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Ideał wodza w Hetmanie Bartosza Paprockiego wobec ethosu rycerskiego XVI‑wiecznej szlachty polskiej

Author(s): Izabela Kosyl / Language(s): Polish Publication Year: 0

Bartosz Paprocki was a 16th‑century writer whose interests, apart from heraldry, included paraenetic writings. In Hetman (Head Commander), which is the topic of this article,Paprocki created a portrait of an ideal commander based on the principles of the chivalricethos. The following article attempts to answer the question if the ideal presented in thebook was founded on any of the actual commanders of that time and which elements wererelevant for the writer in the creation of the protagonist. Bartosz Paprocki’s Hetman (HeadCommander) is also compared to works of other authors dealing with military subjects.Moreover, the article probes for Paprocki’s sources of inspirations for his ideal commander.

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Między duchem walki a duchowością wojny. Wzór rycerza prawego w zwierciadle Szymona Starowolskiego

Author(s): Dorota Bylewska / Language(s): Polish Publication Year: 0

The subject of this article is the 17th‑century mirror of Szymon Starowolski’s workPrawy Rycerz (The Perfect Knight), which continues the literary tradition of creating the idealof a knight. The superior category determining the direction of interpretation is the image ofthe ideal knight presented in this treatise. A reference point for the analysis was the oppositionbetween the primeval fighting spirit and the spirituality of a Christian soldier. Starowolski construed the ideal of a righteous knight – defender of the Catholic church based on the paraenetic tradition. Hence, it was necessary, on the one hand, to study the topics of service to God, just war and knighly virtues retained in literature, to which Starowolski alludes. On the other hand, we had to take into consideration that Starowolski wrote Prawy Rycerz (The Perfect Knight) in response to the neglect he saw on the political and social scene.Open criticism of the military and the call for revival of the military tradition is a very important element of interpretation, which has brought Starowolski’s paraenetic message up to date. Focusing on the created ideal, the author of the article also pointed to the richness ofintertextual references (both to ancient literature, the Bible and Starowolski’s contemporarywritings) and their role in textual rhetoric.

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„Rycerz mężny Ostoja, który roty wodzieł”. Cnoty herbowe rodu Ostojczyków w literaturze panegirycznej XVI–XVIII wieku

Author(s): Bartłomiej Michał Wołyniec / Language(s): Polish Publication Year: 0

The genealogical‑heraldical discourse and interest of the Polish nobility in exploring the origins of coats of arms and history of heraldic clans resonated in the panegyric literature nad compilations published at the end of the 16th century.Heraldic legends and theatrical performances inspired by heraldic motifs, stemmas, figurative poems and funeral sermons were only a part of the eventful lives of the Polish nobility. The coats of arms nevertheless, were the fundamental of their existence, their social characteristic and an identifying symbol. Therefefore, they became a focus of interest for panaegyric writers. The treasure trove of works they left behind demonstrates the richness of modern Polish culture.In the following study, the author conducts an analysis and interpretation of varioustexts of Old Polish literature whose central theme was the Ostoja coat of arms featuringa sword with a crescent on each side. These works convey, to a large extent, the ideal of manthe Ostojas were confronted with by the heraldic legend created by Bartłomiej Paprocki. Onthe one hand, it is a theatrical performance eulogizing the glory of the Piestrzecki family,on the other hand, various poems concern the members of the Szyszkowskis, Gajewskis,Błociszewskis and other Ostoja families. They are supplemented by the funeral sermon delivered during a memorial service for Dadzibóg Władysław Słuszek.

