Права на издателите на публикации в пресата при използване в цифрова среда

Author(s): Diliana Kirkovska / Language(s): Bulgarian Issue: 7/2020

The system of protection of copyrights and related rights within the European Union is rapidly developing with putting forward of new assessment rules to protected content in digital environment. Changes occurred at the Directive (EU) 2019/790 of the EP and of the Council of 17 April 2019 refer to establishing of a brand-new retated right of the press publications publishers concerning digital issues, and also to harmonized legal protection for the press publications when used online by information society services providers. There appears necessity of licensing of the online use of publications of new providers, such as news aggregators and media clipping services.

Разклатените стълбове на демокрацията - обществените медии в Югоизточна Европа

Author(s): Ralitsa Kovacheva / Language(s): Bulgarian Issue: 8/2020

A review of the book " A Pillar of Democracy on Shaky Ground. Public Service Media in South East Europe”, published by Konrad-Adenauer-Stiftung Media Programme South East Europe. The book gives an overview of public service media in the ten countries covered by the Media Programme of the Konrad-Adenauer-Stiftung (Albania, Bosnia and Herzegovina, Bulgaria, Kosovo, Moldova, Romania, North Macedonia, Serbia, Croatia and Montenegro) plus Germany.

Le Musical Instruments in the Early Vernacular Translations of the Psalms (2)

Author(s): Ana-Maria Gânsac,Alin Suciu,Andrea Svobodová,Constanța Burlacu,Iosif Camară,Ileana Sasu,Jacopo Bisagni,Katarzyna Jasińska,Kateřina Voleková,Mădălina Ungureanu,Stephen Morrison,Vladimir Agrigoroaei,Vlad Bedros / Language(s): English Issue: 4/2020

This paper represents a continuation of the previous publication “The Musical Instruments in the Early Vernacular Translations of the Psalms. Collective Research” (Museikon, 3, 2019, p. 67-140), henceforth abbreviated as Musical Instruments… 2019. The study will be continued in the next issue of Museikon (5, 2021), covering more languages and furthering the discussions.

Review/data bases/ conferences/ latest publications/projects

Author(s): Alessia Maria Rossi,Alice Isabella Sullivan,Vladimir Agrigoroaei,Ágnes Korondi,Mădălina Ungureanu,Cinzia Pignatelli,Ileana Sasu,Waldemar Deluga,Ana Dumitran,Daniel Dumitran,Ciprian Firea,Mihaela Sanda Salontai,Iustin Marchiș,Iosif Camară,Mirosław Piotr Kruk,Agnieszka Gronek,Alicja Z. Nowak,Anita Paolicchi,Francesca Tasca,Kateřina Voleková,Andrea Svobodová,Tomáš Gaudek,Ota Halama,Milada Homolková,Klára Matiasovitsová,Markéta Pytlíková,Laura Jiga Iliescu,Martina Jamborová,Michal Dragoun,Thomas Gaudek,Katerina Volekova,Václav Žůrek / Language(s): English Issue: 4/2020

Книги 2020

Author(s): Emiliya Voleva / Language(s): Bulgarian Issue: 41/2020

Selected bibliography in the field of Bulgarian Studies published in the current year

Сравнително проучване на гръкоезични преселнически общности в България и Гърция

Author(s): Darina Slavova / Language(s): Bulgarian Issue: 3/2020

The Karioti are a Greek-speaking ethnographic group from Bulgaria, a large part of which migrated to Greece in the 1920s. The hypotheses about the emergence of the migrant community in the village of General Inzovo as well as the factors influencing the emigration to settlements in Northern Greece (the Municipality of Eginio, Thessaloniki region, and the village of Trikala in Imathias) are diverse: social, economic, political and others. The new environment in which the Karioti settled had a significant impact on the community. Language, traditional clothing and cultural features are part of the external manifestations that distinguish them from other communities. By using certain specific elements in traditional clothing, the community demonstrates a desire to be distinguished among others and vice versa, by rejecting others it reflects a desire to join the urban community.The preservation of the musical heritage of the Greek-speaking communities in the three settlements has gone through several periods, which are not identical in the two countries. Contemporary folklore manifestations and the activities of the community cultural institutions in the settlements aim to preserve the local identity of the Karioti in Bulgaria and Greece.

