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"A ja zapisywałem siebie” – o Dzienniku Mieczysława Jastruna

Author(s): Joanna Kosturek / Language(s): Polish / Issue: 4/2014

The author of the sketch reads the Diary as a work behind the origin of which there is a sense of disappearance of life in the passing time, typical for Mieczysław Jastrun. In the context, the diary – filled, among others, with a register of small, everyday activities – seems to be a record through which Jastrun attempts to defy the nothingness and preserve his individual existence. The recording of everyday life is, however, not enough to fulfill this task on its own. Formulating remarks on Jastrun’s attempts to record his own existence and consciousness, the author references a text by Georges Gusdorf, in which the French philosopher discusses the goals and assumptions of autobiography, such as: creation of a coherent outline of one’s fortunes, interpretation and understanding of events and experiences of life, discovery of the truth of one’s own personality. Smuga światła [Streak of Light] is surely such a record. The uniqueness of individual consciousness is, however, expressed most fully in Jastrun’s metaphorical images, found not only in his poetry but also in the Diary and the Streak of Light. The author of the sketch, referencing and juxtaposing specific fragments of Jastrun’s poems, autobiography and diary, reads the meanings and connotations of one of these images – a beautiful woman entering a house – simultaneously showing the coherence of the subject’s imagination and sensitivity. Tracking of these distinctive images in the poet’s works and decyphering of their meanings resembles exploration of a “self” having a specific identity included in the texts. These images encompass an interpretation of the subject’s existence, express its distinctive metaphysical convictions, whereas their repeatability and permanency constitute the subject’s identity, preserving its existence in the volatile time.

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"All my sour-sweet days I will lament and love" – a comparative analysis of metaphors with the basic taste adjectives in Polish and English

Author(s): Marta Helena Falkowska,Magdalena Zawislawska / Language(s): Polish / Issue: 18/2018

This paper provides a comparative analysis of verbal synesthetic metaphors with the basic taste adjectives in Polish and English: słodki/sweet, gorzki/bitter, kwaśny/sour, słony/salty. Since taste seems to be an ideal candidate for a universal, biologically determined source of metaphors, the authors seek to verify the hypothesis of metaphor embodiment. The corpus-based analysis of nominal phrases with basic Polish and English taste adjectives indicates that cultural influences on the metaphorical mapping, as well as the importance of the target conceptual domains, must be taken into account.

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"Bez tytułu i daty". O „szkicowniku myśli” Piotra Szewca

Author(s): Grazyna Maroszczuk / Language(s): Polish / Publication Year: 0

The subject of the article is notes by Piotr Szewc entitled "Bez tytułu i daty", published in “Kwartalnik Artystyczny” in the column of varia entitled "Z powodu i bez powodu". The sketchbook privacy is marked by writer’s mental state, the sense of an obvious bond with the events of a special personal meaning, discretely including notes into the area of emotion reactions. The author , being aware of the gaps of a memoirist form makes an attempt to order himself and drafts thoughts in his non-fulfillment, as well as fills in intuitions of the events reconstructed after years that are intensively close to him. A reflection on the past, that, according to the author is worth remembering, because otherwise, it would get lost without taking care of a tiny detail memory sticks to. Notes by Piotr Szewc point to a thematic dominance of the last achievements of the author of "Zagłada". The novel works are avoided here in favour of poetic and para-textual searches.

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"Cudzoziemka" Marii Kuncewiczowej czytana współcześnie – w stronę konsensualnej interpretacji tekstu literackiego

Author(s): Magdalena Stoch / Language(s): Polish / Issue: 2/2018

I present a new reading of the Maria Kuncewicz novel, entitled The Foreigner, with using postcolonial perspective and consensus as a form of moderated group process aimed at reaching agreement. The work is based on the premise that if the discussion of literary texts is to make sense, we must see in it a chance for a real change of reality. Postcolonial interpretations show the colonized identity as a process of continuous positioning, linked to the processes of trauma conversion, the internalization of prejudice, and the amplification of the pattern of violence. On the other hand, the consensus method shifts the focus from text to interpreting community which can really influence on the surrounding reality.

