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4.50 €

Šantićevi poetski identiteti

Author(s): Elbisa Ustamujić / Language(s): Bosnian Publication Year: 0

The paper is based on the fact that, within the literary criticism, Aleksa Šantić has been recognized as a poet/bard of patriotic-social engagement, motifs from Muslim life and Mostar, as well as elegiac tones of personal misfortunes. In those social circumstanses (the Austro-Hungarian occupation, the annexation) Šantić’s Herzegovinian identities in patriot-social poetry are being represented as political identities, supported by essentialist valuables: the nation, the space, the epic tradition, myths and religion, which, on the basis of distinction WE/THEY, homogenizes „the identity of resistance“. Herzegovina is an imaginary space of cultural memory, whilst Mostar represents an authentic space of Šantić’s life and a place in which cultural context his constructive identities are being formed. It is a place of encounters with people, recognizable climate and topographic marks, Mediterranean vegetation, urban bazaar and streets, as well as family-patriarchal milieu. Inside that space Šantić has sang/lauded amorous, landscape and elegiac songs, his experiences of Mostar, specific culture of life and sensation of connection and being affiliated. Identifying himself with the people’s mentality, Šantić has transmitted poetic impulses of the city’s soul and spirit

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Bard za sva vremena? (Pjesničko djelo Alekse Šantića i njegova poetika i politika kulture)

Author(s): Sanjin Kodrić / Language(s): Bosnian Publication Year: 0

The paper deals with the role and position of Aleksa Šantić’s poetic oeuvre in the literary canon of both Bosnian-Herzegovinian and Serbian literatures in Bosnia-Herzegovina, as well as Serbian literature as a whole and Yugoslav literature. Special attention was paid to the early reception of Šantić’s poetic work, while emphasizing the discrepancy between local and broader understanding of the character and value of the author’s poetic oeuvre. In this way, the paper points to the complex process of canonization of the poetic work of A. Šantić, but also the possibility of its understanding today, particularly in terms of respecting poetics and politics of culture of the author’s time.

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Šantićev sonetarij

Author(s): Vildana Pečenković / Language(s): Bosnian Publication Year: 0

Šantić is one of the first Bosnian poet who promoted the sonnet form at the earliest 20th century in this region. From 1890 when was published his first sonnet, to the latest verses, Santić did spoke thru the form of sonnet about all topics that occupied his attention as a poet and as a man, but not always with the same dynamics. In the initial stage of his creation sonnets are just side form in which he tried his hands. In the period from 1905 to 1914 they become the center of his work, and at the final stage the interest for this form was decreasing. The paper examines how much did solid sonnet form had impact on the poetry of the poet, and vice versa, how did poet change form trying to adapt it to his own expression.

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Tematski i stilistički aspekti u odabranim Šantićevim pjesmama

Author(s): Ivana Tomić / Language(s): Bosnian Publication Year: 0

The focus of this scientific work is about reviewing thematic motives that is present in a Santić poetry. This work also includes linguistic analysis of verse expression, respecting imposing stylistic aspects feature and virtue of the voice repeating, literally and deeper figuratively meanings, performance of rhythm specificity based on syllables verification of tone, and intonation-syntactical arrangement of the text. Emphasized is on an impressive and expressive characteristic elements and effects of the poetry.

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Spacijalni akuzativ u Šantićevim pripovetkama

Author(s): Nataša Kurtuma / Language(s): Serbian Publication Year: 0

Given that inadequate use of cases/prepositions leads to a change in the meaning of the entire phrase, the task of the research at hand is to determine the use of accusative which functions as spatial determiner. The research is based on a corpus which comprises selected short stories by Aleksa Šantić, given that his works have been shown to be suitable for this kind of research. The aim of the paper is to define the prepositions in question using the morphosyntactic and the semantic methods, as well as to determine the frequency of prepositions used to define accusative as a spatial determiner.

