We kindly inform you that, as long as the subject affiliation of our 300.000+ articles is in progress, you might get unsufficient or no results on your third level or second level search. In this case, please broaden your search criteria.
Сто година од премијере "Страдалника" Ежена Бријеа (1920-2020)
More...
The paper -Polish and Russian in Đorđe Lebović and Aleksandar Obrenović Drama ("Heavenly Squad") and (Kinship-In-Arms) by Borislav Pekić puts in its focus two Slavic people, who although related, of similar languages and origins, stand opposite each other, through the centuries as rivals and opponents, Rzecz Pospolita and tsarist Russian, Poland Pilsudski and Stalin's Soviet Alliance, not only as numerically large nations whose elites nurtured imperial pretensions already as representatives of conflicting religions, Catholic and Orthodox, civilization circles, Central and Eastern European. The characteristics of dramatic heroes in this paper are divided into appearance elements: language, clothing, physical characteristics, and the concept of character and characterization. The essence of the analyzed plays is contrary to the expectations of readers who would, based on positive and negative stereotypes, how a person, of Polish, or Russian origin, would behave. Namely, all persons from the analyyed dramas participate or participated in the Second World War which left a heavy trace on their psyche and state of health. In collision with mortality, fear, hunger, exhaustion, their class, ethnic characteristics become irrelevant and their tragic destinies become universal, unrelated to their origin.
More...
The most successful dramatization Dundo Maroje by Marin Drzic atrributed to Marko Fotez, after a performance at the Croation National theatre in Zagreb, 1938. In this paper we will talk about Fotez's dramatization, which led to prominent place in the repertoires of the most Yugoslav theatres in the 20th Century. The analysis of Fotez's dramatization of Dundo Maroje points to possible perspectives of fragmentary interpretation and approach to the stage adaptation of this work. The method of study is based on the reconstruction of theatrical and archival records on the dramaturgical paper of Marko Fotez.
More...
Defining the theoretical framework of classical ballet is of exceptional importance, because this artistic field within the framework of its historical development found itself on the margins of artistic and theoretical discourse. The topic of this paper is related to the analysis of the development of classical ballet from a historical, sociological and philosophical perspective, because it is about an artistic field that has not undergone significant changes in terms of form and aesthetic reception since its inception.
More...Комедије у једном чину. Жорж Федо. Превео, приредио, коментар и животопис написао Сава Анђелковић
More...