THE TRADITIONS OF ENSEMBLE MUSIC OF C.SAINT-SAËNS IN THE PLAY OF PIANISTS OF ODESA Cover Image

СТИЛЬОВІ ОСОБЛИВОСТІ АНСАМБЛЕВОЇ МУЗИКИ К.СЕН-САНСА У ГРІ ПІАНІСТІВ ОДЕСИ
THE TRADITIONS OF ENSEMBLE MUSIC OF C.SAINT-SAËNS IN THE PLAY OF PIANISTS OF ODESA

Author(s): Lilia Mykhaylivna Shevchenko
Subject(s): Cultural history, Music, Aesthetics, History of Art
Published by: Національна академія керівних кадрів культури і мистецтв
Keywords: instrumental ensemble music; traditions of performance art; the piano tradition of the Odessa; prоtо-nеоbаrоque; nеоrоcоcо;

Summary/Abstract: The purpose of the article is to mark the particularities a style manifestations С. Saint-Saёns in french ensemble music and naturalness of the understanding her musician Odessa. The methodology of the work is culturology approach in the science of art, presented including school of B.Asafiev in Ukraine, begin which are fixed french Ars nova begin XIV century and are turned in riverbed theatrical mimesis of J.-J. Rousseau. The base place occupies the method of genre-style benchmark analysis, hermeneutic, historian-descriptive methods, allowing within metaphysicians of the histories (A.Losev, N.Konrad) fix the semantic parallels of the formation of the humanitarian sphere and expressiveness to art. The scientific novelty of the work is determined by theoretical independence of the indication of ensemble style to С. Saint-Saёns as prоtоnеоbаrоque with the devil of nеоrоcоcо that is correlated with style preferences of nеоsymbolism (on E.Markova) of the music end XX-begin XXI centuries. Also, for the first time independence musician, Odesa is accented in Ukrainian musicology in mastering chamber-instrumental heritage С. Saint-Saёns, particularly his compositions with piano participation in the ensemble. Conclusions. The composer turned out to be the direct legal successor of salon instrumental art, in which greatly piano participation in that coloring clavier type, which presents the french style piano art and supplies the aesthetics "light" pianoforte of the epoch to Restorations. For this art, meaningful аnti-theatric manner of discharge from absurdities and roughnesses to lives for the sake of creation creative "oasis" of artistic serving to Beauty. Étude-prelude mechanics occupies the leading position in technology of the expression, which was realized as base creative factor in performance art to musician of the Odessa, which gave to Ukraine creative duo pianist of O. and V. Shcherbakovs, ensemble of "Harmonies of the world", specialized on performance of the music of the modernist style and symbolism artistic line, in which compositions of С. Saint-Saёns have played a significant and independent role.

  • Issue Year: 2019
  • Issue No: 2
  • Page Range: 70-74
  • Page Count: 5
  • Language: Ukrainian
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