Polska proza galicyjska przed wojną i po wojnie

Author(s): Marek Wilczyński / Language(s): Polish Issue: 5/2015

Usually Schulz’s fiction is not interpreted with reference to the Holocaust and massive ethnic cleansing in East-Central Europe during World War II. The present paper is rooted in a belief that some of his later stories can actually be treated as “prophetic”when placed in a sequence consisting of the works by Schulz and other Polish writers from Galicia: Ida Fink, a Holocaust survivor, Zygmunt Haupt, an émigré in the United States, and Leopold Buczkowski, after the war in Poland. Schulz’s followers, at least ina chronological sense, seem to have been inspired by the metaphorical energy of hisfiction, though in the stories by Fink and Haupt, as well as the early novels by Buczkowski,the Schulzean metaphor is replaced by metonymy – a figure of death, and allegory – in Walter Benjamin’s terms, a post mortem mask of history stigmatized by violence. Arguably, Fink, Haupt, and Buczkowski recorded in their fiction the fulfillment of Schulz’s catastrophic prophecy.

ИСКУССТВО КРЫМСКОГО ХАНСТВА В ЛОГИКЕ ИНТЕРВАЛЬНОГО АНАЛИЗА

Author(s): Meryem Idrisova / Language(s): Russian Issue: 3/2016

Purpose of Article. The problem of research of art of the Crimean khanate of XIV-XVI centuries is analysed in the article from positions of interdisciplinary methodology of intervality. The analysis of the literary sources, published by the researchers of different directions is conducted. Methodology. Using historical, cultural, philosophical methods of study and analysis of art, the author of the article gives preference poli-methodological theory of intervality which is the product of Post-modernism. The interval approach is based on exposure and coordination of intervals in the separately taken contexts. Scientific novelty. The author underlines the necessity of the using in modern Cultural discourse the Post-modernism interval methodology, which assists more scalene and multidimensional analysis of different types of art in the arts and culture of the Crimean khanate. Conclusions. The culture of the Crimean khanate represents the Eastern Black Sea type of medieval traditional Muslim culture. It has been developing as many others ethnoses of that region. The author highlights the impact of the different ethoses (Armenians, Greeks, Jews, Circassians, the Georgian etc.) on the art culture of the Crimean Tatars. Since the15th century the Crimean khans, understanding advantage of policy of tolerance, gave the chance to numerous ethnoses to keep and create the culture. Today in the Crimea the art monuments, created during the period of the Khanate by Armenians, Greeks, etc. have been remained. Although, it should be noted that the epoch of the Crimean khanate was interval. So it means that in the Crimea the Islamic culture dominated. Analyzing the art culture of the Crimean Khanate, we should note a role of the cross-cultural interference of different ethnoses. The Intervality allows to consider culture as a multilevel phenomenon in which all intervals are democratic and pluralistic. It is expedient to analyse a phenomenon of the art culture of the Crimean Khanate as a system of intervals such as "fine arts", "literature", "music", "folklore". They are divided into types and genres.

Stulecie Jakuba Wołodymyra Łysa jako literackie świadectwo ukraińskiej posttotalitarnej traumy

Author(s): Agnieszka Matusiak / Language(s): Polish Issue: 163/2018

The presented article is an attempt to determine the main memorial traces in the literary and cultural studies of Ukrainian post-totalitarian trauma after the World War II. The author of the article constructs her own concept around the generational transmission of trauma as well as the role and importance of this trauma for the processes of shaping the common Ukrainian identity.

