We kindly inform you that, as long as the subject affiliation of our 300.000+ articles is in progress, you might get unsufficient or no results on your third level or second level search. In this case, please broaden your search criteria.

9.84 €

Śpiew jako wartość osobowa dziecka. T. 1: Stałość i zmienność rozwoju myśli naukowej przełomu XX i XXI wieku

Author(s): Jadwiga Uchyła-Zroski / Language(s): Polish

The publication constitutes a pedagogical monograph which consists of two parts comprised of eight chapters. The first, theoretical part consists of three chapters, while the remaining five comprise a comprehensive empirical study, including methodology, research findings, in-depth analysis of those findings, and conclusions. The monograph is devoted to the analysis of singing and voice training in children from the perspective of personal values. In the first part of the monograph, the author refers to older research concerned with the development of voice in children, using lesser-known sources in Polish as well as other languages. Thus, the monograph addresses the issue also from the historical angle, allowing for broad analysis of the theoretical background for the subsequent empirical research. The theories cited in the monograph have been subject to thorough evaluation and comparative analysis. The monograph addresses both the constants and the changes in the theoretical approach to the issue, paying particular attention to the notions concerning development and voice training in children; assessment of the new—heuristic—method of vocal training; appropriate training for students preparing them for taking on the role of the teacher with regard to values and making value judgments; the role of fine arts universities in shaping creative attitudes in students. The theoretical part also includes the results of diagnostic and comparative studies of children and students, elaborated upon in the second part of the monograph. The proposed method, founded upon the principle of the creative process, is most effective when applied to elementary school students (class I—III); nonetheless, some of its elements can be utilised by parents and legal guardians in the home environment, and by teachers during music as well as music and movement classes in kindergartens, schools, and in therapy work with disabled children. This method as well as its didactic and educational benefits should be taught to students specialising in musical education, integrated teaching, preschool education, as well as to teachers working with special needs classes and counselors working with disabled children.

More...

6.50 €

Styl późny w muzyce, literaturze i kulturze. T. 4

Author(s): / Language(s): Polish

Dwa kolejne tomy, trzeci i czwarty, Stylu późnego w muzyce, literaturze i kulturze są zapisem wykładów wygłoszonych na konferencji zorganizowanej w 2014 roku przez Akademię Muzyczną w Katowicach i Uniwersytet Śląski. Było to już trzecie spotkanie z cyklu „styl późny”, które zgromadziło muzykologów, teoretyków muzyki, literaturoznawców, historyków sztuki, kulturoznawców i filozofów. Problematyka obydwu publikacji dowodzi, że zjawiska „późności” i „schyłkowości” wciąż budzą wiele kontrowersji, nie poddają się jednoznacznym klasyfikacjom i opisom.W tomie czwartym pomieszczono artykuły dotyczące zagadnień stylu późnego w kulturze europejskiej XX wieku. Wśród poruszonych tematów, widzianych przez autorów poprzez pryzmat stylu późnego i „późności”, znalazły się: dzieła filmowe Langa, Leana i Kurosawy, twórczość kompozytorska Blocha, dzieła Iwaszkiewicza w kontekście inwariantnego modelu Tomaszewskiego, elementy stylu późnego w dojrzałej twórczości Sikorskiego, schyłkowy modernizm w utworach Ptaszyńskiej, teologia wydarzenia Caputo jako przykład schyłkowości postsekularyzmu, wielowymiarowy proces zmian, zwłaszcza ekonomicznych i społecznych, w Liverpool, fascynacje stylem późnym w literaturze, muzyce i sztuce, transformacje stylu kompozytorskiego Andrzeja Panufnika, zagadnienie teodycei w Błaznach Barry’ego.

More...

8.00 €

Sztuka i jej wartości

Author(s): / Language(s): Slovak,English,Czech,Polish,Ukrainian

“The monograph Sztuka i jej wartości (Art and its values) presents both art and values in three well-integrated parts: theoretical considerations focused on art, a practical approach towards art – the way it personally affects one and the way it is experienced and created – and the process of broadly understood aesthetic education. . . . Talking about art, we come very close to issues connected with its individual branches, both traditional and modern. We can also look for the values it brings on various levels: in already completed works of art, in the creative act itself, in interpretation, and in the act of reception. This multifaceted presence of values in art is evidence of both its richness and the vast possibilities it offers, and points to the need to implement it in education.” From a review by Prof. Elżbieta Szubertowska.

More...