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"Czytadło" Tadeusza Konwickiego – interpretacja po latach

Author(s): Anna Szóstak / Language(s): Polish / Publication Year: 0

The article is an attempt to reconsider and reread the novel by Tadeusz Konwicki from today’s point of view and by means of research tools that has not been applied so far to this type of text. A confrontation of its character with a changed reality of the surrounding world becomes an occasion to reflect on coming to terms with tradition and ideas as well as myths of the Romantic provenience or, in a word, the whole symbolic heritage of the past while for the writer himself, also with existing hierarchies and literary conventions. In such a perspective the novel by Konwicki turns out to be an addition and supplement of "Mała apokalipsa" whereas its convention an ironic and prophetic harbinger of a direction the Polish literature goes in totally different conditions and circumstances than before.

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"Dos lid fun ojsgehargetn jidiszn folk" Jicchoka Kacenelsona jako forma autobiografii poety i narodu

Author(s): Andrzej Pawelec,Magdalena Sitarz / Language(s): Polish / Issue: 1/2017

Katsenelson’s Elegy – one of the most famous literary documents of the Shoah – was created in the Vittel internment camp, where the poet had been transported as part of ‘the Hotel Polski affair’. In this “last song of the last Jew” Katsenelson links his personal fate with the fate of the whole community, paying tribute to “the murdered Jewish people”. The authors focus on the mythopoetic aspect of the poem: on its goal – as a personal and national biography – to save the remnants of sense in an absolutely tragic and hopeless situation.

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"Id", "ego" i deficyt superego w obrazie psychologicznym bohaterów powieści "Zazdrość i medycyna" Michała Choromańskiego

Author(s): Wieslaw Setlak / Language(s): Polish / Issue: 2/2018

Id, ego and superego deficit in a psychological image of the protagonists of ″Jealousy and Medicine″ by Michał Choromański Jealousy and Medicine – a novel by Michał Choromański, published in 1933, evidently breaks out of the convention of psychological realism thriving on the achievements of behavioural psychology, dominant in the interwar period. Choromański’s work is an innovatory experiment on composition and thought; the world shown in the novel resembles a psychotic maligna or oneiric vision. The whole novel prompts interdisciplinary research using psychoanalysis of Sigismund Freud, Charles Mauron’s psychocritical method, being a transformation of classical Freudian psychoanalysis (with Otto Rank’s modifications), contemporary psychology of a creative process and the methodologies of psychological research which are accepted and occasionally used by contemporary literary studies. Choromański’s novel is deemed the most discerning studium of jealousy in interwar literature.

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"Jeździec miedziany" Aleksandra Puszkina a "Ustęp" III części "Dziadów" Adama Mickiewicza : próba sumarycznego spojrzenia

Author(s): Malgorzata Stachurka / Language(s): Polish / Issue: VIII/2003

Медный всадник это плод второй болдинской осени (1833 г.). В статье дана попытка представления в сравнительном плане сумарного взгляда на Медного всадника и Отрывок III части Дзядов с обстоятельным использованием работ как польских исследо­ вателей (В. Спасович, Ю. Третьяк, В. Ледницкий, М. Якубец, С. Фишман, В. Кубацкий, Б. Гальстер и др.), так и русских (Д. Д, Благой, Б. П. Городецкий, Ю. Б. Борев, Н. А. Рябинина, Н. В. Измайлов, Л. С. Сидяков, Е. А. Маймин, В. Кантор, П. И. Ивинский, Д. П. Ивинский и др.). Поочередно рассмотрены такие проблемы, как: символика обоих произведений, вкутренние их связи, полемическая преемственность историографии и историо­ софии, мотивов, картинных зарисовок и образов. В Медном всаднике несколько раз появляется имя польского поэта, несмотря на тогдашний запрет цензуры. Вступая в литературную дискуссию с Мицкевичем, певец России стремился выразить свои взгляды на деятельность Петра I, а также на взаимоотношения „общего” и „частного”, на трагическое противоречие государственности и личности, что так ярко выразилось в картинах наводнения и бедствий города, и особенно в контрастных сопоставлениях Петра I и Евгения. Медный всадник это своеобразный узел в творчестве Пушкина. Произведение творчески связано с предшествовавшими ему дра­ мами Борис Годунов и Каменный гость, а также со стихотворением Моя родословная. Отпечаток истории о сумасшедшем Евгении нашел свое частичное воплощение в Пиковой даме, а также в поэмах Анджело и Полтава.