ІМАГОЛОГІЧНИЙ ПОТЕНЦІАЛ ОБРАЗУ БІЛОРУСА В СУЧАСНИХ СЛОВ'ЯНСЬКИХ ЛІТЕРАТУРАХ

Author(s): Olena POGREBNYAK / Language(s): Ukrainian Issue: 1/2019

The author considers the phenomenon of the images of the Belorussian in the works of modern Slavic writers. The following structural components of its paradigm are analyzed: auto-images (images of Belorussians in Belarussian literature) and hetero-image (images of Belarussians in Polish, Czech and Ukrainian literature), their formal characteristics and inner content, modality and interaction, as well as the functional and strategic significance for the formulation of the principles of national Identity and outline of its boundaries at the time of creation (for auto-images). Taking as an example the works of Karpovich, Topol, Urban, Singaevsky, Andrukhovych and some others texts, the author shows that in the non-Belorussian writers’ works, the images of Belarus and the Belorussians have been generally stereotyped (in Ukrainian and Czech literarture) or grotesque (in Czech literature) or even stigmatized (in Polish and Czech litersture). Such images illustrate the cultural and civilization influences and fix certain typological coincidences between the corresponding literary receptions. The imagological image appears to be an extralinguistic phenomenon, a full-fledged subject of interethnic relations, the modality of which forms the scenario of such relationships and determines the role of the author as their social mediator. The article also compares the image of the Belarussian in classical and modern Belarussian literature. There are examples of postmodern ironic rethinking of Kupala autoreflections in the works of Belarussian poets of the 21st century, attempts to deconstruct stereotypical perceptions of Belarussian realities are demonstrated. There is a connection between the updating of the image of Belarus in the writings of modern Belarussian writers and the intensity of the processes of self-identification in the stream of Belarussian culture of the 21st century.

Polsko-ukraińskie pogranicze kulturowe na łamach "Енциклопедії українознавства"

Author(s): Jarosław Hryckowian / Language(s): Polish Issue: II/1997

Словотвірне гніздо з вершиною Христос у мовній картині світу українців

Author(s): Vasyl’ Greshchuk / Language(s): Ukrainian Issue: 8/2020

The article discusses the example of a word-formative nest with the apex of Christ. It analyses the role of word-formation in the formation of the language picture of the world of Ukrainians. The word-formative nest fi xes the word-forming segment of the semantic space of the Christ concept of the sacred conceptual sphere. Despite the fact that the anthroponomies as vertices of word-formation nests do not exhibit derivational productivity in the Ukrainian language, the word-formation nest with the apex of Christ has a branched structure: in the three stages of derivation, 25 derivatives of diff erent parts of the language, created in diff erent ways, have been certifi ed. This is due to the semantics of the vertex word of the nest, the importance of the concept named by it, in the perception of Ukrainians, in their culture of belief. In the linguistic consciousness of Ukrainians, Christ – Jesus Christ, the Son of God, the God-man, the incarnate God, the Savior, the Teacher, the Creator of the new religion. Such a broad semantic spectrum determines the activation of the derivation possibilities of the base word and the verbalization of word-formative means by a number of conceptual components. An analysis of the word-formative nest with the apex of Christ has shown that the word-formative dimension in the language picture of the world of Ukrainians, along with the universal conceptual components inherent in many diverse Christians, also has a number of individual-language derivational means of categorizing the world.

Фразеологічні одиниці з ойконімним і відойконімним компонентами як свідчення історичної пам’яті українців

Author(s): Lidiya Hnatyuk / Language(s): Ukrainian Issue: 8/2020

The paper’s subject is tracing the historical memory of the Ukrainian people as evidenced in (broadly understood) phraseological items that contain oikonyms as well asadjectives derived from oikonyms, and refl ect the 19th c. Ukrainians’ perception of theirhistory and neighbouring countries, and also their everyday life, local customs and memorable occurrences related to some inhabited places both in Dnieper Ukraine, then belongingto the Russian Empire, and in Western Ukraine, then part of the Austrian (after 1867,Austrian-Hungarian) Empire. Some of the phraseological units discussed in the paper anddrawn from M. Nomys’ 1864 collection “Ukrainian sayings, proverbs and the like” arerecorded in modern dictionaries, while the others are only found in the 19th - early 20th c.dictionaries. The author attempts to elucidate the origin and meaning of phraseologismsthat are incomprehensible for Present-day Ukrainian speakers. In her reconstruction ofrelevant fragments of the 19th c. Ukrainians’ world picture, she uses the methods of historical-linguistic and linguistic-cultural analysis, also taking into account extralinguistic data.

