STRUCTURAL ELEMENTS IN HANS PETER TÜRK'S SUITE FOR CLARINET SOLO
STRUCTURAL ELEMENTS IN HANS PETER TÜRK'S SUITE FOR CLARINET SOLO
Author(s): Răzvan MeteaSubject(s): Music
Published by: Studia Universitatis Babes-Bolyai
Keywords: form; interval; range.
Summary/Abstract: The Suite for clarinet solo composed by Hans Peter Türk was written in 1972 and is made up of three parts: Prelude - which is based on a form of sonata (even sonatina, due to its reduced length); Melopoeia - is an Arioso with a three stanza form of the type A B Av in which the predominant interval, also gaining an essential role in structuring the musical discourse, is the major and minor third; and Ostinato – which I consider to be the most complex part from the point of view of composition techniques. It contains two successive musical “moments” in contrast with one another. The score has a rich palette of instrumental colours, unified by a melodious modal-chromatic writing.
Journal: Studia Universitatis Babes-Bolyai - Musica
- Issue Year: 56/2011
- Issue No: 2
- Page Range: 279-286
- Page Count: 8
- Language: English