
"Auf unserem Papier findet das meiste gleichzeitig statt": Zum Projekt der Gegenweltgeschichte in Günter Grass' "Der Butt" in kulturökologischer Perspektive
In this article, the novel The Flounder is re-read from the perspective of environmental literary criticism and with a view to the highly topical issues of education for sustainable development. The line of argument moves along the central questions for Grass’s work about the importance of fairy tales and myths for literary-anthropological processes of the formation of meaning, his Enlightenment criticism, his critical understanding of history, his poetics of ‚Vergegenkunft‘ and his examination of feminism, ecology and dystopian visions of the post-human age. The article closes with an outlook on relevant research desiderata. An overview table for a selection of thematic, relevant works should serve as an inspiration to rediscover Grass as a representative of ecocriticism in schools and universities.
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