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ПУТЕШЕСТВЕННИК КАК ЭСТЕТИЧЕСКИ ВОСПРИНИМАЮЩАЯ ЛИЧНОСТЬ (И.А. ГОНЧАРОВ, М.М. ПРИШВИН)

Author(s): Natalia Vladislavovna Novikova / Language(s): Russian Issue: 5/2014

The image of traveller created by I.A. Goncharov in his book of essays “The Frigate Pallada” (1855–1857) has been considered for the first time as a phenomenon of artistic genealogy of the similar image in M.M. Prishvin’s travel essays (1909–1914). This article is focused on the philosophical and aesthetic perception of the world typical of both travelling artists, their creative motivation for travelling and attention towards pictures of nature, which are always associated with the feeling of homeland. An assumption about the similarity of the artistic natures of M.M. Prishvin and I.A. Goncharov and the consonance of their creative thinking is made. This expands the idea of the origin of Prishvin’s world-view and allows us to feel its originality.

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ТЕАТР И ПОЛИТИКА В СОВЕТСКОЙ И ПОСТСОВЕТСКОЙ РОССИИ: ФОРМЫ ИНТЕРАКТИВНОГО ДИАЛОГА

Author(s): Tatiana Gennadevna Prokhorova,Vera Borisovna Shamina / Language(s): Russian Issue: 5/2014

The paper addresses the process of theatricalization of Russian reality in different historical periods. It retraces the influence of political situation on the nature of theatrical dialogue with the audience and specifies its forms in the periods from 1917 to the 1930s and from the 1950s up to now. The authors come to the conclusion that the blurring of borders between the stage and the audience served different goals in different periods: it helped to release the internal energy of the masses at one time and became the means of its oppression at another time, but finally it led to democratization and a person’s acquisition of internal freedom.

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Od wydarzenia katastrofy do kata/stroficznego czytania. Poezja Charles’a Baudelaire’a w relacji Jorge’a Semprúna L’écriture ou la vie

Author(s): Judith Kasper / Language(s): Polish Issue: 25/2015

This essay addresses the instable meaning of the term catastrophe over the course of history. The first part takes leave of the “the tiny fissures” in the continuous catastrophe noted by Walter Benjamin to develop a philology of the cata/strophe. This philology does not only register a given meaning (for instance, of the catastrophe), but intervenes actively as disruption. It insists on the strophe in the catastrophe, transforming catastrophe into cata/strophe that, in fatal situations, permits the poetic potential to become a dynamic force that can, at least on the linguistic level, open toward other dimensions without denying the catastrophe itself. The second part is dedicated to a reading of Jorge Semprún’s autobiographical novel L’écriture ou la vie from the perspective of this philological concept. It seeks to show how Semprún’s citing and reciting of Baudelaire’s strophes in the putrid atmosphere of the Buchenwald concentration camp literally produce, on the level of the signifiers, fresh air to breathe.

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Przyjaźń domaga się rezygnacji. Kilka aspektów relacji między przyjaciółmi poruszonych w Biblii

Author(s): Janusz Nawrot / Language(s): Polish Issue: 17/2010

For Aristotle, the bond of a valuable friendship was created for the sake of its own value of giving friendship or the experience it furnishes, and not for the sake of expediency or the sheer joy of sharing friendship. A sustainable friendship basically finds its roots in what a human being is. Hence, it is loving rather than being loved that makes people real friends, ethically perfect. Biblical authors knew that a true friendship was difficult to obtain and that it could easily be lost. Thus, for their readers, to observe their advice means to obtain valuable hints and guidelines and to be protected from disillusionment. These guidelines had been drawn by them from the experience of everyday life, as a result of watching and drawing conclusions from what they saw following different man’s response to different situations. Might they have been victims to unjust action themselves, or had they committed something that made them feel ashamed, but kept that it in their mind as a warning to their prospective readers? Whatever the answer is, they managed to draw conclusions from the experience that, ultimately, could be helpful in making those who would perpetrate something that would hurt or kill a friendship repent.

