Kwahulé et Tarnagda : le théâtre africain entre le stéréotype et l’originalité
Kwahulé and Tarnagda : African theater between stereotype and originality

Summary/Abstract: After a short presentation of theatrical definitions of stereotypes, this article offers an hermeneutic study, focused on the elements of stereotypes and strategies of de-stereotyping in two contemporary African plays : Bintou (1997) by Koffi Kwahulé and Les Larmes du ciel d’août -Tears of the August sky (2010) by Aristide Tarnagda. The analysis aims to demonstrate how Koffi Kwahulé et Aristide Tarnagda indulge, possibly unknowingly, in a subtle play with a cliché.

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