Християнські сакральні символи у просторово-часовому континуумі поетичного мовлення українського письменника Юрія Андруховича

Author(s): Veronika Horodets’ka / Language(s): Ukrainian Issue: 8/2020

This article explores the linguistic worldview of a Ukrainian poet – postmodernist Yuriy Andrukhovytch – realized through the concept of “Christian sacred symbols” analyzedfrom the perspective of anthropological and cognitive aspects of lingual and cultural studies. It defi nes the essence and the ways of implementing the concept in the spatio-temporal continuum of poetry collection “India” as well as highlights the role of man in thepoet’s imaginary world through the archetypes of the world culture and decodes symbolicmeaning of cultural context of the author’s works. Contrary to a generally accepted viewthat the earth is round, spatial reality for the author turns out to be a planet which resembles a cake, a fl at surface, a desert, a kingdom and a bridge. The sky is seven crystalhemispheres, out lining the heavenly space with stars and planets fi xed at each level. Thespace is represented by such geographical notions as East Asia, India, China, the river Nile. The author of the article supposes that India becomes for the writer the embodimentof our civilization at all times of mankind, another way to present man in the space ofeternity, and a kind of life philosophy. The synthesis of pagan, Jewish, Hindu, Muslim andChristian ideas about man’s place in the world and his moral peace, happiness and overalllove is represented by such symbols as angels, harpes, gehennr hell hrifony, dragons,percale books, lilies, honey, pythons, fl ags, birds, reptiles, saints, timpani, newts, tulips,furies, devils, Yuri’s sword, Yasmin and others.

Біблійні слова-образи в текстах українських народних пісень

Author(s): Nina Danylyuk / Language(s): Ukrainian Issue: 8/2020

The article investigates the fi gurative language (words) of the biblical origin such asGod, Jesus Christ, God’s Mother and other that obtained new national cultural meaningsand became ethnologemes in the texts of Ukrainian folklore. The research is conducted onthe basis of a great number of reference texts, written down mainly in the 19th – beginningof the 20th centuries. It was found out that the texts of oral lore are linguo-aesthetic signsof ethnic culture refl ect a mode of thinking of a nation at diff erent historical periods. It was pointed out that modern authors understand the meaning of such terms asa “word-image” and “language image” in diff erent ways and add their individual interpretations. Key words-images have been analysed in the context of the linguistic conceptualmap of the Ukrainians in whom pagan and pre-Christian beliefs of our people are refl ected.It was discovered that Biblical words-images in the Ukrainian folklore were reconsidered and, as a result, it led to the changes in their forms and meanings. The analysis ofthe folk songs texts makes it possible to conclude that the word-images of Jesus Christand God’s Mother are developed to the level of language images obtaining specifi c sensesthat are typical to a real man, a master/landlord, and a woman, a mother and a hostess/landlady.

Своєрідність формування релігійних значень за допомогою внутрішньослівного гіпонімійного зв’язку

Author(s): Albina Kovtun / Language(s): Ukrainian Issue: 8/2020

The article is devoted to the study of the specifi cs of the formation of religious meanings with the help of the intraword hyponymic (genus-species) relations. It was revealedt hat in semantic structures of lexemes, this type of semantic derivation is capable of activelydeploying stable specialized religious(specifi c, hyponymic) meanings from commonly used(generic, hypernymic) ones. It was also found that in times of Christianization, the fi xationof hyponyms often led to the disappearance of hypernyms. The process of transferringreligious hyponyms without hypernyms from other languages into the Old Kyiv languagewas quite active. Forming a paradigm through hyponymic relations refl ects a variety ofchanges in the represented reality associated with the linguistically conservative religioussphere of Ukrainians: the names remained unchanged, while language objects, acquiringnew functions, changed, and the speakers’ knowledge of the objects deepened.

