Sažetak - Istinska kazališna i scenska svetkovina

Author(s): Srđan Vukadinović / Language(s): Croatian Issue: 100/2018

Dva desetljeća djelovanja svakoga festivala koji tretira kazališne i scenske djelatnosti, a i mnoge druge kreativne i umjetničke aktivnosti ljudskog duha, pokazuju njegovu trajnost i stabilnost – na jednoj strani, a na drugoj – kreativnu pronicljivost i produkcijsku umješnost. Događanja u okviru Dana Matice hrvatske – Mostarskog proljeća, tijekom dva desetljeća postojanja, postala su nezaobilazna društvena i kulturološka činjenica. I to ne samo za grad Mostar i državu Bosnu i Hercegovinu, već i mnogo šire. Programski sadržaji u svojoj strukturnoj raznolikosti privlače pozornost – kako posjetitelja, tako i šire javnosti, nesmanjenim intenzitetom. S umjetničke točke gledišta, scenski sadržaji izvedeni u okviru Mostarskog proljeća pobuđuju pozornost vrhunskim ispoljavanjem kazališnog i drugog scenskog iskaza, što ovu kazališnu i scensku svetkovinu svrstava u red najprepoznatljivijih u regiji.

Summary - Truth theater and scenery world

Author(s): Srđan Vukadinović / Language(s): English Issue: 100/2018

The two decades of the work of each festival, which treats theatrical and stage activities, and many other creative and artistic activities of the human spirit, show its durability and stability on one side, and on the other creative perception and production craftsmanship. Events within the framework of Days of Matica hrvatska – Mostar Spring have become an inevitable social and cultural fact for over two decades of existence. And not only for the city of Mostar and the state of Bosnia and Herzegovina, but much wider. Program content in its structural diversity attracts attention both visitors and the wider public with uninterrupted intensity. From the artistic point of view, the scenic contents performed within the framework of Mostar Spring arouse attention to top level by displaying theatrical and other scene statements, which makes this theater and stage festivity one of the most recognizable in the region.

DIN VOLUMUL ASPECTE ITALIENE

Author(s): Alexandru Marcu / Language(s): Romanian,Moldavian Issue: 6/2018

Drohobycz stolicą XX wieku?

Author(s): Stanisław Rosiek / Language(s): English,Polish Issue: 11/2018

Nowadays it is impossible to think about Schulz outside Drogobych. Wherever else heshowed up, be it Vienna, Marienbad, Kudowa, Zakopane, Warsaw or Paris, he was a refugee, a patient, a visitor or a tourist – always a stranger. And he considered himselfone, while others did the same. To an extent, it was his own fault. It could perhaps beotherwise if he did not so often write in his letters (and most likely said in conversations) that he was unable to live and work outside his hometown. But the words of the writer could only encourage others to contribute to a stereotype of a “modest school teacher from a small town.” The provincial status of Schulz, however, is not so obvious. At the end of the 19th century, thanks to oil Drogobych reached the end of centuries long stasis from which even the salt mines opened in the Middle Ages could not save it. Oil changed the life of many people in Galicia. Without leaving Drogobych, Schulz could actually watch and personally experience in doses which let him keep his independence and inner stability the rise of a metropolitan mentality described by Georg Simmel. Yet Paris was too much for him – after three weeks he escaped from the French capital with not a single word of commentary. To live in the capital of the 19th century, as Walter Benjamin called it, would have been a torture for him. Thus Schulz did not cancel the opposition of center and periphery, the capital and the provinces, but turned such distinctions upside down. Thanks to writing, the center of the world moved to his hometown so that perhaps Drogobych became the capital of the 20th century.

Miejsca bezpieczne: Kafka, Walser, Schulz

Author(s): Marek Wilczyński / Language(s): English,Polish Issue: 11/2018

The paper begins with a reference to Franz Kafka’s unfinished long short story “The Burrow,” which has been chosen as a starting point of a series of intertextual associations focusing on futile efforts made by various modernist literary narrators and characters to find a sense of safety in some specific settings. The route from “The Burrow” runs through selected short stories by Robert Walser toward late fiction by Bruno Schulz, in particular “The Republic of Dreams” and “The Homeland,” revealing affinities connecting the Polish writer from Drogobych with two writers of the German language, who shared his fears and obsessions.