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"La Morale de Madame Dulska" - o francuskojęzycznej edycji dramatu Gabrieli Zapolskiej

Author(s): Marzena Karwowska / Language(s): Polish / Issue: 3/2014

The article presents the bilingual French-Polish publication, entitled »La Morale de Madame Dulska. Moralność Pani Dulskiej« (2011). Editors of the volume (Danuta Knysz-Tomaszewska, Grzegorz Bąbiak and Cecile Bocianowski) invited representatives of various universities to join the project, among them: Paris III Sorbonne (Elżbieta Koślacz-Virol), Paris IV Sorbonne (Daniele Chauvin) and University of Warsaw (Tomasz Wójcik). The play was translated by: Krzysztof Jeżewski – translator of Polish poetry into the French, also Elżbieta Koślacz-Virol, author of the book on Gabriela Zapolska published in France. La Morale de Madame Dulska was based on the translation by Paul Cazin (1881-1963). The French-Polish publishing initiative has been based on a copy of Paul Cazin's manuscript donated by his widow, Juliette Monfet, in the late 1970s.

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"Piosenka o krzywdach; Piosenka o pączuszkach; Piosenka o Brzęckich"

Author(s): Eugeniusz Tkaczyszyn-Dycki / Language(s): Polish / Issue: 673/2018

Poems: Piosenka o krzywdach; Piosenka o pączuszkach; Piosenka o Brzęckich by: Eugeniusz Tkaczyszyn‑Dycki

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"Sanatorium" Rafała Wojaczka. Próba lektury po czterdziestu latach

Author(s): Magdalena Boczkowska / Language(s): Polish / Publication Year: 0

The article is devoted to "Sanatorium" by Rafał Wojaczek or a prose book of a poet, published for the first time as a whole (although with a removed motto) in 2010. The author, analyzing such, phenomena as (among others): the problem of suicide and split personality, an identity split of the main character, loss of subjectivity that are very typical of the poets defined traditionally as “damned”, shows above all a difficult reception of this prose. Hence, "Sanatorium" can be read today in different ways but it should be underlined that it is first of all a novel about fear, illness, stagnation and battle fought with the world and him/herself.

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"Słodycz Italii, słodycz miasteczek Toskanii" - podróże włoskie Adama Zagajewskiego

Author(s): Karolina Najgeburska / Language(s): Polish / Issue: 27/2018

This article is an attempt to describe and interpret the journeys through Italy in the works of Adam Zagajewski. The object of my considerations is the figure of a traveler, whose condition is determinated by the fact of movement, being in motion, and Italian cities visited by Zagajewski, for some reasons important on the map of his autobiographical places, with reference to the category proposed by Małgorzata Czermińska. The aim of the research is not only to present Italy seen through the eyes of the author of Another Beauty, but also to compare his individual reflection on that country with myths and images perpetuated in culture. The perspective of tourist and flâneur interpenetrating in the poet’s Italian city-texts allow to look at the cities more broadly: they become a pretext for a deeper reflection on the essence of traveling, passing and perduring, the historicity of places and their peculiar melancholy. An important issue is also the category of strangeness, the feeling of being-not-in-place, that accompanies the cognizing subject, while strolling through the cities of Italy, which largely determines their literary representations in Zagajewski's body of work.

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"Syzyfowe prace" Stefana Żeromskiego jako biofikcja o dojrzewaniu do męskości

Author(s): Filip Mazurkiewicz / Language(s): Polish / Issue: 1/2016

The article is an attempt of close reading of the Stefan Żeromski’s first novel entitled Syzyfowe prace [Sisyphus’ works]. Author tries to prove that this novel is a kind of biofiction which means the specific connection between biography and fictional prose. Then the author leads in the term hegemonic masculinity which appears not to be useful for describing a specific situation of Polish men during 19th-century unsovereignty of Polish territory. Instead author suggests two other terms which are more suitable for a problem: heroic masculinity and ironic masculinity.

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"To nie sen", "Polska dziesięć", "Sierpień w mieście"

Author(s): Marcin Swietlicki / Language(s): Polish / Issue: 670/2017

Poems: 1. "To nie sen" 2. "Polska dziesięć" 3. "Sierpień w mieście" by: Marcin Świetlicki

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"Transcendencja", "Demistyfikacja"

Author(s): Andrzej Ksiazek / Language(s): Polish / Issue: 670/2017

Poems: 1. "Transcendencja" 2. "Demistyfikacja" by: Andrzej Książek

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"Wesele" i inne utwory Stanisława Wyspiańskiego na łamach "Kuriera Litewskiego" i "Dziennika Wileńskiego" w latach 1906-1907 : informacja bibliograficzna