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Priedēkļi kā internacionālismu „nacionalizācijas” līdzekļi

Author(s): Daiki Horiguchi / Language(s): Latvian Issue: 3/2013

Prefixation of borrowed verbs (mostly internationalisms) in Latvian is an active word-formational process, where we find the activity character of prefixation as linguistic activity and the speaker’s involvemnent in derivation of new prefixal derivatives based on analogy. We discuss prefixation of internationalisms in Latvian in contrast to the culture of language, because this question has not been enough discussed neither in aspectology nor word-formation, but only evaluated negatively in culture of language. Further we focus on two prefixes no- and pa-.Prefix no- is most productively added to borrowed verbs (40,0%) and most criticized in culture of language for its redundant accentuation of perfectivity, which is not desirable for most borrowed verbs. Prefix pa- is criticized in culture of language because it adds an unserious meaning to the action. Just like diminutives denoting some subjective evaluation besides the smallness of object, pa-verbs express the smallness of action and the speaker’s subjective evaluation.Prefixes include borrowed verbs in the lecixal system of the language, adding at the same time to the verbs certain way of recognizing the world – in these cases with no- and pa- the aspectual viewpoint and subjective evaluation – and "latvianize" therefore foreign words. Paradoxally, however, the culture of language manifests itself against this linguistic activity, because the prevalence of individualization of text (expression of aspectual opposition, expression of subjective evaluation, expressivity, creativeness of prefixation) is inherent for this kind of prefixation.

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Picturebooks and politics: Israeli children’s picturebooks during the shift from pre-state to statehood

Author(s): Yael Darr / Language(s): English Issue: 3 (34)/2016

Cultures vary according to the level of political potency they attribute to their young readers. Some ascribe to their children the ability to experience political solidarity and are eager to offer them literature accordingly. Other cultures try to exempt children from taking any public interest and shield them within the home and family, distant from what is regarded as the aggressive public arena. In rare cultural and social conditions shifts from one attitude to another regarding children’s political potency can be quite extreme. This article points to a dramatic change in the nature of politicization of Hebrew children’s picture books, which took place in the decade following the establishment of the State of Israel in 1948. This period saw a rapid transition from the former overt politicization of children’s literature to a striking and active avoidance of political content. During the first decade of Israeli statehood children’s picture books decisively disencumbered the children of their former active political tasks, thus implementing a new politics of a civic society in a sovereign state.

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Г. ТУКАЙ И Н.А. НЕКРАСОВ: ТИПОЛОГИЧЕСКИЕ ПАРАЛЛЕЛИ И МЕЖЛИТЕРАТУРНЫЕ ДИАЛОГИ

Author(s): Venera Rudalevna Aminevа / Language(s): Russian Issue: 2/2015

The paper establishes types of dialogical relations between G. Tukai and N.A. Nekrasov’s works belonging to the genres of invective, message, and memorial lyrics. The conclusion is made that similarities in form and functions (organizational principles of the subject sphere, genre and stylistic features) do not stem from the same sources and nature. The principles of artistic generalization in Tukai’s lyrics are different from those used by N.A. Nekrasov. The individual and typical, singular and unified are located at the same level and stand in the relations of compliance and coincidence. The poetics of N.A. Nekrasov’s lyrical works is connected with the hierarchy of artistic content aspects at different levels. The subject structures of Tukai’s lyrics are distinguished by the features of personality development in the Tatar literature of this period, as well as the logic of meaning formation, which is characteristic of this type of culture.