Zobaczyć Drohobycz (i…)

Author(s): Stanisław Rosiek / Language(s): English,Polish Issue: 11/2018

But which Drogobych? There are many of them. Certainly it is not the town which now belongs to Ukraine. One may easily go there for a tourist trip. What is at stake in this game – the game of aspects, views, and images – is not the Drogobych that is actually accessible, but the one that is probably gone forever no longer to be found. In that Drogobych, of the cinnamon shops, Schulz was born and lived. Can we still have any access to it? The safest and the shortest way to Drogobych runs through Cinnamon Shops. Schulz’s drawings and graphic works, where the town is always the setting, may be of some help, too. But there is also another way, through collecting documents and meticulous reconstructing of the place (and time). It is taken by these travelers who are passionate collectors of postcards and photos. Each town has its visual conventions beyond which it is hard to reach. The more often towns and cities are photographed – Paris is a good example – the more prevalent and permanent visual schemas become. The spectator must abandon them to see the place with an unprejudiced eye. Also the official photos of Drogobych from the early 20th century show some kind of excess of the visible. Yet it is enough to change perspective, reduce the distance or enlarge the background and suddenly the official locations may reveal their private atmosphere.

Projekt księgi umarłych

Author(s): Jakub Orzeszek / Language(s): English,Polish Issue: 11/2018

The paper sheds light on the postwar reception of Schulz’s work and biography, usually underestimated by scholars. It reveals that at the very beginning of that period Jerzy Ficowski cooperated closely with the Jewish Society for the Encouragement of Fine Arts and later Jewish Historical Institute in Warsaw, although his collaboration was rather unofficial and relied on mutual information transfer. It also presents the results of research conducted in the Archives of the Jewish Historical Institute, particularly an analysis of the documents from the Ernestyna Podhorizer-Sandel and Józef Sandel files. These are mainly biographical notes on Bruno Schulz and other Polish-Jewish artists murdered by the Nazis during World War II that were to be included the monumental and unfinished Sandels’ Polish-Jewish Artists Lexicon. The main question is how the Holocaust narrative influenced Schulz’s mainstream reception in the future.

Świadkowie i prorocy

Author(s): Rafał Grupiński / Language(s): Polish Issue: 07/1988

Być jednocześnie w Paryżu lub Londynie i ciskać gromy na emigracyjne spory, i walczyć z niedowładem myśli polskiej, i jednocześnie wędrować ze swoim bohaterem po ulicach Berdyczowa, Trembowli czy Stanisławowa, i tam wybaczać mu wszystkie wady i śmiesznostki, naiwność i bezradność. Być narratorem przygód nowego Beniowskiego, choć historia mierzy dziś surowiej każdy błąd, bezwzględnie karząc za każdy krok w stronę łudzących przyszłą szczęśliwością utopii.

Repere etnologice - personalităţi

Author(s): Ioan Şt. Lazăr / Language(s): Romanian Issue: 26/2012

Structuré en deux parties, l’ouvrage Repères ethnologiques – personnalités, porte à l’attention du lecteur l’activité scientifique de deux chercheurs emblématiques de l’ethnologie roumaine: prof. univ. dr. Nicolae Constantinescu et dr. Ion Ghinoiu, les deux étant dans un moment de bilan de leur vie: l’anniversation de 70 ans. Au-delà de l’activité scientifique, l’auteur essaie de surprendre aussi la dimension humaine, l'honnêteté des deux professeurs de l'Université de Bucarest.

РАЗВОЈ ХЕМЕРОТЕКЕ МУЗЕЈА ПОЗОРИШНЕ УМЕТНОСТИ СРБИЈЕ

Author(s): Irina Stojković Kikić / Language(s): Serbian Issue: 162-163/2013

Жеља и намера да се оснује Музеј позоришне уметности Србије потекле су од Бранислава Нушића још 1901. године. Током прве половине двадесетог века било је неколико покушаја који нису спроведени у дело. Коначно, Музеј је основан 28. новембра 1950. године Уредбом Министарства за науку и културу ФНР Србије. На територији тадашње ФНР Југославије била је то друга основана институција овог типа. Темеље овој делатности, додуше у нешто ужем смислу, поставио је Архив и музеј Хрватског народног казалишта у Загребу, који је 1965. године своју комплетну имовину уступио Заводу за књижевност и театрологију Југославенске академије знаности и умјетности - Одсјеку за театрологију.

