"BOSANSKI TEMELJ I ISLAMSKA DUHOVNOST" DŽEMALUDINA LATIĆA

Author(s): Zilhad Kljucanin / Language(s): Bosnian / Issue: 5/2001

Džemaludin Latiæ (1957.) u nevelikom svome pjesničkom opusu (zapravo tri knjige) najpunije je u novijoj bosanskoj poeziji (1945.-2000.) od svih naših pjesnika u umjetničko tkivo fundirao islamsku osjećajnost i doživljajnost svijeta. U njegovom pjesništvu ne mogu se više raspoznati svekolike (umjetničke i životne) dileme bošnjačkih pjesnika, nastale kao rezultat društvene, komunistièke, zbilje - Latić kao da se pojavio "potpuno netaknut" iz bogatog duhovnog humusa jedne tradicije, nezainteresiran za sve zablude i "raskršća" na njenom putu, uronjen u samu njenu srčiku.

"KO HOĆE DA ŽIVI, NEK’ MRE" - SARAJEVSKI ATENTAT I DVIJE PJESME IZ KNJIŽEVNOSTI MLADE BOSNE

Author(s): Sanjin Kodric / Language(s): Bosnian / Issue: 2/2016

The paper deals with the role of culture, especially literature, in conceptual and ideological preparation, implementation and, particularly, the later textual memorialisation of the Sarajevo Assassination. Special attention was paid to the so-called Young Bosnia literature and its tradition, especially to two poems: Prva proljetna pjesma [The First Spring Poem] (1914) by Ivo Andric and Umiranje [Dying] (1914/1915?) by Gavrilo Princip. These two poems are two extremely important early examples of the memorialisation of the Sarajevo Assassination and the Young Bosnia generation in what is the literary practice of the Young Bosnia and its tradition. Both texts reveal some of the essentially important Young Bosnia self-representations, but also some of the important aspects related to the issue of the conceptual and ideological preparation, implementation and later memorial textualisation of the Sarajevo Assassination and the Young Bosnian movement.

"PANISLAMIZAM" ŠEMSUDINA SARAJLIĆA

Author(s): Zilhad Kljucanin / Language(s): Bosnian / Issue: 16/2003

Semsudin Sarajlic does not represent a major development in the Bosniac literature. However, not even a diachrony of the religious Bosniac poetry of the 20th century should be without his religious songs. This is true mainly of his Mawlud, which has still not acquired its rightful place in the Bosniac Mawlud tradition.

(AUTO)IMAGINATIVNA REPREZENTACIJA BOSNE U PRIPOVJEDAČKOJ ZBIRCI POBUNE I ROMANU UHODE DERVIŠA SUŠIĆA

Author(s): Nehrudin Rebihic / Language(s): Bosnian / Issue: 2/2012

The paper deals with (self-)imaginative representation of Bosnia in Derviš Sušić’s collection of stories Pobune and novel Uhode. In these two Sušić’s works, we tried to examine common images of Bosnia, which are a product, on the one hand, of historically inherited imagination from ‘outside’, due to occupation of Bosnia by different colonial powers, and particular imagination from ‘inside’, on the other hand. These imaginations will frequently overlap in Derviš Sušić’s work

(BE)SMISAO VREMENA U ODABRANIM DJELIMA WILLIAMA FAULKNERA I MEŠE SELIMOVIĆA

Author(s): Selma Raljevic / Language(s): Bosnian / Issue: 2/2014

The purpose of this paper is to compare the modern concept of time by “placing” William Faulkner’s (1897-1962) novels: The Sound and the Fury (1929), Light in August (1932), Absalom, Absalom! (1936), Go Down, Moses (1942), and Meša Selimović’s (1910-1982) prose works: Death and the Dervish (Derviš i smrt, 1966), The Fortress (Tvrđava, 1970), The Island (Ostrvo, 1974) and Memories (Sjećanja, 1976). The aim of this paper is to compare the perception of time in the selected prose of these two writers within the context of the sum of combined intelligences. The topic will be explored by applying the thoughts of Einstein, Nietzsche, Bergson, Eliade, Freud and Jung. In their modern literary works, both Faulkner and Selimović transpose time into space, and time/space becomes a major player in their works. Accordingly, special attention will be given to the perception and (non)sense of time and space in their modern prose.