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DVE PESME

Author(s): Čarna Ćosić / Language(s): Serbian Publication Year: 0

(Čarna je sedela ispod hrasta na Palićkom jezeru s nas nekoliko kad smo odlučile da sastavimo ovu knjigu. Želela je da napiše tekst o lezbejkama u Srbiji i taj bi tekst sigurno bio baršunast i prodoran, kao i poezija koju je pisala. Na žalost svih nas koje smo je poznavale, napustila nas je prebrzo.)

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Критичка фолклористика Ненада Љубинковића

Author(s): Nada M. Milošević Đorđević / Language(s): Serbian Publication Year: 0

Writing about the works of Nenad Ljubinković is no easy task, not just because there are almost four hundred of them and because they encompass almost all the topics of importance that Serbian (and not only Serbian) science of folk literature has dealt with, but first of all because each and every one of them poses a challenge of sorts. His texts, marked by a sharp wit, rich in terms of connotations, re-examine accepted interpretations, coming up with new ones, often contrary to the previously established ones, bringing into question the usual ones. In all of Ljubinković’s studies there is a tendency towards discussing the cultural-historical basis of oral creation, which does not mean that other factors are neglected, such as mythological ones or the mutual connections between the oral and the written at a broader comparative level. What connects all of the above is studying folk literature as a phenomenon.

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У Будима у бијела града. Прилог истраживању старине епског десетерца

Author(s): Aleksandar Loma / Language(s): Serbian Publication Year: 0

The paper deals with the so-called ”epic genitive” which in South Slavic epic decasyllable and long-verse poems often substitutes the accusative of inanimate objects, e.g. mača plamenoga ‘(he unsheathed) the fiery sword’ and of direction, e.g. u bijela grada ‘(he went) into the white town’. Such forms are ungrammatical and metrically conditioned, i.e. they fit into the second half-line of the decasyllable, which is not the case with the gramatically correct sentences, e.g. u b(ij)eli grad ‘to the white town’, at least after the loss of the final ”weak” semi-vowels shortly before 1000 A.D., for hitherto, in its original phonetic shape, the sequence *vъ(n) bělъjь gordъ, with six syllables, the penult long and the preceeding two short, perfectly matched the second hemistich of the Common Slavic epic decasyllable as reconstructed by Roman Jakobson; consequently, the pattern must be older than the 10th century and rooted in the prehistoric past. The substitution of genitive for accusative may be regarded as purely morphological process, inspired by the analogy of the category of animate nouns in which genitive is used to design the direct object, and/or by the phonetic coincidence of two Common Slavic prepositions, *vъ ‘in(to)’ with accusative and locative and *u ‘at’ with genitive, in Serbian. However, the starting point of the development may have been a phonetic phenomenon, the persistent pronunciation of final weak semivowels in the metrical speech long after their fall in the spoken language, not unlike the ”e muet” in French poetry, e.g. u Budimə gradə, which subsequently resulted in u Budima grada ‘into the town of Buda’ as the shwa reflecting Common Slavic ъ and ь in the strong position turned, in Shtokavian, into the full vowel a. It was supposedly only then, in the 14th–15th centuries, that the original accusative in those inherited formulas was reinterpreted as a genitive in a. In any case, the ”epic genitive” seems to be an archaism bearing a further testimony to the prehistoric roots of Serbian oral poetry. Additionaly, the occurence in the reconstructed formulas of the word *gordъ ‘town’, initially ‘enclosure, fortified place’, confirms that fortresses played in the epic world outlook of the ancient Slavs a role no less important than among other early Indo-Europeans.

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Очи лажљиве, а срце соколово

Author(s): Ljubomir Zuković / Language(s): Serbian Publication Year: 0

In this paper, the author attempts not only to establish the connections but also to explain the crucial phrase in the poem analysed, lying eyes, relying on his assumption, explained in more detail in the preface to a critical edition of Volume Four of Serbian Folk Poems, that the poem „Old Vujadin” was recorded by Vuk’s well-known blind singer Đuro Milutinović. In the text, the author also comments on the interpretation of that poem and the above-mentioned phrase contained in it by Miodrag Pavlović.

