitatis Babes-Bolyai
Keywords: form; interval; range.

Summary/Abstract: The Suite for clarinet solo composed by Hans Peter Türk was written in 1972 and is made up of three parts: Prelude - which is based on a form of sonata (even sonatina, due to its reduced length); Melopoeia - is an Arioso with a three stanza form of the type A B Av in which the predominant interval, also gaining an essential role in structuring the musical discourse, is the major and minor third; and Ostinato – which I consider to be the most complex part from the point of view of composition techniques. It contains two successive musical “moments” in contrast with one another. The score has a rich palette of instrumental colours, unified by a melodious modal-chromatic writing.

  • Issue Year: 56/2011
  • Issue No: 2
  • Page Range: 279-286
  • Page Count: 8
  • Language: English