Книги 2020 – 2021

Author(s): Emiliya Voleva / Language(s): Bulgarian Issue: 42/2021

Selected bibliography in the field of Bulgarian Studies published in the current year.

Трансформации на фолклорната и религиозната култура в Странджа през призмата на обичая Еньова буля и култа към св. Модест

Author(s): Mira Markova / Language(s): Bulgarian Issue: 4/2020

Over the last decades, the Strandzha region suffers a serious demographic crisis and the outflow of population results in significant change in the local culture. The empirical data of the current research is based on fieldwork in villages of Fakia (Central Strandzha, Sredets Municipality). The aim is to give a picture of the current condition of the folklore and religious culture through symbolic and specific phenomena. Enyova bulya custom is widely spread in Strandzha region and is conceived as an accent in the Enyovden (Yanovden) celebrations that take place on the 24th of June and is one of the main summer feast days until the ’60s of the 20th century. Enyova bulya is associated with fertility, maiden's transition and the well-being of the settlement community. Today, the custom is disconnected from the context of the festive life of the researched community as far as the world view of the main actors has been changed. Main doers are elderly women, the time of the celebrations is not exactly fixed thus the sacredness of the actions is automatically degenerated. A conclusion can be made that the custom nowadays has the characteristics of a tourist attraction in some aspects. Keeping the celebrations is perceived as a need to declare local identity and local diversity. The transformations in the religious culture of the researched community can be analysed in a similar direction. St. Modest cult (celebrated on December 18) is seen as “typical only for Strandzha region”. In the past, the cult is related to the local livelihood – livestock-raising and agriculture. For example, in Fakia village is believed that the woman that gives out ritual bread first will be the first to finish harvesting. Today, as a result of drastic changes in livelihood, the cult exists as a characteristic of local religious culture – grounds for the local dimensions of cultural identity. Anyway, ritual practices serve the local identity. Searching a motivation in tradition keeps alive a local peasant community in process of dramatic demographic and social crises in Strandzha region.

Култът към католическите мъченици на тоталитаризма в България (1944–1989)

Author(s): Valentin Voskresenski / Language(s): Bulgarian Issue: 4/2020

The article presents religious practices and politics of memory, related to the cult of the “new martyrs” (“martyrs of totalitarianism”) in the Catholic Church in Bulgaria after 1989. The paper is based on terminological apparatus and methodology in the field of anthropology of memory and anthropology of religion, and describes the procedures of beatification of Blessed Eugene Bossilkov (beat. 1998) and bishops Fr. Kamen Vichev, Fr. Pavel Dzhidzov, Fr. Iosafat Shishkov (beat. 2002), Fr. Fortunat Bakalski, Fr. Rafael Peev, and others. The objective of this study is to elucidate major moments related to the institutionalisation of the cult, the processes of construction of sacredness, the creation of new religious practices, the commemoration practices, and the places of memory. The study explores the elements of the veneration of the “new martyrs” in Bulgaria, the connection between cult and history, and the issues of memory and the policies of memory as a form of heritage. The observations and the examples are obtained through field research and interviews conducted in several settlements in the Diocese of Sofia and Plovdiv and the Diocese of Nicopolis (primarily the towns of Plovdiv, Rakovski, Ruse, and Belene, the village of Oresh, and the city of Sofia). Relics, testimonies of martyrdom, stories of miracles, hagiographical and iconographical innovations, commemorational festivities, places of memory, related to the “new martyrs” – all of these are analysed through the prism of processes of invention of cultural-historical heritage, renovation of confessional identities, and creation of reworking models of traumatic memory in the period of socialism. The article looks for answers to the following questions: What is the character of the totalitarian martyrology in Bulgaria? How are the confessional consciousness of the Catholic communities and the character of their religious culture being transformed through the religious cults of the “new martyrs”?