9.00 €

Ciało – muzyka – performans

Author(s): / Language(s): Polish

In humanitites, the issues connected with playing, and therefore performing music have always been an integral part of theoretical reflections and they have always occupied a place in the classification of academic fields, however the aim of the present publication is the conceptualization of the situation of the performer, in which case the conventions of reception and genre classification neutralize the reflection upon the bodily dimension of performance. For this reason, it seems vital to indicate, reveal, and name these theoretical barriers, and look at performance from the perspective of the musicalness of the body and the bodiliness of music. Music can be treated as an abstract entity, as was argued in the past by Boethius and Leibniz, and presently by cognitivists, however when it is being performed, the music gains materiality, while the audial nature of an individual realization of an abstract piece of music constitutes a significant component of the musical work as such. The performance entails the presence of the performer’s body, which becomes the element of the whole aesthetic experience. The axis of reflections contained in the articles gathered in the present volume, quite arbitrarily grouped into two mirrored parts, evolves therefore around the issues of, on the one hand, the musicalness of the performer’s body, and on the other, the bodiliness of performance. Looking at performance from the perspective of music and the body allows to revive our attitude towards the existing and historically described viewpoints on the performer’s body and provide a new insight into this issue. Such a formulation of the problem gives rise to a multitude of methodological outlooks, which in turn demonstrate a dichotomy of research tracks. Some of them will still treat the body as an instrument, others, by contrast, will pay attention to the symbiosis of consciousness and bodiliness; some will emphasize the audiality, others will stress the fusion of the audial and the visual. It is symptomatic that in each case the art of performing, as well as the works themselves, initiates similarly inspiring academic discussions.

More...

0.00 €

Електромузичний інструментарій як еволюційний фактор музичної культури

Author(s): Єvgen Kyshch / Language(s): Ukrainian

Монографія присвячена розгляду та аналізу специфіки функціонування електромузичного інструментарію у сучасній музичній культурі. Дослідження адресоване професіоналам та любителям електронної музики, мистецтвознавцям та культурологам, викладачам та студентам мистецьких навчальних закладів.

More...

30.00 €

Muzyka na dworze księcia Hieronima Floriana Radziwiłła

Author(s): Irena Bieńkowska / Language(s): Polish

A discussion of various aspects of the musical culture of the princely court of Hieronim Florian Radziwiłł, who competed in this respect with King Augustus III. Using inventories, the author presents prints and musical manuscripts from the library collections of Biała and Nieśwież, as well as instruments used in the 18th century; she also identifies and describes the interiors in which concerts and musical productions took place. She describes the way bands functioned in residences in Biała (Podlaska) and in Słuck, the recruitment mechanisms of musicians, their working and living conditions, the attitude of Prince Radziwiłł towards them, and the education system of the local musicians.

More...

9.00 €

Muzyka, Literatura, Filozofia. O filozoficznych wątkach w twórczości Ryszarda Wagnera i w Ulissesie Jamesa Joyce’a

Author(s): Marek Rosiak / Language(s): Polish

An attempt to identify and interpret philosophical themes appearing in the dramatic output of Richard Wagner is an essential part of the publication. Presenting my own interpretation, I lay no claim to its exclusive accuracy. In my opinion, every great work of art – to which Tristan und Isolde, The Ring of the Nibelung cycle or Parsifal undoubtedly belong – has a universal message, which means it can be understood in different ways. My analyses on Wagner are completed by a study on absolute music in which I discuss the concept of expressing a certain programmme in music that has no relation to a literary text. The last part of the book concerns itself with the peregrination of the hero of Joyce’s Ulysses from the perspective of transcendental philosophy. Although it is not known if Joyce had studied Husserl’s phenomenology, we can draw a parallel between the contents of his work and the issue of transcendental solipsism that Husserl tackled in the Fifth Cartesian Meditation. Transcendental perspective makes it possible to view the series of incidents befalling Leopold Bloom as a process akin to the progress of a musical piece.

More...

6.50 €

Muzyka na Śląsku Cieszyńskim

Author(s): / Language(s): Polish

The land of Cieszyn Silesia has been inspiring artists, composers, and other creators of culture for years. In particular, the musical folk culture has been a stimilus for activity in the field of collating, analysing, and researching folklore material (songs, intrumental melodies), but also for creating based on the said folk music of new pieces, both following “classical” esthetics (stylizations) and “transformed” esthetic (among others, contemporary folk music along with its derivatives). Cieszyn Silesia is a place of scholarly research most of all due to its rich historical and cultural past, to which the text composing this publication testify. (A fragment from the Introduction)

More...

30.00 €

The Chopin Games. History of the International Fryderyk Chopin Piano Competition in 1927-2015

Author(s): Ada Arendt,Marcin Bogucki,Paweł Majewski,Kornelia Sobczak / Language(s): English

The book presents the history of the International Fryderyk Chopin Piano Competition narrated from the anthropological-cultural perspective and based on extensive source material, which enabled the authors to explore the less known aspects of one of the most important music competitions in the world.