Християнські цінності в мовно-естетичній рецепції Василя Стефаника

Author(s): Vitaliy Kononenko / Language(s): Ukrainian Issue: 8/2020

The article deals with t he linguistic and aesthetic principles of characters’ understanding of the Christian values in the texts of Vasyl Stefanyk’s novels. The main constants oflanguage and thinking, which reproduce Pokuttian country folkideas concerning followingthe Christian ethics and morality, have been described. In the worldview of the peasants,depicted by Vasyl Stefanyk, elements of pagan belief, customarylaw, and mythologicalperception of the image of the world have been refl ected. The author’s position on theethical norms of the characters is not refl ected directly, but through the reference to livingconditions, their psychological self-consciousness. The texts of Vasyl Stefanyk containa positive assessment of such features of the peasants as benevolence, truthfulness, fearof sin, faith in God.

Внесок Варшавської україністики в розвиток методики викладання української мови як іноземної

Author(s): Oksana Korpalo / Language(s): Ukrainian Issue: 8/2020

The article provides an overview of the latest textbooks, articles and dictionaries published by the Department of Ukrainian Studies at Warsaw University over the last decade.The development and implementation of a competency-based approach to the studyof the Ukrainian language as a foreign language signifi cantly stimulates the developmentof language didactics, opens new perspectives for the practical use of its achievements.

Фразеологічний мінімум з української мови для слов’яномовних студентів (рубіжний та високий рівні, В1-В2)

Author(s): Halyna Kuz’ / Language(s): Ukrainian Issue: 8/2020

The article deals with the volume and composition of the phraseological minimum asa necessary and eff ective element of the formation of linguistic and cultural competencein the process of language learning at intermediate and upper intermediate levels, outlinesthe quantitative and qualitative structure of the phraseological minimum for learning theUkrainian language by Slavic students, and off ers a list of phraseological units as a component of the described minimum. The material presented in the textbooks of the Ukrainianlanguage as a foreign language was used to form the list of phraseological units, whichwas minimized according to the criteria of selection of the phraseological minimum forlevels B1-B2.

Хистиянські імена як твірні основи архаїчної ойконімії України

Author(s): Zoryana Kupchyns’ka / Language(s): Ukrainian Issue: 8/2020

Proper names of people as creating stems are represented in oiconymy of Ukraine.Anthroponymy separated from o iconymy of Ukraine ending in *-inъ is only a small fragment of a large amount of proper names and their variants. The actual problem is creatingthe dictionary of personal names of people, which would contain anthroponymy derivedfrom archaic oiconymy. It would enrich not only the Ukrainian anthroponymicon but AllSlavonic one. 251 anthroponym of canonical origin is distinguished from geographicalnames of Ukraine ending in *-inъ. Most of Christian anthroponyms are represented indictionaries as names of people or as bynames/proto-surnames. It is found out that 30 names(12%) are not represented in lexicographical works: Аврата (< Гаврило), Горпа(< Агрипина//Горпина), Демх(ш)а (< Дем’ян), Домашла (< Домна, Домнікія,Домаха), Ільпа (< Ілля), Кузята (< Кузьма), Макиш(х)а (< Матвій, розм. Макій),Макош(х)а (< Матвій, розм. Макій), Манята (< Марія), Мар’ята (< Мар’яна),Матюш(х)а (< Матвій), Митула (< Дмитро), Михла (< Михайло), Мишера(< Михайло), Мишута (< Михайло), Нита(я) (< Нит), Ол(ъ)ма (< Олъма), Панчоха(< Пантелеймон), Парута (< Парасковія), Пилипчата (< Пилип), Савара (< Север,Северин), Стеська (< Степан), Таша (< Наталія), Теола (< Теофіла, Феофіла),Тимота (< Тимофій), Томара (< Тамара), Фетюха (< Федір), Юриця (< Юрій),Якота (< Яків), Янкулиха (< Ян).

