“To be free in 1968 means to participate”. “Tap and Touch Cinema” action of Valley Export and Guy Debord’s ideas as a provocative act of releasing audiences through participation Cover Image

„Да бъдеш свободен през 1968 означава да вземеш участие“. Aкцията “Tap and Touch Cinema” на Вали Експорт и идеите на Ги Дебор като провокиращ акт на освобождение на публиката чрез участие
“To be free in 1968 means to participate”. “Tap and Touch Cinema” action of Valley Export and Guy Debord’s ideas as a provocative act of releasing audiences through participation

Author(s): Denitsa Milusheva
Subject(s): Fine Arts / Performing Arts, Visual Arts, Film / Cinema / Cinematography, History of Art
Published by: Великотърновски университет „Св. св. Кирил и Методий”
Keywords: participation; performance art; society of spectacle; cinema; alienation; passivity

Summary/Abstract: The desire to participate in the 1960s was symptomatic of this period.Through the “Tap and Touch Cinema” action of Valie Export and “Society of Spectacle” a movie of Guy Debord, attempts have been made to present two methods for making the audience an active participant. What connects two authors is their struggle against alienation and passivity.

  • Issue Year: 3/2019
  • Issue No: 2
  • Page Range: 201-203
  • Page Count: 3
  • Language: Bulgarian