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The aim of the article is to present the assumptions and discuss the edition of Bronisława Wójcik-Keuprulian’s correspondence published in 2018 by Małgorzata Sieradz. Bronisława Wójcik-Keuprulian, who specialized mainly in chopinology, belonged to the group of outstanding Polish musicologists of the interwar period. Among other things, she was the originator of the “Fryderyk Chopin Complete Works” edition prepared by Ignacy Jan Paderewski. Małgorzata Sieradz meticulously and with competent critical skills presents the correspondence, which Wójcik-Keuprulian conducted with two influential figures of the Polish musical life of her time: Henryk Opieński and Ludwik Bronarski. The study proves to be a valuable source for research on the beginnings of musicology as an academic discipline in Poland.
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