Християнська мораль і колективний етичний досвід у сучасному українському художньому дискурсі

Author(s): Nataliya Malyuha / Language(s): Ukrainian Issue: 8/2020

The article in question deals with the fact that contemporary art discourse under the influence of Christian ideas reflects Ukrainian mentality and spirituality, represents profoundly symbolic information on every individual’s outlook, priorities of his/her existenceand criteria for assessing the morality of deeds. The study considers current issues ofcultural identity and national Christian ethics of Ukrainians, the dichotomy of biblical ethical mandates and collective ethical experience recorded in literary works. Taking intoaccount individual samples of literary works, the interpretation of biblical moral postulatesfrom the perspective of collective ethical experience has been examined. The process ofmodifying biblical images in current secular context has been described. It has been takeninto consideration that appealing to biblical parallels is an eff ective way to draw attentionto urgent national issues.

Про лінгвістичні показники взаємодії мова – культура на прикладі аналізу польсько- українського пограниччя XV-XIXст.

Author(s): Halyna Matsyuk / Language(s): Ukrainian Issue: 8/2020

The article is devoted to the formation of a linguistic interpretation of the interaction of language and culture of the Polish-Ukrainian border territories. The material for the analysis includes nomic systems of Ukrainian and Polish languages, which are considered as a cultural product of interpersonal and interethnic communication and an element of the language system, as well as invariant scientific theory created in the works of Polish onomastics (according to key theoretical concepts, tradition of analysis, and continuity in linguistic knowledge). The analysis performed in the article allows us to single out the linguistic indicators of the interaction of language and culture typical for the subject field of sociolinguistics. These are connections and concepts: language-territory, language-social strata, language-gender, language-ethnicity, social functions of the Polish language, and non-standardized spelling systems. Linguistic indicators reveal the peculiar mechanisms of the border in the historical memory and collective consciousness, marking the role of languages in these areas as a factor of space and cultural marker and bringing us closer to understanding the social relations of native speakers in the fifteenth-nineteenth centuries.

Агіологія поетичної збірки Лазаря Барановича Żywoty świętych (1670)

Author(s): Olena Ruda / Language(s): Ukrainian Issue: 8/2020

The purpose of the article is the analysis of hagiology in Lazar Baranovych’s poetry collection entitled Żywoty świętych (1670). This includes the fulfilment of such tasks:1) To enumerate the saints mentioned in the poetry collection; 2) To determine to which church/epoch/place of worship or order of sainthood they belong; 3) To determine how full the saints’ details of biography are reflected in the poetry collection mentioned above;4) To understand Lazar Baranovych’s view on the topic of different kinds of sainthoodclearly; 5) To measure the actuality of his views given the context of the 18th century Ukraine. The results of the research are shared in the given article, showing how exactly Lazar Baranovych defined for himself the concept of the sainthood at the first place. They also tell us about his views on the call for monkhood and family life and help us to reconstruct the images of the ideal spiritual shepherd, female Christian etc.

Nieznana praca o historii stosunków polsko-ukraińskich w Galicji autorstwa Mariana Tyrowicza w zbiorach Archiwum Nauki PAN i PAU w Krakowie

Author(s): Adam Świątek / Language(s): Polish Issue: 11/2019

The paper aims at acquainting the reader with an unknown typescript by Marian Tyrowicz (1901-1989), a Lviv-born researcher of Galicia (Kingdom of Galicia and Lodomeria) who was a professor of the Higher School of Pedagogy (today’s Pedagogical University) in Krakow after WWII. The text entitled A Brief Outline of the Ukrainian-Polish Relations in Galicia and Reborn Poland (1772-1939) was created under the German occupation of Lviv in 1943 and is kept in the Scientific Archive of PAN and PAU in Krakow now. Since the unclear copyright status currently prevents its publication, the author of the paper has decided to present its contents and make the most significant findings of Tyrowicz available to scholars. Based on relevant Polish and Ukrainian antebellum literature Tyrowicz arrived at a synthetic picture of relations between Poles and Ruthenians (Ukrainians) on the territory of Eastern Galicia with reference to the political situation, foreign relations, and socio-cultural processes.