Povijest i kultura

Author(s): Eduard Kale / Language(s): Croatian Issue: 04/1971

Često se danas raspravlja ne utvrdivši i ne definiravši prethodno Predmet rasprave, iako se zna da se on različito shvaća i tumači. Tako primjerice, pri raspravi o naslovnim terminima potrebno je prije, bar dijaloga radi, jasno odrediti i razgraničiti od mogućnosti primanja nečeg drugog, pojmove povijesti i kutlure.

Priče o Sarajevskim Sefardima

Author(s): Marko Čuturić / Language(s): Croatian Issue: 1+2/2018

Jevreji, usprkos svemu što je svijet učinio protiv njih, ostavili su u nasljeđe svim narodima svoj genij i svoju mudrost. Poruke koje su Jevreji dali čovječanstvu kroz svoju religiju i filozofiju glavni su svjetionici modernog vjerovanja i kulture. Tako je pisao Winston Churchill, britanski političar i državnik u svojim memoarima. Taj njegov komentar stoji i na prvim stranicama knjige Jevreji Sarajeva i Bosne i Hercegovine autora Avrama Pinte, koji je od zaborava želio istrgnuti povijest jedne mikro-kulture, koja je obilježila i obogatila Sarajevo i Bosnu i Hercegovinu. Radi se o židovskoj zajednici Sefarda koja protjerana iz Španjolske i Portugala svoj dom pronalazi u Sarajevu. Sefard u prijevodu s hebrejskog znači Španjolac.

Teaching data mining techniques to applied business analytics students with the help of interactive hands-on tutorials

Author(s): Penko Ivanov / Language(s): English Issue: 1/2018

This paper discusses a contemporary educational approach for teaching data mining techniques to applied business analytics students with the help of interactive hands-on tutorials. This approach provides for different levels of guidance, depending on the complexity of the task. The most complex technical steps of the data mining process can be automated, allowing students with non-technical backgrounds to understand and appreciate the conceptual purposes without needing to dive into the minutiae of detailed optimization algorithms. The proposed method leverages advanced technologies to enable the delivery of a complete educational product that resonates with students of different backgrounds, and with various preferred learning styles. The author presents his work on the development of interactive hands-on tutorials for teaching data mining techniques directly in the R console for the purposes of the “AD699 Data Mining for Business Analytics” – a graduate course being delivered both online and on-campus by Boston University / Metropolitan College, Department of Administrative Sciences.

Повей от Босфора

Author(s): Borislava Ivanova / Language(s): Bulgarian Issue: 02/2018

Die Hauptstraße und der Vater-Signifikant

Author(s): Daniel Sas / Language(s): German Issue: 1/2019

This paper could be regarded as an effort towards a philosophical interpretation based on chapters XXIII to XXV of Seminar III – The Psychoses by Jacques Lacan. Itis structured following Lacan’s line of thought and argumentation as it can be traced in the afore mentioned chapters of Book III. Lacan aims at determining the specific markers of psychosis by a careful examination of the famous case of Daniel Paul Schreber, the distinguished German jurist from the 19th century who has gone mad. At the origin of the constitution of the subject’s psychic structure there is this fundamental, pre-linguistic experience of the rapport to the presence of the radical Other (A) - an experience which in turn determines the subject’s symbolic structure. Essentially there are two possible modes of positioning: the future subject can choose to put itself in a position of receptivity - this would be the Freudian Bejahung – or it can choose to radically reject this presence (the dimension of the signifier in its radical otherness) – this being the Freudian Verwerfung or the Lacanian foreclosure. In the latter case something as a psychotic structure emerges. A fundamental or a rather exceptional signifier has thus been rejected; in Schreber’s or any psychotic’s case it is the paternal signifier (Name-of-the-Father) as the principle of revelation, particularly the principle of procreation. The crucial moment of the triggering of (of) the Schreberian psychosis is when the subject finds itself confronted with a fundamental signifier, which emanates as an interpellation from the radical Other (A) but cannot be accommodated by an already established subjective structure.

