Wenn die Notenlinien zum Drahtverhau werden. Aggressivität und Musik in Ingmar Bergmans Drehbuch "Herbstsonate" und in Elfriede Jelineks Roman "Die Klavierspielerin"
Wenn die Notenlinien zum Drahtverhau werden. Aggressivität und Musik in Ingmar Bergmans Drehbuch "Herbstsonate" und in Elfriede Jelineks Roman "Die Klavierspielerin"

Summary/Abstract: The screenplay of the film Autumn Sonata by Ingmar Bergman and the novel The Piano Player by Elfriede Jelinek deal with the complicated relationship between a mother and a daughter. The mother gives life to the daughter by bearing her but from this moment on she begins to destroy her personality. It seems that in a world composed of male and female elements there is no more place for the daughters that are treated by the mothers either like parts of themselves or like a third sex. In both texts the aggression caused by the mothers is connected with the music which reveals that their self-realization takes place at the daughters’ expense.

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