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„Cne Lachy wszędy sława wiekopomna głosi”. Wartości rycerskie w świetle literatury okolicznościowej, poświęconej bitwie chocimskiej 1621 roku

Author(s): Marcin Piątek / Language(s): Polish Publication Year: 0

Referring to Maria Ossowska’s considerations in Ethos rycerski i jego odmiany (Chivalric Ethos and Its Varieties), the author reconstructs the picture of chivalric values emerging from the occasional literature which was produced in the aftermath of the Battle of Khotyn in 1621. The study concerns both the permanent elements of the chivalric ethos functioning since antiquity and those which were of particular importance in the 17th century. They include: noble birth, valor, obedience, prowess, war experience, pride, love of the homeland, bravery and devotion. Great significance was attached to the religious aspect of the battle against the „infidel”, due to which the Khotyn war acquired the status of a holy war where the fallen soldiers deserved to be immortalized in songs.

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Rycerz chrześcijański wobec zjawiska niewoli tatarsko‑tureckiej. Na podstawie wybranych utworów staropolskich

Author(s): Renata Rybarczyk / Language(s): Polish Publication Year: 0

The author of the following paper deals with the works of Old Polish literature onthe Tatar‑Turkish subject matter, in particular the threat posed by the Tatar‑Turkishopponent to the freedom of countries and peoples as well as individuals. Their authors werewarning against the possible enslavement of the people and the loss of sovereignty by theCommonwealth. Defending national independence was regarded as a knightly duty. Anobligation of a knight was also to free his countrymen and coreligionists from Tatar‑Turkishcaptivity.The author of this article also brings to attention the works which regard the knightswho free captives as role models. Individual accomplishments of the liberators of captiveswere frequently and readily described in classical Polish literature. John III Sobieski wasfamed for this when he was still a head commander, as we can see in the works of SamuelLeszczyński, Remigiusz Suszycki and Jan Ślizień. This article demonstrates, on selected examples, that the defense of freedom against the Tatar‑Turkish opponent had a significantplace in the Old Polish chivalric ethos.

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Ostatnie rycerstwo Europy. Husaria w utworach Wespazjana Kochowskiego

Author(s): Dominika Fesser / Language(s): Polish Publication Year: 0

The aim of this paper is to explore the image of Polish hussars emerging from the writings of Wespazjan Kochowski. The subject of reflection is mostly the ways of fighting of hussar towarzysz and the role of the characteristic hussar weaponry described in Kochowski’s poems. The author of Niepróżnujące próżnowanie (Not Idling Idleness) was sent as part of levy in mass to Berestechko (1651) shortly after graduation. Thenceforth he was in the army until 1660, also in the Crown hussar company of margrave Władysław Myszkowski. Wespazjan Kochowski devoted a large part of his writings to soldier life, famous battles and commanders. This article analyzes the works of a poet‑soldier, in which we find a first‑handDescription of hussars; they include verses from the collection Niepróżnujące próżnowanie (Not Idling Idleness) and excerpts from Commentarius belli adversus Turcas ad Viennam (Memoirs from the Wars against Turks) and Dzieła Boskiego albo Pieśni Wiednia wybawionego i inszych transakcyjej wojny tureckiej w roku 1683 szczęśliwie rozpoczętej (The Work of God or Songs of Liberated Vienna).

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„Dzieł jego i odwag rycerskich […] długo by wyliczać” – wizerunek żołnierza w polskich drukowanych oracjach pogrzebowych XVII wieku

Author(s): Urszula Kicińska / Language(s): Polish Publication Year: 0

War and military subjects are a very broad issue and an object of scholarly reserach in many fields. Particularly interesting themes concerning soldiers’ everyday routines, the national and social make‑up of armies, duties of commanders, military drill and the trainingof warriors can be analyzed based on the Sejm acts on the army and hetman codes, worksand treatises written by higher‑rank commanders and politicians, dairies, memoirs, acts ofnomination and conferment and kings’ instructions.On the other hand, the extraordinarily interesting material to study the mentality, personalityand the ideal of a soldier in the modern era is provided by paraenetic sources, which comprise funeral orations, wills and testaments, epitaphs, funeral recollections, lamentations, laments and funeral eulogies. Among the above mentioned, funeral sermons deserve particular attention. They frequently overidealized the virtues of a perfect soldier, regarding birth, nobility, military values, deep patriotism, religiosity, involvement in political and sociallife, charity, devotion to family and a good death.