(PO)ETIKA RATNOG PISMA I IZBJEGLIČKI KONTEKST U ROMANIMA MARSELE ŠUNJIĆ

Author(s): Naida Osmanbegovic / Language(s): Bosnian / Issue: 2/2016

Two, and only novels, by Marsela Šunjić belong to two streams of war letters: war and post-war. The plot of the novel Laku noć, grade will follow three separate, delimited interpretations of truth, history and meaning. Entering text in the intimate drama documentary strategies, contributes to the total collapse of cultural values , urges apsurdity of ”our” and ’’their” narratives, and is faced with a symbolic Other, as an external decentralized starting point of decentralization. On the other hand, the second novel, Puno pozdrava s mjeseca, chronicles the lives of Bosnian refugees in America.

(ŽENSKO) PISANJE KAO (ŽENSKO) POSTOJANJE (O ROMANIMA BISERE ALIKADIĆ)

Author(s): Alma Skopljak / Language(s): Bosnian / Issue: 1/2018

The work will include novelistic opus of Bisera Alikadic, that is, the novels The Grub and The Circle. Emphasis will be put on recognizing of denial of cannonized cultural model in the first novel in Bosnia and Herzegovinian literature that was written by a woman (The Grub) , and then, in the novel (The Circle) ,as well as on recognizing of freed speech that detabooizes imposed linguistic and cultural cannon which enables Bisera Alikadic to imagine woman's gender identity which except the process of her physically coming to senses, also begins the process of her auto(re)identification. Literary theoretical approach will also include recognizing of opus patterns known as fiction in jeans , which is among other things, this opus left on the margin of dominant literary cannon.

1657 TARİHLİ DUBROVNİKLİ MİHO MARTELİNİ’NİN MECMUASINDAKİ TÜRKÇE AŞK ŞİİRLERİ

Author(s): Derviš M. Korkut / Language(s): Turkish / Issue: 2/2016

Bu makale Derviš Korkut tarafından“Turske ljubavne pjesme u Zborniku Miha Martelinija Dubrovčanina iz 1657 g.” orijinal başlığıyla Saraybosna Şarkiyat Enstitüsü’ nün Prilozi za Orijentalnu Filologiju (Şarkiyat Filolojisine Katkılar) Dergisinde Sayı: VIII-IX, Yıl: 1958, ss. 37-62 yayınlanmıştır.

A ĐE ĆEMO MI SAD

Author(s): Indira JAŠAREVIC ŠANDIC / Language(s): Bosnian / Issue: 4/2018

A Short story by Indira JAŠAREVIĆ ŠANDIĆ

A Record of Hope

Author(s): Mak Dizdar / Language(s): English / Issue: 3/2016

A SADA O A : NAGOVJEŠTAJI POSTMODERNISTIČKOG PRIPOVIJEDANJA (SKICA)

Author(s): Muris Bajramovic / Language(s): Bosnian / Issue: 2/2012

This paper in fact is a draft consisting of 20 items which pose the hypotheses about the ways in which Derviš Sušić used poetical principles of postmodernism in his triptych A. It includes questions which refer to elements of postmodern poetics in this novel.

Aforizmi - Sabahudin Hadžialić

Author(s): Sabahudin Hadžialic / Language(s): Bosnian / Issue: 95-96/2018

Aphorisms by Sabahudin Hadžialić.

Aktualna simbolika poezije Nikole Šopa

Author(s): Tomo Barbic / Language(s): Croatian / Issue: 1-2/2016

Simbolika i poruka poezije pjesnika patnika Nikole Šopa je toliko aktualna i bolna kao da ju je jučer doživio i u porođajnim mukama pisao. Iz njegovih pjesama vidi se da mu je Bosna kao i Andriću duhovna domovina i da sve što ima i nema potječe iz teškoća bosanske sudbine i borbe za opstanak i nade uskrsnuća napuštene kuće i kraja u kojem je Isus kao gost učinio čudo makar i u snu koje će ipak snagom vjere postati java. Šop proročki traži promjene iz osnova i povratak čuda života pa i kad se čini besmisleno i nemoguće produženoj kozmičkoj drami. Pjesnički predjeli i okupacija duše su kao i naša ranjena i napuštena ognjišta Bosne kojemu je bilo kao i T. Ladanu najteže živjeti i preživjeti u tuđini.

ALBUM PJESNIKOVIH NESANICA

Author(s): Žarko Ðurovic / Language(s): Bosnian / Issue: 29-30/2005

Dolazeći prije nekoliko godina u Godijevo prvo što me obuzelo dubokim osjećanjem divljenja, bilo je nebo. Imalo je ovalni ram, slično oku koje ga gleda. I slično riječima koje ga razastiru unutar svojih značenjskih slivova. U svakoj Sijarićevoj knjizi egzistira nebo i svjetlost. Valjda da podsjete da u trošnosti življenja ima i trajućih zasjaja koji nadvisuju tu trošnost. Prirodno je da se trošnost isključuje iz misli, posebno kad je biće okruženo darežnim nebom i livadskom šarenicom cvjetova.