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Вечна кућа у усменој епици

Author(s): Mirjana Detelić,Lidija D. Delić / Language(s): Serbian Publication Year: 0

This paper focuses on one of the aspects of the atypical attribution of home in the oral tradition (eternal home = grave). Searching for the origin of the atypical motif of leaving an opening on a coffin wherein the body of a deceased person is placed, encountered in the poem “A Sad Wedding” from the manuscript collection of Jovan Srećković (The Ethnographic Collection of the Serbian Academy of Sciences and Arts, no. 1, 1/55, 48–49а), the authors sift through layers inherited from the ancient Slavic past (confirming the existence of the said motif in the north of Russia and in the regions of the Carpathians, Ukraine, northern Romania and Poland) and follow the connections with lyrical variants (Kosovo) and certain motifs and pat terns (death in the woods, a fairy building a city). Furthermore, the authors point to a transfer of formulas and occasional collisions between the traditional images and layers of epic poetry within the framework of specific poetic creations.

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„Иво Сенковић и Ага од Рибника” – између бајковне структуре и херојске семантике

Author(s): Zoja S. Karanović / Language(s): Serbian Publication Year: 0

The subject of this paper is the poem “Ivo Senković and Aga of Ribnik” (Serbian Folk Poems III, no. 56), which is connected to the international theme of a duel between an inexperienced hero and a seasoned fighter, and whose content is placed within the framework of the struggle of the uskoks [rebels, guerrilla-type fighters] of Senj against the Turks, while actually being the hero’s very first duel, which can be brought into connection with the quest of a fairy-tale hero. In other words, the unfolding of the plot manifests a morphological equivalence between this heroic poem and a fairy tale, evidencing their common genetic origins, overlapping and layering, even though in the poem there is a great deal of heroic resemantisation of the fairy-tale sujet, which should be evident from a detailed analysis of the poem.

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„Орао се вијаше”. Над градом формула

Author(s): Boško Suvajdžić / Language(s): Serbian Publication Year: 0

In the context of the bugarštice it is discussed the oral formula of the oldest recorded bugarštica from 15th century. It is studied the complex interweaving flows of the tradition and history in the bugarštice. The metrics and the verse of bugarštice are compared with metric solutions of octosyllabic verse in the oral poetry.

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South Slavonic Apocryphal Collections

Author(s): Anisava Miltenova / Language(s): English,Bulgarian,Old Slavonic,Old Bulgarian

This book represents a study of the textology, typology, sources and literary peculiarities of the so-called ’miscellanies of mixed content' in the South Slavonic tradition (from the end of 13th – the beginning of 18th c.) – less known or unknown in the Humanities. The problem is closely related to the apocryphal collections in the Balkan Cyrillic manuscripts, as the Apocrypha are a significant part of this type of manuscripts. The scope of the study is to popularize the series and texts that fill the gap in the translation and perception of the Slavonic Apocrypha. New information is presented over the sources of translations, as well as the compilation approach of Slavonic writers, which reproduces a new version of the texts. The copies of the Slavonic texts are published in the supplement. The typology of manuscripts is supported by plectograms produced in the Repertory of Old Bulgarian Literature and Letters (http://repertorium.obdurodon.org/).

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4.50 €

From Border to Icon

Author(s): Biljana Dojčinović / Language(s): English Publication Year: 0

The first novel by the contemporary Serbian woman author Ljubica Arsić, Čuvari kazačke ivice (Guardians of the Kazak Border), was published in 1988 and reprinted in 1997 and 2002. However, due to a set of various unfavorable circumstances, it remained almost unknown to a wider audience until the second reprint. The novel’s relative unfamiliarity may partly be attributed to the fact that at the time of its first publication there existed no appropriate theoretical language or framework to adequately account for its nomadic spirit. Unlike Guardians of the Kazak Border, Arsić’s second novel, Ikona (Icon), published in 2001, aroused immediate interest amongst readers, critics and the media, winning one prize when only in draft and another after publication. There was a lapse of thirteen years between the publication of these novels, during which time important political, ideological and economic changes took place. Although it seems tempting to ascribe the differences between them to this fact, the situation is much more complicated and interesting.