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Antywzór sarmackiej rycerskości. Coś nowego Łukasza Opalińskiego

Author(s): Teresa Banaś-Korniak / Language(s): Polish Publication Year: 0

The article examines the debasement of the Sarmatian ideal of a knight, which wasshown in the satire Coś nowego (Something New) written by Łukasz Opaliński – a 17th‑century erudite and aristocratic writer. Purposely refering to various literary traditions,styles and genres, Opaliński mocks not only specific individuals but also various phenomenataking place in the 17th‑century Polish political and social reality. He is focused on ridiculingand unmasking the political and military chaos. Literary resources of ridicule vary from the picaresque style with its poetics of parody, absurd, play on words, use of vulgarities and augmentative forms, to the lofty or even bombastic style (which features elaborate metaphors, epithets, refined irony and hyperbole). In creating this stylistically varied literary form, which is parallel with the tradition of the so‑called Mennippean structure („somethingnew” in Polish literature of that period), the author does not abandon the position of an insightful and aristocratic writer who not only aptly comments on the world that he is describing, but who consciously juggles words, moving freely within various literary conventions.

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Ethos rycerski w Zawiszy Czarnym Juliusza Słowackiego

Author(s): Jakub Rawski / Language(s): Polish Publication Year: 0

Zawisza Czarny (Zawisza the Black) is one of the least discussed, studied and interpreted works by Juliusz Słowacki. This unfinished drama from the poet’s late period opens a vast field for researchers who have to reach for historiographic resources in its interpretation. Słowacki’s approach to the chivalric ethos, which was the constituent element of chivalric culture, reveals the specific nature of the chivalric culture on our own ground, when compared for instance with French culture. The bard’s employment of the ethos so ingrained in medieval culture gives rise to a conscious polemic with the legend of Zawisza the Black who was known as „the most famous and bravest knight”. Słowacki seems to be far from idealizing medieval Polish warriors. On the contrary, by showing their humanity, he demythicized the culturally retained ideals and schemata. The following analysis uses the methodology of Hayden White’s historicism viewing a historical source as a fictional narrative to compare the model for Zawisza the Black’s character preserved in Jan Długosz’s Annals or Chronicles with Słowacki’s literary creation.

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Antologia – ewolucja i dzisiejszy status gatunku. Kilka elementarnych oczywistości

Author(s): Jerzy Smulski / Language(s): Polish Publication Year: 0

The article consists in a synthetic overview of the current state of researchon the anthology as a genre, its transformations as well as contemporary condition(with particular emphasis on literary activity within the genre in socialist realism). Theauthor points out that the anthology remains an underinvested genre in the Polish literarymilieu wherein dictionaries and literary encyclopedias often fail to dedicate duespace to the term, and monographs and articles do not do it justice either.

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Antologia jako „gatunek koronny” naszych czasów

Author(s): Aleksander Nawarecki / Language(s): Polish Publication Year: 0

By referencing genealogical conclusions drawn by Ireneusz Opacki in his article on the interweaving of generic forms as the marker of the evolution of poetry (Krzyżowanie się postaci gatunkowych jako wyznacznik ewolucji poezji), the author poses a hypothesis, that the anthology is an overlooked and wrongly belittled “royal genre” of our times. At the source of the form, as its etymology suggests, are the elementary models of collecting and binding (gr. anthologia ‘a collection of flowers, a bouquet’), once used on the margins of the Housebook, nowadays on the assembly table, an internet blog or a DJ’s mixing desk. The anthology, set against the backdrop of such cultural phenomena as video clips, web pages, the hypertext, rap, contemporary silva rerum or Abecedariuses, but also the scourge of plagiarism, appears to be a form characteristic of the postmodern heritage of a digitalized civilization. It would seem that the contemporary plethora of books and blogs titled or subtitled “an anthology” is one of the effects of the global omnipotence of the citation.