More...

15.00 €

Orientacje muzyczne młodzieży z ogólnokształcących szkół muzycznych II stopnia

Author(s): Marta Jadwiga Kędzia / Language(s): Polish

Analysis of the complexity of music, its understanding and impact on the functioning of each person has become an impulse to carry out research on the musical orientation of young people studying in a comprehensive secondary music school of 2nd level. The author introduces the term musical orientations. Definition of the term refers to a specific type of life orientation, understood as a self-reflection and the image of her/ his own professional career, based on knowledge acquired in the process of education, level of perception, musical sensitivity, musical interests and real and/ or projected activities. The results of the study allowed to create a full picture of young people being educated in the system of professional music education, selected for their musical talents.

More...

10.00 €

Zagadka emocji muzycznych. Czym są, jak powstają i czy są podatne na zmiany?

Author(s): Maria Chełkowska-Zacharewicz / Language(s): Polish

Why is music present in so many aspects of our lives? One potential answer lies in the emotions we feel in a variety of situations when listening to and experiencing music. In response to music, we cry, we laugh, we shiver; we feel sadness and nostalgia, but also joy and ecstasy. However, the areas of study that analyze these diverse aesthetic experiences raise interesting questions. Are these experiences emotions? If so, what kind of emotions are they? How do these emotions arise? The author looks for answers to these questions and discovers the curiosities of musical emotions' psychology.

More...

9.00 €

Muzyka religijna – między epokami i kulturami. T. 2

Author(s): / Language(s): Polish

Książka podejmuje zagadnienia muzyki religijnej, traktowanej z perspektyw: muzykologicznej, historycznej i folklorystycznej. Przynosi informacje o twórcach muzyki religijnej, o działalności zespołów ją wykonujących, analizuje wybrane przykłady religijnego repertuaru muzycznego. Dostarcza wiedzy na temat dawnej oraz współczesnej muzyki religijnej.Publikacja jest adresowana do muzykologów, amatorów muzyki, teologów, religioznawców, a także wszystkich zainteresowanych twórczością religijną.

More...

5.00 €

Muzyka religijna – między epokami i kulturami. T. 3

Author(s): / Language(s): Polish

Trzeci tom publikacji zbiorowej Muzyka religijna stanowi przede wszystkim świadectwo rozmaitych badań nad sferą sacrum, sferą religijności, sferą inspiracji duchowych, badań prowadzonych w obrębie „sztuki dźwięku”. Autorami zamieszczonych artykułów są polscy muzykolodzy, etnomuzykolodzy i teoretycy muzyki. Wśród poruszonych zagadnień znalazły się m.in. twórczość o. Amanda Ivanschiza, muzyka Tadeusza Kasserna, Karlheinza Stockhausena i Krzysztofa Pendereckiego. W pracy ukazano również aspekty działalności muzycznej parafii bielsko-żywieckich oraz dziedzictwo muzyczne braci czeskich w Zelowie.Książka z pewnością zainteresuje wszystkich tych, którzy chcą odnaleźć sygnały religijności w muzyce, ale także osoby poszukujące informacji na temat muzyki lokalnej – na Śląsku (Górnym i Cieszyńskim) i w regionie bielsko-żywieckim.

More...

20.00 €

Brzmienie uczuć

Author(s): Peter Kivy / Language(s): Polish

The first Polish translation of Peter Kivy’s "The Sound Sentiment" (1989), a classic of the 20th century musical aesthetics, which contains the original version of "The Corded Shell" (1980) and additional chapters written in response to the debate concerning emotionalism. The author explores music expression and the problems related to its understanding, with reference to philosophy, history of music and musicology. Kivy advocates music cognitivism, which involves recognizing emotions in music without arousing emotions in the audience and without attributing emotions to the composer.

More...

0.00 €

Současné trendy hudebněteoretické výuky v základních uměleckých školách České republiky

Author(s): Judita Kučerová,Terezie Čertková,Martina Dvořáková,Hana Havelková,Alžběta Hrbáčová,Ondřej Musil,Radka Nepauerová,František Ostrý,Markéta Ottová,Kristina Rafailov,Jaroslava Rodičová,Marek Sedláček,Markéta Szendiuchová,Pavel Šuranský,Renata Horáková,Kateřina Vašíčková,Zdislava Voborná Záleská / Language(s): Czech

The monograph presents the results of musical educational research that was implemented by the Music Department at Faculty of Education of Masaryk University in 2018. The aim of the research was to capture the current state of music theoretical education in basic art schools in the Czech Republic. The accent was placed on searching of musical didactic methods, means, using modern multimedia technologies and knowledge of pupils.