Don Kazakları'nın Osmanlı Topraklarına Göçü ve İgnat Nekrasov'un Vasiyeti

Author(s): Yusuf İslam Yılmaz / Language(s): Turkish Issue: 1/2021

This article studies the Cossacks, a group of people that emerged in the northern steppes of the Black Sea during the fifteenth century. It mainly focuses on the community's political and social effects on the powerful states of the geography, namely Tsarist Russia, Poland, the Crimean Khanate and the Ottoman Empire. After examining the etymology of Cossack and Hetman in the introductory part, it analyzes Don Cossacks’ relations with the Ottomans and the Russian state. Don Cossacks migrated from Russia, where they had a dispute under the leadership of their Hetman Ignat Nekrasov, to the Ottoman lands. Nekrasov's will strictly asked Don Cossacks to protect their identity and beliefs after his death during the period. In this manner, they lived in Anatolia for more than two hundred and fifty years and preserved their language and culture. In the 1960s, they migrated to the USA and Russia due to some customary reasons related to marriage and population decrease. By scrutinizing Don Cossacks' changing contexts, this study aims to draw a framework for the life of the community through the lens of Ottoman documents and Turkish and Russian sources.

КОМУНІКАТИВНО-ПРАГМАТИЧНІ ОСОБЛИВОСТІ ДРАМАТИЧНОГО ТЕКСТУ ЯК РІЗНОВИДУ ХУДОЖНЬОГО МОВЛЕННЯ

Author(s): Ivanna Struk / Language(s): Ukrainian Issue: 1/2021

The article formulates the theoretical foundations of the study of dramatic text, distinguishes between the concepts of “dramatic text” (affects the reader) and “dramatic work” (verbalizes the theatrical action for the viewer), because these linguistic realities are in the relationship of inclusion. A dramatic text is a unity organized according to certain laws, which has a clear structure: a certain number of lines, designed with the help of the author's remark, forms a dialogical unity; the combination of dialogic units forms a scene; the set of scenes constitute an act; several acts create a complete work. Obligatory factors of expressiveness of the dramatic text that influence the development of dialogic parts of the characters are pragmatic components of speech which are considered as certain rules of successful communication. In the communicative-pragmatic paradigm dramatic text is defined as a specific type of artistic text that has its own structural and speech features due to a combination of informational, pragmatic, stylistic and cognitive aspects, where the pragmatic aspect is found in speech acts, syntactic organization of cues. The scientific novelty of the research is DT of Bukovinian’s writers of the late nineteenth – early twentieth century that have not yet been the subject of analysis. The relevance of scientific research requires a holistic analysis of the dramatic text and difference between the concepts of “dramatic text” and “dramatic composition”, the study of mandatory factors of expressiveness of dramatic text, influencing the development of dialogic parts. The following methods and techniques of linguistic analysis are used in the article: system-functional analysis, method of discussion analysis, contextual-interpretive method. Conclusions. Dramatic text is a complex phenomenon with its own peculiarities of functioning. It is possible to penetrate into the structure of a dramatic text, to reveal the meaning of the author's intentions due to the volume-pragmatic division of the text. The communicative-pragmatic organization of DT influences the processes of active aesthetic influence of a work of art on the consciousness of the addressee. We see the prospect of the represented research in the further deepening of knowledge about the categorical features of the text in the communicative-pragmatic aspect.