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ДИАЛОГ «СВОЕГО» И «ЧУЖОГО» В АМЕРИКАНСКИХ ВПЕЧАТЛЕНИЯХ В.Г. КОРОЛЕНКО

Author(s): Vyacheslav Nikolayevich Krylov / Language(s): Russian Issue: 2/2015

The paper is devoted to the analysis of various artistic, documentary, and publicistic works of V.G. Korolenko, which are united by the American theme. The materials used are the writer’s texts (travel notes, articles, and correspondence), both published and unpublished during his lifetime. The analysis allows us to see that V.G. Korolenko’s texts are not just ethno-graphic travel essays. They are rather his deep thoughts about the two images of the world – Russian and American, containing assessment of the pace of technological progress, ideals of freedom, respect for the individual, as well as attitude towards pragmatism and individualism. The writer’s characters of the foreign world are perceived through the use of natural and cultural contrasts. In his works, V.G. Korolenko brought up an important topic of national awareness based on the European and American realities. Overall, the study shows that the image of America appears in the works of V.G. Korolenko as more voluminous and ambiguous than it is generally assumed for the representative of critical realism. It is concluded that the impressions of the trip to the exhibition held in Chicago in 1893 turned out to be the basis for the subsequent literary art of V.G. Korolenko up to the end of his life.

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М.Ю. ЛЕРМОНТОВ И ТАТАРСКАЯ ПОЭЗИЯ НАЧАЛА XX ВЕКА (К ВОПРОСУ О МЕЖЛИТЕРАТУРНОМ ДИАЛОГЕ)

Author(s): Alsu Zarifovna Khabibullina / Language(s): Russian Issue: 2/2015

The paper discusses the dialogue between the literary works of M.Yu. Lermontov and Tatar poets of the early 20th century (Sh.M. Babich and Dardemend). The study is based on the proposition that the East and its culture did not only constitute the topic covered quite well by M.Yu. Lermontov, since there were foundations associated with the Eastern aesthetics and culture in the very structure of his consciousness. It was this relationship between M.Yu. Lermontov and the most important concepts of the Eastern culture that led to the interliterary dialogue, which is analyzed in this paper in terms of the motive of wandering and path.

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ПОЭТИКА ЗИМЫ В ПОЭЗИИ Г.Р. ДЕРЖАВИНА И Н.А. ЛЬВОВА

Author(s): Rinat Albertovich Bakirov / Language(s): Russian Issue: 2/2015

The paper compares the development of the winter theme in G.R. Derzhavin’s ode “Birth of a North Crowned Lad” and N.A. Lvov’s poem “Russian 1791. Winter”. Based on the analysis of imaginative and ideological structures of both works, the conclusion is made about their antagonistic nature. The mask character of N.A. Lvov’s poem is proved and opposed to the stylistically integral works by G.R. Derzhavin. The literary mask is considered as the main artistic principle used by N.A. Lvov.

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ЖЕНСКИЙ ПОРТРЕТ В ПРОЗЕ М.М. ХЕРАСКОВА

Author(s): Sergey Anatolyevich Vasilyev / Language(s): Russian Issue: 2/2015

This paper describes style peculiarities distinguishing M.M. Kheraskov’s portrayal of women, which is so characteristic of his artistic descriptions. Based on the specificities and functions of literary portrayal in modern philology, features uniting verbal representations with visual images, in particular with the pictorial allegories typical for the cultural epoch of the 18th century and their “clichés”, are revealed. Another feature of М.М. Kheraskov’s style, which appears in his prosaic portrayals, consists, as a rule, in the unique functioning of every, especially detailed, description of women.

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ОБРАЗ НАПОЛЕОНА В ИНТЕРПРЕТАЦИИ Н.М. КАРАМЗИНА И Г.Р. ДЕРЖАВИНА: КЛАССИЦИЗМ ИЛИ СЕНТИМЕНТАЛИЗМ?

Author(s): Olga Bodovna Kafanova / Language(s): Russian Issue: 2/2015

The paper considers the image of Napoleon in N.M. Karamzin and G.R. Derzhavin’s works. N.M. Karamzin, who dedicated a sufficient number of publications to Napoleon in his literary and political journal “The Messenger of Europe” (1802 – 1803), was interested in the psychological nature of Bonaparte and admired his various talents, thereby showing a sentimentalist attitude towards the individual personality. N.M. Karamzin depicted Napoleon as a sentimentalist character with pathos and reflection. On the contrary, G.R. Derzhavin foretold the collapse of Napoleon in some of his works long before 1812, using apocalyptic symbols and literary conventionality. During the Patriotic War, N.M. Karamzin became virtually closer to G.R. Derzhavin and expressed his hatred towards the usurper through the stylistics of classicism, mostly elaborated at those times, in order to embody the civil topics.