Пандемични държавни културни политики в България в областта на изпълнителските изкуства (2020–2021). Тенденции и перспективи

Author(s): Ioana Spasova-Dikova / Language(s): Bulgarian Issue: 1/2021

The study is part of a larger project that aims to examine national cultural policies related to the support of various performing arts, cultural forums, and especially, some festivals of the performing arts in Bulgaria. The focus is on the professional performing arts (theatre and dance), affected by the pandemic, and on various art forums and the policy of the Bulgarian state (in particular, the Ministry of Culture) to support freelance artists, who have been heavily affected by the social isolation resulting from the quarantine due to COVID-19. An attempt is made to outline more important trends in the pandemic situation and to delineate perspectives for dealing with the crisis.

Читалищата по време на пандемия – политики и практики

Author(s): Stela Nenova / Language(s): Bulgarian Issue: 1/2021

The measures for limiting the distribution of COVID-19 that have been undertaken by the state during the last months affected many institutions and people engaged with the preservation of local cultural heritage, both tangible and intangible. The article discusses the official policies towards the community centres (chitalishta) in the current complicated situation caused by the pandemic crisis. Additionally, it utilises direct observations in the field, in the media and in internet milieu, and interviews with community centre workers and representatives of communities that are successors of cultural heritage. Based on concrete examples, the study offers a general and up-to-date picture of preservation practices, developed on local level, such as the ethnographic collections at the community centres, the non-professional groups for folklore, and different initiatives related to the popularisation and socialisation of cultural heritage.

Етнология и епидемии. Социокултурни измерения на пандемията от COVID-19. Съставители: Вихра Баева и Ангелина Илиева. София: Издателство на БАН „Проф. Марин Дринов”, 2021

Author(s): Valentina Ganeva-Raycheva / Language(s): Bulgarian Issue: 1/2021

Book review

Научна конференция „Опазване на културното наследство – анализи, документи, практики“

Author(s): Stela Nenova / Language(s): Bulgarian Issue: 1/2021

Scientific life, conference report

Сън по време на война. Чочарка

Author(s): Nevena Dimitrova / Language(s): Bulgarian Issue: 2/2021

The text is dedicated to two movies based on Alberto Moravia’s book “Ciociara”. The author examines some folklore motifs through which the role of the woman is presented. The analysis also includes the dream of a wedding, which transforms the understanding of time-space relationship. Outlining authentic folklore motifs in the film narrative is in the centre of the study, together with the original presentation of the person having the wedding dream, which forms the visual core of the film. Central point in the text is the relation between reality and the way it is experienced by the dreamer.

Разнообразие в телевизионните програми на обществените телевизии в държавите от Западните Балкани

Author(s): Desislava Sotirova / Language(s): Bulgarian Issue: 10/2021

The dual broadcasting system in the six Western Balkan countries puts challenges but also creates opportunities to increase the diversity of the TV program. The paper aims to answer the question whether there is a variety of television content provided by the public broadcasters to the audiences in the Western Balkans. Their public mission obliges them to provide access to programs on diverse topics for all target audiences, including ethnic minorities and people with disabilities.

Към историята на Българското радио като културна сила: върху ранната музикална журналистика - музикално просветителство и приложна народоука

Author(s): Ventsislav Dimov,Ventsislav Dimov / Language(s): Bulgarian Issue: 10/2021

The study presents the contributions of Raina Katsarova (1901-1984) - one of the pioneers in establishing the Bulgarian traditional music in the first specializated music programs on Rodno Radio and Radio Sofia. It presents a researcher with experience in field work and thousands of recordings of traditional music, with publications of song collections and academic works, but also a citizen, cultural figure, public activist, media figure. The activities of Raina Katsarova as an educator, music journalist and media critic are discussed; her talks and song tales on the radio; her activities in defense of faith and rituals in the media of totalitarian Bulgaria; her role in publicizing Bulgarian traditional music on air around the world as an ambassador of Bulgarian culture, folklore and science. It is concluded that the traces of her activity in the media cover the history of Bulgarian radio, understood in the middle of the twentieth century as a public good and cultural force. It is clear to everyone that music on the radio matters. Raina Katsarova's radio appearances show how ethnomusicology is also important in and for radio.

