The Magical and the Mechanical: M. H. Maxy, Iacob Sternberg and the Bukarester Idishe Theater Studio
The Magical and the Mechanical: M. H. Maxy, Iacob Sternberg and the Bukarester Idishe Theater Studio
Author(s): Alexandra ChiriacSubject(s): Theatre, Dance, Performing Arts, Visual Arts, 19th Century, Pre-WW I & WW I (1900 -1919)
Published by: Editura Hasefer
Keywords: M. H. Maxy; Iacob Sternberg; Bukarester Idishe Theater Studio (BITS);
Summary/Abstract: In 1930 Iacob Sternberg (1890-1973), a well-respected theatre director and producer with a profound and constant engagement with Yiddish theatre in Romania, took the initiative of creating a more permanent organisation dedicated to its development.2 Under the umbrella of an association entitled Jüdische Volksbühne, Sternberg created the Bukarester Idishe Theater Studio, known as BITS.3 The initiative itself was short-lived, but it did engender two particularly innovative productions directed by Sternberg and designed by M. H. Maxy (1895-1971): A Night in the Old Marketplace [Noaptea în târgul vechi] and The Bewitched Tailor [Croitorul fermecat]. This paper is an attempt to recover these ephemeral bursts of theatrical experimentation through visual and textual material held in the archives of the Centre for the Study of Jewish History in Romania (CSIER).
Journal: Revista de Istorie a Evreilor din Romania
- Issue Year: 2017
- Issue No: 2 (18)
- Page Range: 162-170
- Page Count: 9
- Language: English
- Content File-PDF