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ProFemina, Feminist Literary Magazine: Reconstructing the Female Literary History of Serbia and Changing the Male Dominated Canon

Author(s): Biljana D. Obradović / Language(s): English Publication Year: 0

In Yugoslavia during the time of communism and atheism the main (Orthodox) religion and its customs were effectively banned. After communism ended there was a revival of Serbian traditions and customs. Today much poetry in Serbia is characterised by the return to the use of archaic language and religious and mythic motifs. Women poets on the other hand tend to use contemporary (even colloquial) language and are interested in the individual rather than mythic or religious figures. They write outside the institutions of cultural power and are liberated from these conventions, they create freely, are open to the world and prepared to break away from patriarchal norms. They are willing to shed taboos. Even when they do use traditional symbols, they often change their meanings.

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BETON - Kulturno propagandni komplet br. 162, god. X, Beograd, utorak, 18. avgust 2015.

Author(s): Milan Miljković,Saša Ćirić,Esilda Luku,Siniša Tucić,Vojo Šindolić / Language(s): Serbian

MIXER, Milan Miljković: Ima li Albanaca u ovom razredu?; CEMENT, Saša Ćirić: Adio Pula, vraćam ti se ja; ARMATURA, Esilda Luku: Albansko-jugoslovenski odnosi u albanskim udžbenicima; VREME SMRTI I RAZONODE, Siniša Tucić: Zajedničko kuvalo, Vojo Šindolić: Pjesma za moj 60-ti rođendan; BLOK BR. V, Diskoteka 3D: Suza moja nema roditelja

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BETON - Kulturno propagandni komplet br. 154, god. IX, Beograd, utorak, 16. decembar 2014.

Author(s): Jerko Bakotin,Saša Ćirić,Ilija Đurović,Aleksandar Pavlović,Sergej Stanković / Language(s): Bosnian,Serbian

MIXER, Jerko Bakotin: Dobošari u pustinji; CEMENT, Saša Ćirić: Zbogom Prvi svetski rat; ARMATURA, Ilija Đurović: Ovdje i tamo, Aleksandar Pavlović: Ko ne rađa ta je PHD; VREME SMRTI I RAZONODE, Sergej Stanković: Jednonogi Miloje

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BETON - Kulturno propagandni komplet br. 54, god. III, Beograd, utorak, 16. septembar 2008.

Author(s): Predrag Čudić,Ljiljana Đurđić,Andrej Nikolaidis,Predrag Lucić,Tomislav Marković,Lazar Bodroža / Language(s): Serbian

MIXER, Predrag Čudić: „Dobro uhranjena praznina“ DJD; CEMENT, Ljiljana Đurđić: Prevrtanje utrobe; ARMATURA, Andrej Nikolaidis: Krst nad Sarajevom; VREME SMRTI I RAZONODE, lirika utoke, Predrag Lucić: Dvadeset i kusur milja ispod stola; BULEVAR ZVEZDA, ĐURETIĆ, Veselin; BLOK BR. V, L. Bodroža & T. Marković: Najava karte srpskog spasa

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Poezija - Dubravka Đurić

Author(s): Dubravka Đurić / Language(s): Serbian Publication Year: 0

Poetry by Dubravka Đurić ("Žudnja za morem: Ekopoetika 3")

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O osnovnim poetičkim postulatima stvaralaštva Mirka Kovača

Author(s): Tatjana Đurišić-Bečanović / Language(s): Bosnian Publication Year: 0

Mirko Kovač je jedan od najistaknutijih predstavnika postmoderne književnosti na južnoslovenskom semiotičkom prostoru, koji je iza sebe ostavio izuzetno obiman i žanrovski razuđen stvaralački opus. Budući da se radi o međunarodno priznatom piscu, čije je stvaralaštvo više puta nagrađivano i od književne kritike hvaljeno, izuzetno je značajna pojava ovog Zbornika naučnih radova koji će u znatnoj mjeri rasvijetliti Kovačevu hermetičnu poetiku.

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