Українська фортепіанна музика кінця ХХ ст. та тенденції авангардизму
Ukrainian piano music of the late twentieth century and tendencies of avant-gardism

Summary/Abstract: The purpose of the work is to explore the stylistic features of the piano work of Ukrainian composers of the late twentieth century. and identify the impact of avant-garde trends in its development. The methodology is to apply the general scientific principle of objectivity, historical-logical, analytical, comparative and cultural-art methods in the study of the factors that led to the formation of new expressive means and stylistics in the work of Ukrainian composers of the twentieth century. The scientific novelty of the work is to expand the representation of the piano work of Ukrainian composers of the late twentieth century, which became a separate and peculiar phenomenon in the development of musical art. Conclusions. As a result of the research, it was found that piano composer work of Ukrainian artists of the late twentieth century. particularly reveals a process that was already partially underway in the 1970s - the selection, comprehension and rethinking of all elements of the so-called "radical" and softer, more traditional technique of musical composition by the Ukrainian authors, synthesizing these elements in their own individualized concepts.

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