Видіння радості у «Фауст-симфонії» Ф. Ліста як втілення епохального символу романтизму
Vision to joys in «Faust-symphonies» of F. Lizst as incarnation of epochal symbol of the Romanticism

Summary/Abstract: The purpose of the article is a discovery «visions to Joys» in romantic creation of ideals as history transformation to concepts art to I. Kant – L. Beethoven from protоromanticism Stürmers to romantic to Daydream, presented in a row of the compositions of the different authors and in «Faust-Symphonies» F. Liszt especially. The methodology of the work is the hermeneutic method of the analysis artifact and thinkings as a whole, as this is presented in the work of A. Losev, B. Asafiev, B. Yavorskij and the other researchers, including in culturology musicology to books of E. Markova, O. Muravskaja and their alumnus. The scientific novelty is conditioned by the independence of the approach to understanding the sense projection of genius of L. Beethoven in creative fulfillment romantic epochs, hermeneutic originality analysis of the rhetorical measurements expressiveness of works F.Liszt and others authors. Conclusions. For the first time in culturology and sciences about arts is chosen idea of I. Kant by L. Beethoven as profound idea of the Transfiguration of the world by means creation of art in his romantic symbolization, in which obvious is a decrease social grounding of ideal beginning and growth to rhetorical conventionality of the entailment, directed to daydream-Dream of symbolists – on material of honoring of L. Beethoven to M. Glinka, R.Vagner, G. Mahler and specially expressiveness of «Faust-Symphonies» of F. Liszt. The last gives the Vision feminine begin world as Joy-Consolation in the curl of masculine disharmonious being.

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