Author(s): Roman Jurkowski / Language(s): Polish / Issue: VIII/2003

Целью настоящей статьи является продемонстрировать историкам прессы и театра, материалы о С. Выспянском, которые публиковались в 1906-1907 годах на страницах виленских ежедневних газет „Kurier Litewski” и „Dziennik Wileński”. Данный материал обсуждается хроно­ логически, (т.е. так как печатались обе газеты) и включает в себя нетолько статьи, театральные рецензии и статьи после смерти С. Выс- пянского, но и небольшие заметки, редакционные информации свя­ занные с автором Свадьбы. 1905-1907 годы это период возрожения польской политически- культурной жизни на территории бывшего Великого Литовского Кня­ жества. Особенно обращалось тогда внимание на национально-патрио­ тическую роль польского театра, которого выдающимся представителем был тогда С. Выспянски. Обсуждаемый материал показывает как виленские поляки относились к творчеству С. Выспянского и какова бы­ ла реакция польской критики в Вильно, Ковно и Минске после смерти поэта в 1907 году.

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"Żyła niegdyś królewska para…" śląskie baśnie królewskie o królewnach, smokach i…

Author(s): Bozena Olszewska / Language(s): Polish / Issue: 2/2017

Charakterystyczną cechą śląskich baśni jest jej demokratyzm i ideologiczne nacechowanie, zrozumiałe ze względu na zawiłą historię tego regionu ( germanizacja, wyzysk społeczny ludu). Oczywiście, dla młodego czytelnika polityczne uwikłania i niuanse nie są istotne. Od baśni oczekuje atrakcyjnej fabuły, pełnej przygód, zabawy a nawet humoru. To sprawia, że wchodzi ona w koneksje z innymi folklorystycznymi formami, np. podaniem, legendą, a nawet powieścią historyczną. Owe związki widoczne są zwłaszcza w sposobach konkretyzowania przestrzeni i czasu akcji oraz bohatera, który posiada imię, wykonuje typowy dla tego obszaru geograficznego zawód. Tradycyjna baśń wskazuje na bliżej nieokreślone miejsce i czas, nie precyzuje, kim jest bohater. Autorzy baśni śląskich nie zawsze ściśle przestrzegają reguł gatunku, natomiast odwołują się do źródeł folklorystycznych, regionalnych, mitologicznych, religijnych (począwszy od starożytności po współczesność), wykorzystują w swych opowieściach międzynarodowe wątki i motywy (zaginionej królewny, smoka, ucznia czarnoksiężnika, pięknej i bestii, królewicza zaklętego w zwierzę, magicznych przedmiotów), którym nadają lokalny koloryt, zgodnie z wychowawczymi założeniami i może oczekiwaniami dziecka.

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"Маленькие храбрые женщины" : poezja kobieca pierwszej fali emigracji rosyjskiej w Polsce

Author(s): Iwona Anna NDiaye / Language(s): Polish / Issue: VII/2002

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(Bez)ruch przestrzeni
w Mieście Archipelagu Filipa Springera

(Bez)ruch przestrzeni w Mieście Archipelagu Filipa Springera

Author(s): Kamila Gieba / Language(s): Polish / Issue: 27/2018

The article applies representations of mobility and immobility in Miasto Archipelag written by Filip Springer. The book is record of a reporter’s trip to the polish former provincial cities. The issue of displacement is considered in three perspectives: move as a narrative dominant; as deterritorialization and reterritorialization of place and as domain of urban activity.

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(Nie)obecność Juliana Tuwima na Litwie

(Nie)obecność Juliana Tuwima na Litwie

Author(s): Teresa Dalecka / Language(s): Polish / Issue: 4/2014

The reception of Polish literature in Lithuania is a complex phenomenon. For a long time there was a dominant trend of expanding the area of Lithuanian literature by incorporating into it some of the Polish-language authors who maintained contacts with Lithuania. As a result, the horizons of national literature naturally broadened. However, the reception of Julian Tuwim’s writing belongs to a different category. It needs to be remembered that in the Soviet period Polish literature offered Lithuanian intellectuals a passage to the outside world. It was in the work of western poets, Tuwim’s work included, that Lithuanian authors sought ways of expanding their avant-garde forms and dictions. Tuwim’s poetry has been largely read in its original, Polish version; therefore, there are few books collecting his poems. However, the influence of Tuwim’s work is recognized by some experts in translations of his work. However, Tuwim was made publicly known in Lithuania thanks an argument over the naming one of the street in Vilnius after his name. The article analysis public reactions to this argument and shows how this non-literary event made Tuwim a public figure in the country.

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