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’Aνθολογία w czasach antycznych i późniejsza recepcja pojęcia: europejskie anthologiae nowożytne (rekonesans)

Author(s): Iwona Słomak / Language(s): Polish Publication Year: 0

The aim of the article is to familiarize the reader with the history of the term ἀνθολογία, as well as its cognates, employed as a headliner category defining the contents of the work as well as a genre. The author focuses on the Greek and Latin tradition over the course of time, as it certainly can be ascribed a significant culturally productive function across Europe from the ancient times till the 18th Century. The results of this reconnaissance would suggest that the term in question is widely used while referencing collections or works that manifestly emphasize the erudition of the author, as well as those containing various pieces of prose and poetry by a number of authors, and serving a twofold purpose: to please the reader while being of practical use as a study in morality, and to broaden one’s erudition while serving as a training material in writing and style. In the period of time discussed to distinguish between literary and practical anthologies would be pointless, as they were all not unlike glossaries, encyclopedias or collections of moral studies.

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Wybory autorskie. Przyczynek do charakterystyki zjawiska

Author(s): Magdalena Kokoszka / Language(s): Polish Publication Year: 0

The author of the article asserts that nowadays the anthologist is a persona of increasing prestige. She also tackles the widespread use of the terms “choice” and “anthology” as practically synonymous. She focuses on the specificity of the increasinglypopular kind of choices – that with a strongly resounding author‑subject, presenting chiefly one’s personal canons. Such choices can be situated in the context of the so‑calledego‑documents– accounts referencing personal experience, made in this instance not from the position of a historian or literary critic, but that of a reader. The author of the article is interested in the cultural context of the phenomena presented: the contemporary culture of citation, but also of uninhibited “use” of quotations, freed from the burdens of the culture of the original, replacing originality with innovation, unlimited “cloning” unscathed by the fear of the finite.

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Zbieranie z ciszy. O antologii poezji żydowskiej

Author(s): Marian Kisiel / Language(s): Polish Publication Year: 0

The article is dedicated to poetry created in Yiddish, a language used by a diminishing number of people. The author poses a number of important questions, for instance: is “Jewish poetry” (in Yiddish) exempt from belonging to a cultural environmentin which it has been created? Using the anthology of Jewish poetry as an example Marian Kisiel reflects on the status of the Yiddish language in the context of ethnolects of the countries where this kind of literature used to be written. Ultimately he postulates that Polish‑Jewish poetry is primarily Jewish, and only later (secondarily) Polish.

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Śląskie antologie młodych po roku 1989

Author(s): Katarzyna Niesporek-Klanowska / Language(s): Polish Publication Year: 0

The subject of the article is the phenomenon of the Silesian young poets anthologies published after 1989: Inny świt by Marian Kisiel, W swoją stronę by Paweł Majerski and Martwe punkty by Dariusz Pawelec. The poetry collections in question present a different kind of poetry created in Silesia – different meaning, on the one hand departing from manifesting regionalisms in literary works, dissenting from regarding being‑Silesian only in relation to poetic schemes, while on the other still recording this very quality, subconsciously registering it. The authors of the anthologies have been looking for a common sensitivity amongst the individualities of all writers whose works have been collected. Yet, what the published collections were to show above all, was that there is something happening in Silesian poetry, that it is not stuck in a rut, quite to the contrary: it is changing, moving forward, has its storms and revolutions, and that with each new author comes a new poetics.

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Grupa Na Dziko w antologiach śląskiej poezji

Author(s): Aleksandra Zasępa / Language(s): Polish Publication Year: 0

In her article the author discusses aspects of the functioning of the texts written by the members of the Na Dziko poetry group in the context of the anthology of Silesian poetry. Being an extraordinary phenomenon in the literary lives of the younger generations of Silesians, the formation not only played an important role in the local culture, but also granted an utterly new cultural status to the region (until then mostly perceived as peripheral) and its literary milieu. The texts of the Na Dziko authors were extraordinary because of their artistic qualities, but also because of the common literary principles they voiced. The author undertakes a chronological review of particular anthologies comprised of texts written in Silesia, wherein the pieces by the group members have been included. The consecutive anthologies presenting the poetic accomplishments of the groups’ authors thus symbolically mirror the development of the group itself: from its formative phase, initiated by the anthology Inny świt, through the period of integration and collective activity (W swoją stronę), until the final phase of the formation’s functioning (the anthology Martwe punkty).