Kulturna politika različitosti na primjeru umjetničkog djelovanja Selme Selman

Author(s): Žana Vukičević / Language(s): Bosnian Issue: 1/2018

Pojava Selme Selman na domaćoj umjetničkoj sceni i njeno intenzivno stvaralaštvo tokom posljednjih nekoliko godina, posmatra se i kritički analizira kao integralni dio jednog talasa mladih umjetnika koji su još za vrijeme studija na Akademiji umjetnosti u Banjoj Luci zauzeli aktivnu poziciju u generisanju novih umjetničkih praksi na ovome prostoru. Svoje školovanje, umjetničko usavršavanje i životni put nastavili su potom u inostranstvu obrevši se, zahvaljujući stipendijama, na uglednim evropskim i svjetskim univerzitetima. [...]

Kritične tačke banjalučke umjetničke scene i pitanje migracija

Author(s): Irfan Hošić / Language(s): Bosnian Issue: 3/2018

Još od prodora ideja modernizma, banjalučka umjetnička scena profilirala se kao kulturna pojava koja bi se mogla analizirati iz više perspektiva. U vremenskom rasponu dugačkom nepunih stotinu i pedeset godina, njenu fizionomiju određivali su različiti društveni i politički događaji, ali i prirodne i ratne katastrofe. Kada je riječ o bosanskohercegovačkom kulturnom i umjetničkom kontekstu u historijskoj perspektivi, o banjalučkoj umjetničkoj sceni moglo bi se govoriti kao o iznimno dinamičnoj i u određenim trenucima naprednijoj sredini od znatno većeg Sarajeva. [...]

Udruga KVART iliti smisao života na splitskom Trsteniku

Author(s): Boris Šitum,Luka Duplančić / Language(s): Croatian Issue: 4/2019

Udruga KVART osnovana je u ljeto 2006. godine ispred kafića TNT na splitskom Trsteniku. Osnovali smo ju Milan Brkić, Željko Marović, Rino Efendić i ja. Milan je tom prilikom naglasio potrebu za udruživanjem zbog priličnog broja umjetnika koji žive u našem kvartu, a zapravo se ne poznaju. Prva naša smjernica bila je odmicanje od centra grada i stvaranje vlastite scene u mikrozajednici (kvartu). Tako smo i nazvali udrugu. Naša prva izložba istog nazivnika polučila je veliki uspjeh jer smo u startu angažirali veliki broj mladih ljudi iz zajednice. Te večeri postali smo susjedi koji se pozdravljaju. [...]

Kombiniranje sa zajednicom i za zajednicu

Author(s): Ivana Lučić / Language(s): Croatian Issue: 5/2019

Kreativni kolektiv Kombinat broji dvadesetak mladih koji u posljednjih šest godina osmišljavaju i provode projekte na području kulture i kreativnih industrija, prvenstveno na području Rijeke, s povremenim izletima u širu regiju. Članovi Kombinata različitih su profesija – od umjetnika, dizajnera, ilustratora i fotografa do kustosa, projektnih menadžera, PR-ovaca, copywritera i informatičara. Pritom nastojimo biti aktivni u svom okruženju te poticati zajednicu na različitosti, suradnju i povjerenje. [...]

Rāma as Kṛṣṇa, Rāma-Kṛṣṇa

Author(s): Raju Kalidos Kesava Rajarajan / Language(s): English Issue: 1/2019

How many are the Rāmas? Rāmaṉ ettaṉai Rāmaṉaṭi is a popular movie song. Kṛṣṇa is here (Kurukṣetra), yonder(Bṛndāvana) and everywhere (minds of devotees). The two are the principal characters in the hymns of the Āḻvārs that lead to meditate on Kṛṣṇaism and Rāmaism. They are one with the avatāras of Viṣṇu, and at the same time on either polarity from the feminine point of view; Rāma is ekapatnīvratin and Kṛṣṇa’s anekapatnī. TheĀḻvārs, cf. hymns bearing on divyadeśa-Pullāṇi (Tirumaṅkai in Periya Tirumoḻi), and some north Indian folk songs view Rāma, the beloved of several lovesick maidens. The article proposes to discover Rāma in the Bṛndāvana (cf. Fig. 5), not Aśoka-vanaṃ. In either case, philosophically the several lively women are paśus committed to ātmanivedana due to virahabhakti.