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ПЕРЕХОДНЫЙ ПЕРИОД В РУССКОЙ ЛИТЕРАТУРЕ РУБЕЖА XVII – XVIII BB.: НОВЫЕ ТРАКТОВКИ

Author(s): Anna Andreevna Kirpichnikova / Language(s): Russian Issue: 2/2015

The paper analyzes new interpretations of the transition period in Russian literature of the late 17th and early 18th centuries. Special attention is given to the point of view expressed by A.I. Ivanitskii, who describes the above-said period using the term baroque classicism. The concepts of other researchers (O.M. Buranok, A.G. Gokina, and P.A. Efimova), who defined it as pre-classicism, are also considered. It is concluded that baroque classicism is characterized by the following main features: typical classical images acquire a new meaning; rational-state procedure is performed in the form of a game. The main feature of baroque is transitivity. Thus, the principles of rationalism and game are at the basis of baroque classicism.

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ПРОБЛЕМА СЕМЬИ В ПОЭМЕ М.Ю. ЛЕРМОНТОВА «ПЕСНЯ ПРО ЦАРЯ ИВАНА ВАСИЛЬЕВИЧА, МОЛОДОГО ОПРИЧНИКА И УДАЛОГО КУПЦА КАЛАШНИКОВА»

Author(s): Natalia Gennadevna Komar / Language(s): Russian Issue: 2/2015

The paper is devoted to the problem of family in M.Yu. Lermontov’s poem “The Song about Tsar Ivan Vasilyevich, the Young Oprichnik, and the Daring Merchant Kalashnikov”. The most authoritative scientific concepts are considered. The moral and ethical content of the work is evaluated. The figurative and narrative features of the poem are explored in relation to their conformity or discrepancy with those of the Old Russian literature. The subjects of comparative analysis are literary works representing the Old Russian literature (“The Tale of Igor’s Campaign” and “The Tale of Peter and Fevronia of Murom”) and A.S. Pushkin’s novel “The Captain’s Daughter”. It is concluded that the realities of the 14th century depicted in the poem serve mainly as a historical background expressing the worldview, which was alien to the culture of the Ancient Rus’.

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ЗАСТОЛЬНЫЕ ПЕСНИ Н.М. ЯЗЫКОВА: РАЗВИТИЕ ТРАДИЦИЙ Г.Р. ДЕРЖАВИНА И Д.В. ДАВЫДОВА

Author(s): Anna Aleksandrovna Soboleva / Language(s): Russian Issue: 2/2015

The purpose of this paper is to consider the genre of drinking songs in N.M. Yazykov’s works. The comparative analysis of drinking songs created by this poet and in the earlier works by G.R. Derzhavin and D.V. Davydov makes it possible to find similar themes and trace their development. Patriotic motifs prevailing in the works of all these poets are expressed in different ways. G.R. Derzhavin poeticizes the native customs, describing in details the national way of life. D.V. Davydov’s lyrical character is a brave soldier fighting for the motherland and considering the feast as a continuation of the battle. In N.M. Yazykov’s early works, the feast of students symbolizes their ability to think and speak freely. In his later poems, it turns into the readiness to fight for motherland, in terms of ideological fight rather than real battle.

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М.В. САБАШНИКОВА КАК ПОЭТ: ЦИКЛ «ЛЕСНАЯ СВИРЕЛЬ»

Author(s): Anastasiya Valerevna Sofina / Language(s): Russian Issue: 2/2015

The study object of this paper is M.V. Sabashnikova’s first published poetic cycle “The Forest Pipe”. The complex analysis of poems included in the cycle makes it possible to get an understanding of M.V. Sabashnikova’s poetic world during the period of 1906–1907. As a result of the study, individual peculiarities and typical features of the epoch reflected in M.V. Sabashnikova’s poetic manner are revealed.