Удвояване или за любословието на филологията

Author(s): Miglena Nikolchina / Language(s): Bulgarian Issue: 10/2021

Modern Mimesis: Self-Reflexivity in Literature is a passionate defence of philology that traverses the distances from Ancient Hellas to present-day Japan, from Ulysses to robots. This movement follows a logic described by the author as reconceptualization, and creates conceptual nodes configured through horizontal and vertical, temporal and spatial self-reflexive reduplications. The broad arc from the libraries of Alexandria and Pergamum to the mimetic valleys of robotics thus turns out to be underpinned by the reconceptualization of the ancient dispute between ‘analogy’ and ‘anomaly’, turning any attempt at ordering into an ‘endless series of rearrangements’.

Лиляна Деянова и градините на паметта

Author(s): Zhana Popova / Language(s): Bulgarian Issue: 10/2021

In the end of September 2021 one of the celebrations of the academic community took place – colleagues and friends congratulated prof. Lilyana Deyanova with the publishing of the anniversary anthology ‘Time and Memory’. Compilers and organizers of the academic celebration are Maya Grekova, Petya Kabakchieva, Momchil Hristov, Milena Yakimova.

Cantafabule, Drawings Made Flesh. A Tale in Search of a Lost Cover

Author(s): Elisabeth Lili Ochsenfeld / Language(s): English Issue: 5/2021

Born in 1951 in Timișoara, Elisabeth Ochsenfeld lives today between Heidelberg (de), Frankfurt am Main (de) and Wolfsberg / Gărâna (ro). She graduated the Faculty of Fine Arts, University of Timișoara, in the class of Professor Leon Vreme (1973); she directed the Art Group—Studio 35 in Timișoara(1974-1980) and has had, from 1973 to date, several exhibitions of painting, drawing, mixed media, photography, and illustrations, being also the curator of a large number of exhibitions and artistic events. In 1975 she finalized the drawings for the cover of the double LP Phoenix Cantafabule based on an idea of Valeriu Sepi. She immigrated to Germany in 1986 and soon thereafter became a graphic artist for the project Rock Carvings and Inscriptions along the Karakorum Highway at the Heidelberg Academy of Sciences and Humanities (1987-2012). Her works are displayed in galleries, museums and private collections across Germany, Romania, England, the Netherlands, France, Italy, Austria, Ukraine, Hungary, Belgium, Israel, Greece, Sweden, Pakistan, Finland, South Korea, the USA, and Canada. She is the founder of Arthouse Wolfsberg / Gărâna and a member of the Association of Professional Artists in Germany, the International Women’s Cultural Federation, Freeinterartists, and Contemporanii.

Une expérience joycienne radicale en roumain

Author(s): Andrei Ujică / Language(s): Romanian,French Issue: 5/2021

Andrei Ujică est né à Timişoara en 1951. Il a étudié les lettres modernes à l’Université de Timişoara avant de poursuivre ses études à Bucarest puis à Heidelberg. Depuis 1968, il publiedes textes en prose. Il a été impliqué dans la création desdeux lp du groupe Phoenix – Mugur de fluier (‘Bourgeon deflûte’, 1974) et Cantafabule (‘Chantefables’, 1976). En 1981, ila immigré en Allemagne. À partir de 1990, il s’oriente vers lecinéma et codirige avec Harun Farocki Videogramme einer Revolution (‘Vidéogrammes d’une révolution’, 1992) et Kameraund Wirklichkeit (‘Caméra et réalité’, 1992) – deux filmssur la révolution roumaine de 1989. Out of the Present (1995) raconte l’histoire du cosmonaute Sergueï Krikalev, qui apassé dix mois à bord de la station spatiale Mir, alors que surterre, l’Union soviétique cessait d’exister. Suivent le court métrage2 Pasolini (2000) et le long métrage Unknown Quantity(2005). Depuis 2001, il est professeur à l’Université de Karlsruhe.Il a fondé le ZKM (Zentrum für Kunst und Medien) Filminstitut.‘L’Autobiographie de Nicolae Ceauşescu’ (2010), présentéeen sélection officielle à Cannes, est un long métrage demontage où les images d’archive sont présentées selon la perspective du dictateur. Actuellement, il prépare un film partiellementbasé sur des images d’archive et consacré auxévénements des 15 août 1965, date du célèbre concert des Beatles sur Shea Stadium à New York