НЕОФОЛЬКЛОРИСТИЧНІ ТЕНДЕНЦІЇ У ТВОРЧОСТІ БАЯНІСТІВ-АКОРДЕОНІСТІВ ХХ СТ.
NEO-FOLKLORISTIC TENDENCIES IN THE WORK OF ACCORDION ACCORDIONISTS OF THE TWENTIETH CENTURY

Summary/Abstract: The purpose of the work is to study the conditions of formation of neo-coloristic tendencies in the accordion-accordion art of the twentieth century, which determined the general style of musical creativity of this direction. The methodology is to apply the general scientific principle of objectivity, historical, logical, analytical and comparative methods in the study of neo-folkloristic tendencies and creative searches for the performing skills of development in the accordion and accordion art of the twentieth century. The scientific novelty of the work is to reveal the general synergy of the development of accordion and accordion art under the influence of neo-folklorism, which in turn caused the peculiarities in changing the repertoire for accordion and accordion, which helped to form new updated tendencies in performance, thus increasing the level of performance mastery of the instrument as a whole artistic and aesthetic phenomenon of musical culture. Conclusions. The study concludes that neo-folklore as a phenomenon of musical culture provided new means of musical expression for performing forms of expression that focused on the folklore component. The coexistence of traditional (classical) and neo-folkloristic tendencies causes the emergence of new trends in art, which begin to influence the development of creativity of accordion and accordion music in general of the twentieth century.

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