Sound polychromes in the choral creation of the composer Gheorghe Dutica
Sound polychromes in the choral creation of the composer Gheorghe Dutica
Author(s): Luminiţa Duţică, Ema-Laura StanciuSubject(s): Fine Arts / Performing Arts, Music
Published by: Editura Universitatii Transilvania din Brasov
Keywords: the choral; madrigal; choral poem; choral suite; choral miniature;
Summary/Abstract: Choral cultures begin with the old art of Notre Dame in Paris, continue with theRenaissance, Baroque, Classicism, Romanticism and end with the modern era, where thecurrents of Impressionism, Expressionism and Neoclassicism are often interwoven, unitedthrough the National Schools. An old tradition of Romanian musical culture continues,whose beginnings were marked by the choral, church or secular genre and whose modernfoundations were finalized in the inter-war era of the 20th century. Gheorghe Du.ica is oneof the most representative masters of Romanian music. He has acquired a thoroughknowledge of musicology, composition and pedagogy. It should be noted that each workbears the imprint of a strong originality, as well as a mastery worthy of appreciation. Thecharm of these works is very special, managing to describe with poetic and suggestiveimages.
Journal: Bulletin of the Transilvania University of Braşov, Series VIII: Performing Arts
- Issue Year: 13/2020
- Issue No: 2-Suppl
- Page Range: 57-68
- Page Count: 10
- Language: English