ALIJA ĐERZELEZ – MIT I STVARNOST

Author(s): Alija Džogovic / Language(s): Bosnian / Issue: 37-38/2007

Cilj ovoga rada je naučno-istraživačkog karaktera na bazi legendi, predanja, epskih pjesama, apokrifa, vjerovanja, antropoloških studija (Žan Pol Ru, M. Elijades, i dr.); osvjetljavanje porijekla motiva i lika junaka Alije Đerzeleza i prenošenje osobina sa ovog junaka na druge junake (orijentalne i balkanske), odnos historijskog i nehistorijskog fenomena... Objašnjenje kultova, lutajućih motiva, obreda, vjerovanja, formiranja tradicije o ovoj mitološkoj (i apokrifnoj) ličnosti...

AMERIČKA LINGVISTIČKA TRAGEDIJA

Author(s): Midhat Ridjanovic / Language(s): Bosnian,Croatian,Serbian / Issue: 4/2015

An American Linguistic Tragedy

Author(s): Midhat Ridjanovic / Language(s): English / Issue: 4/2015

ANALIZA RUKOPISA MEHMEDA HANDŽIĆA “UNVANUL-HIKME VEL-MEVIZATUL-HASENEH” S POSEBNIM OSVRTOM NA TEMU ŠERHU AJETIN VE TEFSIRUHA

Author(s): Halil Mehtic / Language(s): Bosnian / Issue: 02/2004

Inside the Ghazi Husrev-beg’s Library is a manuscripts under the reference number 6966 which hasn’t been studied to date and as such is unknown to the wider reading public. On this occasion we are presenting it to the public for the first time. The manuscript is entitled Unvanul-hikme vel-mevizatul-hasene. It was written by Muhammed El-Handži el-Bosnevi (1906-1944), who was an renowned Bosnian alim in several Islamic disciplines, a historian, a writer and a translator from Arabic and Turkish. He wrote in Bosnian and Arabic. The main characteristics of the manuscript: L. 27; 24,5 X 20 (19,5 X 12); 22 lines. Large print. Black ink. The headings of each paragraph are written in black ink on lined notebook paper. Hard binding (cardboard). Autograph manuscript. Donated to the library by the author’s brother Mustafa Handžić from Sarajevo.

Andrićeva priča

Author(s): Dejan Ðurickovic / Language(s): Serbian / Issue: 19/2003

Andrić ima veliko povjerenje u riječ, u njenu moć, njenu funkciju u životu. Riječ je za njega najveća tekovina čovječanstva, prenosnik svih vrijednosti i njihovo sito, i ništa se s njome ne može mjeriti. Sve ljudsko je u riječi, u govoru, u priči. Izvan nje nema ništa, postoji samo gluvilo, "pustinja ćutanja". Suzbijati riječ, zato, znači smanjivati svijet, još više - rušiti mu temelje.

Andrićevstvo između književnosti i istorije

Author(s): Šerbo Rastoder / Language(s): Bosnian / Issue: 74-75/2016

Postoje brojne rasprave u kojima se promišlja odnos između istoričara i književnika, odnosno o njihovim različitim načinima konceptualizacije istorije i poetike prošlog. Pri tome se uglavnom ima na umu da je istoriografija u početnom obliku bila dio književnog roda i da se u milenijumskom razvoju u njoj izgubio pisac a rodio zanatlija, odnosno da je vremenom došlo do odvajanja prevashodno sa pozicije zadatka i cilja, tako da danas uglavnom važi mišljenje da je zadatak istoričara u suštini sveden na težnju da objasni prošlost kroz proces “nalaženja”, “identifikovanja” ili “otkrivanja” priče koja leži zaboravljena u istorijskim izvorima. Iz toga se izvodi osnovni zaključak da je razlika između “istoričara” i “pisca” prije svega u tome što istoričar “nalazi” svoje priče, dok ih pisac “romana” izmišlja.1 Otuda sa stanovišta odnosa prema prošlom romanopisac i istoričar u suštini nastoje reaktuelizovati smisao istorije, primjenjujući pri tome potpuno različite obrasce njenog saznanja i tumačenja. I jedan i drugi imaju udjela u prepoznavanju dvojne prirode istorije kao umjetnosti i kao nauke.