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ИНФОРМАЦИОННЫЕ ТЕХНОЛОГИИ КАК ТЕМА И ХУДОЖЕСТВЕННЫЙ ПРИЁМ В РОМАНЕ В. ПЕЛЕВИНА «ЛЮБОВЬ К ТРЁМ ЦУКЕРБРИНАМ»

Author(s): Anastasia Leonidovna Bobyleva / Language(s): Russian Issue: 2/2015

This paper considers the influence of modern technologies and the Internet on V. Pelevin’s novel “Love for Three Tsukerbrins”. The problematic and thematic field, composition and plot, stylistic characteristics are analyzed from the perspective of their involvement in the modern computer discourse. The type of intertextual links, system of images, and language peculiarities of the novel are studied. Their specificity enables the conclusion that information technologies do not only serve as the subject of artistic description, but also turn out to be the factor influencing the poetics of the novel. In addition, it is revealed that the modern types of Internet communications determine the author’s narrative strategy and the reader’s reception.

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ПОВЕСТЬ А. ЖИТИНСКОГО «ВНУК ДОКТОРА БОРМЕНТАЛЯ» КАК СТРУКТУРНО-СЕМАНТИЧЕСКИЙ КОМПОНЕНТ «БУЛГАКОВСКОГО ТЕКСТА»

Author(s): Tatyana Borisovna Vasilieva-Shalneva / Language(s): Russian Issue: 2/2015

The purpose of this paper is to disclose one of the components of “Bulgakov’s text” as a literary phenomenon. The study of this phenomenon (along with “Pushkin’s”, “Gogol’s”, and other texts) seems to be quite appropriate, as it is among the important problems of modern humanities (intertext phenomenon). The paper uses comparative and typological methods of investigation of M. Bulgakov’s “Heart of a Dog” (pretext) and A. Zhitinskii’s “Grandson of Dr. Bormental” (sequel). This allows to reveal the palimpsestic nature of A. Zhitinskii’s story, as well as to identify the sociocultural plan and game strategy of world modeling in the literary work. The novelty of the research lies in the identification of structural-semantic peculiarities of A. Zhitinskii’s story in the aspect of the intertextual Bulgakov’s “code”. As the result of the study, it was concluded that annihilation of the sustainable conceptual blocks, which transforms the essence of external and internal attributes of the everyday-existential dominants in relation to the new temporal context, is present in the sequel under study.

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«ЦЫГАНОВЫ» ДАВИДА САМОЙЛОВА: ГЕНЕЗИС И СЕМАНТИКА

Author(s): Artem Eduardovich Skvortsov / Language(s): Russian Issue: 2/2015

The paper considers the poem “The Tsyganovs” by D. Samoilov (1920–1990), one of the most prominent Russian poets of the late 20th century. The work is studied in the historical and cultural contexts. Using the historical-literary and intertextual methods of analysis, the original sources of the poem are revealed. This provides an opportunity to understand the artistic intention and accept the root sense of the poem.

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Intertexts, Transtexts and Paratexts: Following the Yellow Brick Roads of Fin-de-siècle Children’s Fiction

Author(s): Matthew Freeman / Language(s): English Issue: 01/2016

This article has explored some of the ways through which intertextuality manifested itself in the children’s fiction of the early twentieth century. I have demonstrated that to understand e Wonderful Wizard of Oz as a case of intertextuality means understanding it in the context of the industrial rise of mass production and the emergence of new printing technologies that allowed for these intertextual connections to be made. Coloured printing, advertising, printed maps, posters, and circulated reviews in newspapers and trade papers were just some of the key mechanisms exploited by author L. Frank Baum to expand his Oz stories into tapestries of intertextual, transtextual story threads that interwove across multiple novels and other media forms. Comprehending the historical roots of prominent theoretical concepts related to intertextuality – such as the work of Kristeva, Barthes, and Caselli – thus means re -framing and re -emphasising more practical developments towards industrialisation around the turn of the twentieth century. Historicising in this way may allow us more clearly and more fully to conceptualise something like intertextuality – using history to see how it emerged, how it manifests in different contexts, and indeed how it evolves across both media and history.

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