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Professor Surendranath Dasgupta (1887-1952) is probably best remembered as a Philosopher and for his contributions to the historiography of Indian Philosophy. This spirit of philosophical enquiry can also be discovered in his famous works on Yoga and Tantra – knowledge systems which are based in praxis. However, as a thinker, Professor Dasgupta defied all disciplinary boundaries and wrote and lectured on the sciences, literature, art history, aesthetics and so on. Even a cursory look at his teaching career establishes the essentially interdisciplinary nature of his calling: among other things, Dasgupta served as a Professor of Sanskrit and Bengali in Rajshahi and Chittagong College; then taught Bengali at Oxford University; became Professor of Philosophy at Presidency College; then Principal of Sanskrit College; afterwards Professor of Philosophy at the University of Calcutta. He was deeply influenced by poetry, especially Rabindranath Tagore, and many of his essays on philosophy would include Tagore’s poetry as an instance to prove his point or as a moment of epiphany in an otherwise structured argument. Besides these scholarly pursuits, he has also authored poetry collections and novels in Bangla. Dasgupta liked to keep himself informed about the latest developments in World Literature and at times, he even participated in the literary debates that were taking place in the public sphere at that period. Perhaps, his initial training as a student of Sanskrit served as the foundation for this lifelong engagement with languages and literatures. My presentation seeks to locate this literary persona of Professor Dasgupta through a reading of some of his works including Sāhitya Paricay and The History of Sanskrit Literature – in which he worked as an editor and as one of the two contributors. Supplementing these with texts on art and aesthetics by Dasgupta, we seek to understand his way of approaching literature – characteristically comparative; looking for patterns of relationships and connections across time, space, cultures
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The article treats the means of expression of hesychastic apophaticism, used by Old Bulgarian writers of the 14th – 15th centuries, and the author tries to show that these means are very old, and were characteristic even for the mind of primitive people. He pays attention to the synonymy of ‘aphophatic’ negative pronouns and ‘cataphatic’ summative pronouns; to the pleonastic use of the negative particle не; to the syntactic but- constructions; and to necessative constructions.
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Common trends of Balkan painting as basic cultural locus of old Byzantine culture influenced Medieval iconographic models of wall-painting heritage of Christian temples in Tarnovo and its region dating from XV – XVIII century. Iconography was developed and enriched by symbolic images and interpretations of motives and events fundamental in Christian philosophy, Bible and hymnography. Artistic tradition of Christianity, strongly apparent in theocentric compositions of church vaults of that period revealed the ideas of Protoimage of God and its realization in cognizable world.
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