More...

0.00 €

Türk Müziği Literatürü ile Oda Müziği Eğitimi ve Müzik Eğitimi Lisansüstü Programlarındaki Ders Kazanımlarına Yansımaları

Author(s): Hamza Serdar Turan / Language(s): Turkish

Chamber music is one of the courses in which music education departments perform music activities together in undergraduate and graduate programs. In these lessons, students perform examples of national and universal chamber music. The aim of this research is to reveal the use of Turkish composers' works in chamber music lessons in Music Education Graduate Programs and to determine the reflections of this literature to the gains in the chamber music lesson content in the Music Education Graduate Programs with the application carried out using the piano chamber music works of Turkish composers. In line with this purpose, first of all, interviews were done with the lecturers who provide chamber music education at postgraduate level using a semi-structured interview form. Also, piano chamber music works of Turkish composers are listed by document analysis method. Then, chamber music education, which was performed using piano chamber music works of Turkish composers, was observed with structured observation forms. Interviews were done with the students who were observed before and after the observation using the semi-structured interview form. Nvivo12 program was used in the analysis of the data obtained from the interviews, content analysis was done and certain themes and codes were reached as a result of these analyzes. 447 chamber music works of 107 Turkish composers were reached in the work list obtained by document analysis method. These works reached include the instruments in instrument education in the Fine Arts Education Department of the Faculty of Education, Department of Music Education. As a result of the interviews made with the lecturers, it was concluded that the factors affecting the achievement of the course achievements related to chamber music works of Turkish composers are limited literature and students' level differences. However, it was determined that the use of this literature in chamber music education was difficult due to the insufficient accumulation of students on Turkish music elements, their indifference to Turkish music, and inadequate works suitable for the level. As a result of the observations made with the piano chamber music of Turkish composers, it was revealed that the achievements in the Music Education Graduate Programs were reached by using this literature. Based on the results obtained from the interviews, in the last part of the research, suggestions such as writing works suitable for all levels, printing written works, taking place of this literature in the curriculum and artistic/scientific activities are included.

More...

35.00 €

Ранните осмогласници. Извори, богослужение и певчески репертоар (По ръкописи до XIII век)

Author(s): Svetlana Kujumdzieva / Language(s): Bulgarian

The study is focused primarily on manuscripts (MSS) from the library of the St. Catherine's monastery on Mount Sinai. The aim is to show what, where, and how according to the MSS studied the medieval chant repertories have been assembled to form an Oktoechos as a book.

More...

0.00 €

Wpływ melodyki i rytmiki na tworzenie wielowariantowości odbioru wrażeń słuchowych. Przetwarzanie dźwięków w strumienie percepcyjne na przykładzie wybranych dzieł muzycznych

Author(s): Adam Rosiński / Language(s): Polish

The presented book is devoted to the theoretical and practical aspects related to the classification and arrangement of sounds relating to perceptual streaming during the listener's perception of a piece of music. The author has attempted to analyse musical works in an innovative way, which takes into account the various perceptual aspects that may arise during the listening of a given piece, thus enabling the listener to interpret the music differently in the form of various variants. The book presents an analysis of works by the following composers: Johann Sebastian Bach, Ludwig van Beethoven, Frédéric Chopin, Franz Liszt and Antonio Vivaldi. The author has deliberately chosen compositions that may be familiar to both musicians and people without musical training.

More...

21.82 €

Mé celoživotní janáčkování: Hovory nejen o hudbě

Author(s): Miloš Štědroň,Jiří Hanuš / Language(s): Czech

This book is more than just a history of Janáček's music; it is a full-blooded testimony of a man of wisdom, a man of infallible intuition, a man who enjoys life, a man who approaches his world in a way that seeks to understand all its apparent or real paradoxes of the past century. Miloš Štědroň responds to Jiří Hanuš's questions about Leoš Janáček, Czech music and the emerging Czech identity with a charm that is difficult to replicate. There is a flow to his thoughts, and they are arranged in rapid succession, as if unconsciously captured in a private conversation. In this way he bridges the gap between the language of the profession and the language of everyday life.

More...

0.00 €

Jiří Ignác Linek (1725-1791) : Pastorální minikantáty. Partitura a party

Author(s): / Language(s): Czech

The Pastoral mini-cantatas contain the notation of seven Christmas pastorales by the Czech cantor Jiří Ignác Link (1725-1791). The scores and parts of the compositions try to preserve the original form of the period manuscripts that served as a starting point for this publication. It was created with the aim of expanding the musically didactic repertoire based on the Czech musical tradition.

More...