Condiționări identitare ale obiectului de design
Identity landmarks of the design object

Summary/Abstract: This article aims to address in a theoretical manner the Romanian design, as seen in a general context of axiology. Seen and accepted as set on an axis of diachronic continuity, the design object is highlighted in a special relationship with its inheritance. The cultural identity rediscovered and the adaptation to the new conditions of the modern object can now be conjugated in an original way.

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