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In 2021-2022, both transitional/long and year-long research projects in fundamental and applied sciences of manuscript studies were conducted and a number of museum and educational projects were implemented at the Korneli Kekelidze Georgian National Centre of Manuscripts, as the very important international scientific institution for Georgian studies.
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In 2021-2022, the Ivane Javakhishvili Institute of History and Ethnology continued working on five-year research projects funded under the program “Supporting Scientific Research” in Georgian history and ethnology. The Institute scientists have participated in many national and international scientific projects. 32 monographs, textbooks and books (including 15 publications abroad) were published under their authorship and co-authorship; The Institute staff members have participated in many international and national scientific forums, including those organized by the Institute. The Institute’s periodicals continued to be published.
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This essay is the study of a single voyage as it unfolds in three texts. Each of them contains descriptions of the sea, which takes the poets, Juan Ramón Jiménez and Federico García Lorca to the shore of a confrontational transformation. Jiménez’s Diario of 1916 recounts the young, love-smitten poet’s journey from Spain to New York, where he was to be married. In Poeta en Nueva York of 1929, Lorca, travelling outside of Spain for the first time, experiences a profound emotional crisis while at sea. In “Espacio,” the third of the texts discussed, Jiménez, too, faces an emotional challenge, as he finds himself face to face with a sea in which present and past have merged into a single shore. The crisis thus is a shared one, the texts marvelously overlap, and allow an intertextual reading as one, combined narrative.
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