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Księga miejsc utraconych. O antologii Kraj lat dziecinnych

Author(s): Jolanta Pasterska / Language(s): Polish Publication Year: 0

The article discusses the anthology Kraj lat dziecinnych. The analysis of the volume has been dedicated to two primary issues that can consequently be divided into two groups: the first references the times the collection was created and its purposes, as their editors’ envisioned it as serving to cheer the hearts of the emigrants returning to the lost land of their childhood only in their memories; the second is an analysis of the anthology as the prototype of the genre dynamically growing after World War 2, both in the country and amongst the emigrants. The anthology included nineteen sketches and essays of varying artistic quality, whose authors were writers, politicians and artists rooted in one tradition and culture, whose lives had them face a radically different emigration reality. The landscapes summoned in their memories speak not only of the loss of a particular place geographically, but also of a part of one’s own identity, hence being a testimony to the terrors of history affecting both the lives of individual people and whole nations. This anthology can thus be somewhat considered a book of places lost, but also a version of the common fate of the Polish people.

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„Walcząc o swoje pisanie, walczę o życie” – o kolekcjach reportaży Melchiora Wańkowicza

Author(s): Beata Nowacka / Language(s): Polish Publication Year: 0

In her article, the author attempts to describe a few works by Melchior Wańkowicz, a reporter and a writer, best known for his monumental Bitwa o Monte Cassino (The Battle of Monte Cassino). Drawing upon the terminology elaborated by Manfred Sommer, she concludes that, at the final stage of his life, Wańkowicz turns into a “gatherer” who revisits and reorders his earlier writings to compose new collections. Although the reportages in question vary in terms of their artistic quality, the consistency and doggedness of their author who, approaching the end, still deals with his prolific literary output, is striking. For Wańkowicz writing had always been raison d’être, and the sense of the end looming on the horizon contributed largely to rekindling of his creative powers. A tentative hypothesis put forward by the author suggests that the method of composition peculiar to Wańkowicz (a literary mosaic) may be seen as another variant of the anthology.

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Antologia jako kuriozum. Uwagi o kolekcji Juliana Tuwima

Author(s): Ewa Bartos / Language(s): Polish Publication Year: 0

Julian Tuwim was a tireless collector and book‑lover. He created anthologiesthroughout his whole life, augmenting his library of books and curiosities.The author strives to fathom what creating anthologies meant for the poet before WorldWar 2 and how it changed after the war. Julian Tuwim’s anthologies constitute a literaryrepresentation of a collection. The sketch is also an occasion to look for a linkbetween the passion for collecting and the art of creating an anthology.

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Antologia haiku Ryszarda Krynickiego

Author(s): Joanna Kisiel / Language(s): Polish Publication Year: 0

Ryszard Krynicki’s anthology Haiku, haiku mistrzów gathers the poet’s original work, close to the haiku form, as well as presents translations (paraphrases?) of the works of the Japanese masters of the genre (Bashō, Busona, Issa and Shiki). The author of the article analyzes the close relation between Krynicki’s writing and his translation work as well as the strikingly personal character of his anthology. Its creation stems from the poet’s creative path, heading towards short poetic forms, but above all is testimony to a special spiritual practice, wherein reading and writing are inextricably linked in the process of building subjectivity. In Krynicki’s anthology the Eastern cultural inspirations meet the Western tradition of creating hypomnemata. The special character of this collection, however, lies in its becoming an intimate place of encounter of poets from different times and distant places, while the record of experiencing the world in its fragility and transitoriness proves to be a deeply personalexperience.

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