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The photos, especially, are lovely and evocative testimony to what is left of the synagogues and Jewish cemeteries of northern Moldavia, a region embracing parts of modern Romania, Moldova, and Ukraine.
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An essay by Andrea Dunai on the theft of the famed Hatvany art collection and its subsequent dispersal among Russians, Germans and Hungarians.
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Anna Zsigmond’s study is also about the Holocaust, from the point of view of the loss of the body corporate.
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The shocking presentation of two letters by György Dalos – like that of Márton Székhelyi – exposes the deep and organic anti-Semitism of the Horthy era in Hungary through the annihilation of an artist, set against the background of Berlin.
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The portrait by Ágnes Huszár of cameraman András László traces what might be viewed as a typical Holocaust story – the loss to the world of a man of exceptional talents.
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Hedvig Ujvári presents the Berlin experience of an important historical and intellectual figure of Hungarian origin: Max Nordau
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The essay by Sidra Ezrahi analyses a delicate problem: the legitimacy and authenticity of the written and spoken language of the Holocaust.
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This essay by Anna Borgos throw light on the legendary love story of Edit Gyömrői and Attila József.
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The interviews of György Fehéri about the paintings of Edit Kiss and their after-life reveal a great human and artistic tragedy, one that continued to affect the lives of a German family over several generations, until it was finally laid to rest through facing the Holocaust.
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